Raja Rani (2013)

Raja Rani

I didn’t manage to see this in the cinema in Melbourne, but did manage to get a DVD copy with English subtitles.  Rather strangely it was also the only film they had on the bus in Tamil Nadu this year and I ended up watching the opening scenes over 10 times on the way to various villages in TN.  This added exposure gave me enough time to appreciate just how outlandish Nayanthara’s make-up looks, and just how uncomfortable Arya appears in his suit at the opening wedding which is a good precursor to how their relationship develops. In fact, the lead couple are rather uninspiring throughout this film – at least when paired with each other – but thankfully co-stars Jai, Santhanam and Nazriya Nazim are more appealing and their presence does make Raja Rani worth a one-time watch.

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The story starts with the arranged marriage of Regina (Nayanthara) and John (Arya) who are going through the matrimonial motions for the sake of their respective families.  Or so we are told.  Except as the film progresses this wedding seems to make less and less sense.  The couple obviously dislike each other and I cannot see why Regina’s relatively wealthy and cosmopolitan father would agree to marry her to someone like John.  He seems to have neither the requisite high flying job nor appropriate family background for such a match.  However, as completely random as it seems, and despite the lack of any reasonable explanation the wedding goes ahead even with the bride forgetting her prospective partner’s name and both parties complete lack of enthusiasm throughout the ceremony.

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It’s a match that seems doomed to end in divorce.  John spends his days at work and his nights drinking with his friends before returning home, usually to a locked door.  Regina hogs the bathroom, sobs into her pillow at night and generally ignores her husband as much as she can.  It all feels very unrealistic and overly dramatic – after all there is a large couch in the other room where Regina could sleep if she wanted, and surely John could organise a key to their apartment rather than sleep on the doorstep?  All the OTT drama makes it difficult to care about either John or Regina since they are equally obnoxious to each other, and I really had little interest in their relationship.  That’s not to say that Arya and Nayanthara are particularly terrible, but all Arya has to do in the first half hour is pretend to be drunk while Nayanthara doesn’t stop crying or complaining long enough to do anything remotely interesting either.

Thankfully there is relief in sight, but until we get there Santhanam lightens the atmosphere and is mildly amusing as John’s best friend Sarathy.

Finally there is an incident which prompts John to find out a little more about his wife.  There is some very dodgy medicine on display as Regina has an epileptic fit while her husband seems totally incapable of any sensible reaction, although he does eventually manage to call an ambulance.  Needless to say, despite all the thrashing around and foaming at the mouth (sigh – when will Tamil cinema consult a doctor for some plausible medical problems?) Regina manages to come through the whole episode with her make-up and eyelashes intact. That’s a relief!

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However, after being berated by her doctor for not knowing anything about his wife’s condition, John does discover the reason behind her ‘illness’.  Lost love – of course!

The film gets much better when we head to a flash-back to Regina’s first love, although to be fair this doesn’t have the best of beginnings either.  Jai is excellent as love interest Surya, an incompetent call centre employee, and finally there are some real emotions and reasons to empathise with one of the characters.  Regina is as obnoxious as before, but the role of spoilt rich brat suits her better when she’s a student and she does seem to be more tongue in cheek with her tantrums.  Sathyan makes an appearance as Surya’s friend Iyappan and his comedy shtick complements Jai’s weedy persona well enough to make a reasonably funny duo. Although the romance is typically filmy there is some chemistry between the two actors and while we can see the unhappy ending coming, Regina never does and is devastated by losing her first love.

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It turns out that John has his own sob story, and although it’s another predictable run of the mill tale, again it’s a more believable romance with good chemistry between the actors.  In particular Nazriya Nazim is scintillating as Keerthana and she is the best thing about the whole film.  She has an excellent introduction and her cheeky impishness lights up the screen whenever she appears.  She has much more personality and is much livelier than in Naiyaandi, which just goes to show the difference between a well written character and one that basically isn’t!

