Raja Rani (2013)

Raja Rani

I didn’t manage to see this in the cinema in Melbourne, but did manage to get a DVD copy with English subtitles.  Rather strangely it was also the only film they had on the bus in Tamil Nadu this year and I ended up watching the opening scenes over 10 times on the way to various villages in TN.  This added exposure gave me enough time to appreciate just how outlandish Nayanthara’s make-up looks, and just how uncomfortable Arya appears in his suit at the opening wedding which is a good precursor to how their relationship develops. In fact, the lead couple are rather uninspiring throughout this film – at least when paired with each other – but thankfully co-stars Jai, Santhanam and Nazriya Nazim are more appealing and their presence does make Raja Rani worth a one-time watch.

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The story starts with the arranged marriage of Regina (Nayanthara) and John (Arya) who are going through the matrimonial motions for the sake of their respective families.  Or so we are told.  Except as the film progresses this wedding seems to make less and less sense.  The couple obviously dislike each other and I cannot see why Regina’s relatively wealthy and cosmopolitan father would agree to marry her to someone like John.  He seems to have neither the requisite high flying job nor appropriate family background for such a match.  However, as completely random as it seems, and despite the lack of any reasonable explanation the wedding goes ahead even with the bride forgetting her prospective partner’s name and both parties complete lack of enthusiasm throughout the ceremony.

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It’s a match that seems doomed to end in divorce.  John spends his days at work and his nights drinking with his friends before returning home, usually to a locked door.  Regina hogs the bathroom, sobs into her pillow at night and generally ignores her husband as much as she can.  It all feels very unrealistic and overly dramatic – after all there is a large couch in the other room where Regina could sleep if she wanted, and surely John could organise a key to their apartment rather than sleep on the doorstep?  All the OTT drama makes it difficult to care about either John or Regina since they are equally obnoxious to each other, and I really had little interest in their relationship.  That’s not to say that Arya and Nayanthara are particularly terrible, but all Arya has to do in the first half hour is pretend to be drunk while Nayanthara doesn’t stop crying or complaining long enough to do anything remotely interesting either.

Thankfully there is relief in sight, but until we get there Santhanam lightens the atmosphere and is mildly amusing as John’s best friend Sarathy.

Finally there is an incident which prompts John to find out a little more about his wife.  There is some very dodgy medicine on display as Regina has an epileptic fit while her husband seems totally incapable of any sensible reaction, although he does eventually manage to call an ambulance.  Needless to say, despite all the thrashing around and foaming at the mouth (sigh – when will Tamil cinema consult a doctor for some plausible medical problems?) Regina manages to come through the whole episode with her make-up and eyelashes intact. That’s a relief!

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However, after being berated by her doctor for not knowing anything about his wife’s condition, John does discover the reason behind her ‘illness’.  Lost love – of course!

The film gets much better when we head to a flash-back to Regina’s first love, although to be fair this doesn’t have the best of beginnings either.  Jai is excellent as love interest Surya, an incompetent call centre employee, and finally there are some real emotions and reasons to empathise with one of the characters.  Regina is as obnoxious as before, but the role of spoilt rich brat suits her better when she’s a student and she does seem to be more tongue in cheek with her tantrums.  Sathyan makes an appearance as Surya’s friend Iyappan and his comedy shtick complements Jai’s weedy persona well enough to make a reasonably funny duo. Although the romance is typically filmy there is some chemistry between the two actors and while we can see the unhappy ending coming, Regina never does and is devastated by losing her first love.

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It turns out that John has his own sob story, and although it’s another predictable run of the mill tale, again it’s a more believable romance with good chemistry between the actors.  In particular Nazriya Nazim is scintillating as Keerthana and she is the best thing about the whole film.  She has an excellent introduction and her cheeky impishness lights up the screen whenever she appears.  She has much more personality and is much livelier than in Naiyaandi, which just goes to show the difference between a well written character and one that basically isn’t!

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Arya is also transformed into a younger, fitter John who is more personable and likeable, and again there is some reasonable chemistry between him and Keerthana.  It’s not all good though – Santhanam suffers under the burden of some terribly bad hair which seems to make him more pathetic and less amusing than in the first half, but it works out for the best as Nazriya has the comedy covered too.

The main problem I have with Raja Rani is that the relationship between John and Regina never generates any appeal or gives an opportunity to feel sympathetic towards the characters.  There are some interesting issues brought up  here but they are dealt with in a shallow and filmi way which results in a lack of connection between the characters and the audience.  There is no apparent reason for the couple’s actions towards each other, considering that they don’t appear to have met before the wedding, and it seems strange that they would behave so badly to each other right from the start.  The concept of an arranged marriage between two people who have both lost their first love has potential but Atlee wastes it by playing the relationship for laughs and never giving his characters a chance to behave like rational adults.  I found it incredibly frustrating to watch  Arya and Nayanthara appear so wooden and lifeless for most of their on-screen time together, when the difference was so obvious when Arya was partnered with Nazriya and Nayanthara with Jai.  A little more time spent on developing the relationship between Regina and John at the beginning along with a more adult treatment of their problems would have made this a more entertaining watch.  However I did enjoy seeing a better performance from Nazriya and I liked the idea behind the film, even if the execution didn’t quite live up to expectations.  3 ½ stars.Raja Rani