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Arya is also transformed into a younger, fitter John who is more personable and likeable, and again there is some reasonable chemistry between him and Keerthana.  It’s not all good though – Santhanam suffers under the burden of some terribly bad hair which seems to make him more pathetic and less amusing than in the first half, but it works out for the best as Nazriya has the comedy covered too.

The main problem I have with Raja Rani is that the relationship between John and Regina never generates any appeal or gives an opportunity to feel sympathetic towards the characters.  There are some interesting issues brought up  here but they are dealt with in a shallow and filmi way which results in a lack of connection between the characters and the audience.  There is no apparent reason for the couple’s actions towards each other, considering that they don’t appear to have met before the wedding, and it seems strange that they would behave so badly to each other right from the start.  The concept of an arranged marriage between two people who have both lost their first love has potential but Atlee wastes it by playing the relationship for laughs and never giving his characters a chance to behave like rational adults.  I found it incredibly frustrating to watch  Arya and Nayanthara appear so wooden and lifeless for most of their on-screen time together, when the difference was so obvious when Arya was partnered with Nazriya and Nayanthara with Jai.  A little more time spent on developing the relationship between Regina and John at the beginning along with a more adult treatment of their problems would have made this a more entertaining watch.  However I did enjoy seeing a better performance from Nazriya and I liked the idea behind the film, even if the execution didn’t quite live up to expectations.  3 ½ stars.Raja Rani

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4 thoughts on “Raja Rani (2013)

  1. I can understand the frustrations of this movie:)…actually this one is similar to Mani Ratnam’s Mouna Ragam which was released in 1986. Try to get a copy of that one as it will definitely fulfill your expectations with some awesome acting from Mohan, Revathi and Karthik. Another one I would recommend is Anjali which I think is India’s first full fledged children’s movie on the likes of ET but without the aliens. Two of Mani’s gems which I would rank them close to Nayagan.

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    • Hi Vishnusc,
      Thanks for your comment. I’ve seen Mouna Ragam and agree it is a much better film 🙂 I haven’t seen Anjali as the story never really appealed but perhaps I will give it a go now that you’ve recommended it. I’m usually quite appalled by the treatment of disabled film in Indian films, but perhaps Mani Ratnam treats his subject matter a little more sensitively? He was pretty good with his portrayal of the child in Kannathil Muthamittal which could be a good sign 🙂
      Cheers, Heather

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  2. Hey Heather,

    I was reading one of your old reviews and came across the review of ‘Raja Rani’. Everyone seemed to love this movie but I did not like it since every scene seemed to be a repetition from one or the other movies. However, I loved the Cinematography of George C Williams in this movie which was his debut movie and the soundtrack by GV Prakash Kumar as well.

    Came across the comments and I have to accept that atleast 1/4th of the romantic movies after 1986 draw inspiration from Mouna Ragam especially the flashback sequence between Revathi and Karthik was one of its kind in cinematic love themes at the time of its release.

    And on the recommendation of Anjali movie by Mani Ratnam, it’s just pure geniuses of Mani Ratnam (writer and director), Madhu Ambat (Cinematographer), Ilayaraja (Music director), Baby Shamili (Child actor, sister of actress Shalini who is the wife of actor Ajith Kumar). You just have to watch the movie if you haven’t watched it yet. Only Mani Ratnam can extract acting out of children actually a 3 year old Baby Shamili at the time of filming and she won the National Award for best Child actor that year. You should really put this on top of your list if you haven’t watched the movie.

    Cheers,
    Dinesh V

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    • Thanks Dinesh,
      From memory this was one where I enjoyed the two flashback sequences but found the rest of the film less successful. Thanks for adding your recommendation for Anjali. I haven’t managed to find a copy yet. It’s available on YT but without subtitles 😦
      I have friends in India looking out for a copy for me though, so hopefully will get a chance to watch it soon. 🙂

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