Thalaivaa (2013)

Thalaivaa

Thalaivaa is the latest release for Vijay, and although it’s not as instantly entertaining as his last film Thuppakki, it’s still a mostly enjoyable watch.  Vijay is excellent (although he doesn’t tread any new ground), and impressive performances by Santhanam and Amala Paul add to the overall impact, but it’s really Sathyaraj who steals the show as the reluctant saviour of the people.  Thalaivaa is also the latest film to release here in Melbourne with English subtitles, and I can only hope that this trend will continue.  Thanks to the Powers That Be in Chennai who have finally started to distribute subtitled films to locations outside of the US and UK – please can you start on the smaller releases now too?

A.L. Vijay’s Thalaivaa is really a story of two halves.  It starts off with some political shenanigans in Mumbai which sets up the story for the rest of the film.  Ratnam (Nasser) is a political leader who is targeted by his opponents during a riot.  However he is saved, along with his young son by Ramadurai (Sathyaraj), who pays for his brief foray into politics when he himself is later ambushed and his wife killed.  Ramadurai hands his son over to Ratnam in the hope that he will have a better and safer life overseas, while Ramadurai stays and fights for the rights of the underprivileged Tamil people in Mumbai.  After such a serious and well-constructed beginning, the film suddenly changes direction completely as we move to Sydney where Viswa (Vijay) and his ‘brother’ Logu (Santhanam) are running a water bottling company.

ThalaivaaVijay and Santhanam

Although Viswa seems to be doing incredibly well with his small company given his expensive apartment with views of the bridge and waterfront, he also has ambitions to make the big time as a dancer.  The first half is light-hearted and there is plenty of humour as Viswa and Logu compete for the affections of Meera (Amala Paul), the daughter of one of their bottled water customers (Ponvannan).  Sydney provides a picturesque backdrop for the songs, although the entire dance competition storyline is very contrived and unrealistic, not that there is anything unusual in that. However the really dumb entrance by Meera chasing a CGI butterfly is offset by her feisty and assured character who even gets to show off her dancing skills and proves to be just as good as the guys.  Amala Paul is excellent as Meera and manages to create a believable personality with just a few scenes.  Sadly she has much less screen-time in the second half and her character becomes even more clichéd, but she does a good job with her limited material, and she looks stunning too.

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Inevitably Meera and Viswa fall in love, but Meera’s father insists on meeting Ramadurai before the wedding can go ahead.  However Ramadurai is now Anna, an underworld figure who rules the slum areas of Mumbai and ensures his own brand of justice for his people.  As such, he’s wanted by the police, and Viswa’s arrival into Mumbai is a major headache for his father and his loyal followers.

Anna

There is an unexpected plot twist after Viswa lands in Mumbai and the film changes tack again into a more typical mass-style thriller with the expected chase sequences through back alleyways and eventual, rather predictable final showdown fight scene.  Viswa ends up taking over his father role and his transition from carefree dancer and small businessman to serious leader of the people isn’t well developed and seems rather too abrupt.   Abhimanyu Singh plays Viswa’s main rival Bhima and his character is also majorly underdeveloped despite a good starting premise.  I’d like to see Abhimanyu Singh do more than just flex and grimace at the camera as he seems to have done in his last few films, since he has played more nuanced characters in the past, and played them well too.  However, we don’t get any real depth from his character here and it makes absolutely no sense that the political power brokers decide to back such a demented thug with his wholesale plans of indiscriminate violence.  But back him they do, and despite a few unexpected twists, the story winds its way through the standard formula of good guy looking out for the welfare of the people vs. uncaring thug, only interested in power.

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The second half drags in places as we tick off each point on the ‘standard Tamil thriller storyboard’, although there are some excellent scenes amid all the clichés which liven up proceeding again.  But its uneven and even the best efforts of Vijay, Santhanam and Sathyaraj can’t stop the feeling that we’ve seen all this before.

Thalaivaa

Still, the film is well shot by experienced cinematographer Nirav Shah with good use of the cityscape in Sydney, and equally good cinematography in the dock and slum areas of Mumbai.  The choreography is well suited to Vijay and Amala who share good chemistry together.  The songs by G. V. Prakash Kumar are generally catchy, apart from a more political song in the second half which could have been shorter.  Ragini Nandwani also puts in a good performance as a second love interest, and the rest of the cast provide able support to the main leads.ThalaivaaThalaivaa

Overall Thalaivaa is rather less than the sum of its parts, but there are enough individually good scenes along with polished and assured performances to make it mostly entertaining.  The story really needs to be sharper to offset the stereotypical characterisations but I still came away feeling that Thalaivaa is worth seeing on the big screen.  Watch for Sathyaraj, Vijay and those dance scenes around Darling Harbour and Circular Quay which really are excellent.

Singham II (2013)

Singham IIDespite the promise of subtitles, Singham II turned out to be another ‘adventure without subtitles’ in Melbourne.  Possibly not such a bad thing as there was so much happening on-screen, I’m not sure that I would have had time to read them anyway.  However, director Hari keeps the basic plot the same with a dedicated cop determined to clean up Tamil Nadu and a number of characters from the original Singham reprise their roles.  The addition of Santhanam, Hansika and Mukesh Rishi among many others to the cast mainly adds more mayhem into an already packed storyline but although there is an apparently limitless cast of characters, it’s still Suriya’s movie all the way.  Singham II is relentless, overlong and frequently over dramatic but there are some excellent fight scenes and Durai Singham’s determination and energy help keep the film from dragging.

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There is a quick run through the significant moments of the first film, reminding us that Durai Singham (Suriya) had resigned his position and under the aegis of the Home Minister (Vijayakumar) was heading off undercover to Tutricorn charged with investigating arms smugglers in the area.  So after a run-of-the-mill item song with Anjali, the film starts with Durai Singham working as some sort of an instructor in a local school.  I’m not exactly sure what his role was but it seemed to involve students and a lot of marching but not much else, which at least gives Singham time to pursue his undercover mission.  He also indulges in a little investigation when one of the students breaks in to look at exam papers early.  It’s the first time I’ve ever seen a contact lens used as forensic evidence in a film and I really hope I see it again as I never realised you could learn so much from a discarded lens!

Meanwhile at night, Singham is scouring the shore looking for smugglers.  But since the local police seem to be in cahoots with the gangs he doesn’t have much success.  I was happy to see one of my favourite bad guys Rajendran pop up, especially since he spends most of his time manically unloading illegal goods from a ship and then hurriedly reloading it all again when he’s tipped off about the possible police presence.  He’s funny and yet still menacing, and employs a fighting style which seems to be all elbows and knees but is still surprisingly effective.

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Kavya (Anushka) is still chasing after Singham and trying to organise their wedding which seems to have stalled since he gave up his role as a police officer.  However apart from appearing in the songs she doesn’t have much to do and trying to fit her into the storyline makes the film even longer.  Another unnecessary addition is Hansika as Sathya, a school student who is in love with Duria Singham.  Sathya stalks Singham, which could have been an interesting role reversal, but there never seems to be any point to her unrequited love.  Even her connection with one of the villains of the story isn’t played on to any great extent until near the end, although that could just be because I didn’t understand the dialogue.  Although Hansika looks much too old to be a school student, she is much better than usual and plays her role with restraint, but her character just doesn’t add anything to the story.

As if two romances and all the action wasn’t enough, Hari also adds in a number of comedy tracks featuring Santhanam and Vivek.  I found Vivek annoying in the first Singham, but he is more restrained here and doesn’t have as much screen time which makes him slightly more bearable. He’s also more of a genuine character with most of the one-liners seemingly given over to Santhanam who at least is very funny (even without understanding the dialogue) as the school caretaker Sussa.

Singham II

One of the main problems with Singham II is the sheer number of villains that Hari throws at his hero.  Bhai (Mukesh Rishi) is a smuggler and drug dealer who has a gang of accomplices that Singham has to wade his way through before he can get to the top man.  Similarly Thangaraj (Rahman) is a more sophisticated smuggler who uses his shipping company as a front but also has his own gang of thugs who need to be dealt with.   And finally there is their supplier Danny (Danny Sapani), an international drug dealer who spends most of his time sailing around the Indian Ocean indulging in various forms of vice.  This included killing a police man who was supposedly Australian but the dubbed accent was so bad that I didn’t even realise the actor was supposed to be speaking English!

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The inclusion of so many antagonists means that there are seemingly endless fights against different groups of thugs and never-ending schemes and counter schemes to deal with the gang leaders.  While Bhia, Thangaraj or Danny by themselves would have been effective enough, with all three the threads become entangled and the plot starts to get both confusing and repetitive. The comedy and romance even comes as a bit of relief from all the action!  The fight scenes though are well choreographed by Anal Arasu, with the best being also the most nonsensical when Singham throws away his gun in order to fight unarmed in the rain outside his parents’ house. It’s pretty stupid, but great fun!

Singham II

There isn’t too much ‘angry Singham’ in the first half, but after he puts his uniform back on, Singham gets progressively more and more enraged as he systematically sets up and destroys each of the gang leaders and their various minions.  It’s not as effective as in the first film because there isn’t the mutually antagonistic relationship between Singham and Prakash Raj’s Mayil Vaaganam which made their vitriolic exchanges so fiery.  However Suriya is still convincing and carries the film despite the long and overburdened storyline.  He does have good chemistry with Anushka and both look great together in the songs.  Although the music (Devi Sri Prasad) isn’t memorable, the choreography seems better than in the last few Suriya films and his dancing is excellent.

'Angry Singham'

There is just so much of everything in this movie and it does get rather wearing   Fewer villains and a harsher hand with the editing would make it much better but it’s still worth watching for Suriya, better than usual choreography and plenty of excellent fight scenes.