Rakshasudu (1986)

Rakshasudu is all stops out mass from A Kodandarami Reddy. Chiru is The Nameless Hero, there are many people known by initials only, and you can’t go past his back up team of Nagababu, Suhasini, Radha and Sumalata. Evildoers beware!

A woman (Annapurna) goes into labour in an orphanage or children’s home. The unscrupulous owner (Allu Ramalingaiah) steals and sells her baby boy to a beggar who uses the kid to augment his begging routine. He is not a loving father figure, and physically abuses the child. The kid fights back, demanding to know where his real parents are, and one day finds himself sold and on the way to a mysterious island where he will work as a slave.

The nameless child grows up to be Chiranjeevi. In due course Chiru escapes the island, along with his bestie Simham (Nagendra babu) and an excellent dog. He goes to the orphanage and demands to know where his mother is. Allu Ramalingaiah asks for a large sum of money in return, and Chiru duly goes to steal it. But he is caught by wealthy JK (Rao Gopal Rao) and they make a deal. Chiru will terminate evil VR (Kannada Prabhakar) who owns the island where he was imprisoned, and JK will help him find his mother.

JK’s relative or assistant Vani (Sumalatha) is already on task regarding VR. She helps Chiru meet Shailu (Radha). Shailu is smitten immediately but he isn’t keen except that she is VR’s daughter. This opens up a whole new avenue of revenge for Chiru. He keeps an assignation with Shailu who sends a lot of mixed signals by bouncing on her bed and thrusting at him. What is he to make of it all? As soon as is decent, he is off to her dad’s place, presumably to announce he is out for vengeance and BTW about your daughter’s virginity…It doesn’t go down well with VR. But it is kind of amusing to watch the alpha male posturing backed up by handy photos. I would have been asking where the photographer was hiding but Shailu doesn’t care. She just wants Chiranjeevi. Poor Radha. She is doomed to be second fiddle, although she does her best to be unmissable. But Chiru is not all about being menacing and duplicitous.

Sumathi (Suhasini), a teacher, is dragged by a podgy Labrador to the river bank where she finds an injured Chiru. I have no idea how he got there, but I assume VR is responsible. Romance clearly starts to bloom as he convalesces, and her students find this a riveting spectator sport. Via flashback we see how VR killed her family when they were preparing to celebrate a festival. I think only Sumathi and her policeman brother Vijay (Rajendra Prasad) survived. Suhasini and Chiranjeevi seem to have good chemistry. In amongst all the wild shenanigans she looks like she is genuinely amused at some points but then I remember. Suhasini is a great actress.

Chiru is even more fired up for revenge now he knows who killed Sumathi’s family. He loves her and wants to start dishing out the comeuppances. But first he has to deal with Shailu and her incessant groping. While I don’t really like a lot of what his character does, especially when it comes to Shailu, I like the performance a lot. This role has the full Hero gamut from wisecracking to arse kicking and a whole lot of emo wallowing and shameless flirting. And random songs.

My notes here say: Song! Snow! Sleds!

There are so many flashbacks. Chiru recognises an old man in a photo in Sumathi’s album, and that sparks a memory of when he helped a Golden Labrador with a leg injury. His kindness was repaid in spades. When Chiru ends up high above the ground, strung up between two trees, the dog climbs a tree and crawls out along a branch to untie his human. What an anipal!

And maybe it’s the same dog who is delivering his love letters. Of course, the problem with sending your love letters by Labrador courier is that you may not be communicating with who you think you are. Chiru dreams of Sumathi but Shailu asserts herself in the song fantasies, perpetuating the love triangle that nobody is aware of. Yet.

Back in the island days, Chiru’s impressive high kicking fighting style wins the affection of VR’s lady friend, Jayamala. And that leads to the gladiator mini-skirt song.

Given the robes the slaves wear, the mini dress kind of makes sense as a glammed up version of his work uniform. So if nothing else I am grateful to the film for clearing that up. But Chiru is not to be hers. Of course he winds up in a Love Parallelogram. A Triangle is simply not Mega enough!

In the present day, Shailu sees Chiranjeevi with Sumathi, and her head splits into two with a nice montage happening where her brain should be. She is devastated.

The end of the film brings closure to many of these tangled relationships. Usually by killing one of the people involved. There is a classic Masala Death Trap, needlessly complex shenanigans, feats of improbable strength, red paint galore. Who will live happily ever after? And who will be crushed by the Mega-boots?

Not a classic but an excellent ripping yarn, a great cast, and all the things I expect from Chiru. 4 stars! (a bonus half a star for making sense of the mini skirt)

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Through (Mega) Tinted Lenses

This year’s research piece almost wrote itself. At least, it was suggested by and many of the images were sourced by by regular commenter yjbasu

As discussed in previous Megabirthdays, Chiranjeevi accessorises with flair and eschews minimalism in his wardrobe. Glasses, and sunglasses, play a large part in the Mega Style. And they are an essential part of his actor kit. And also, give me an excuse for loads of pic spam.

In character:

In disguise:

 

Inspiration:

I love that film so much more than I should!

What are your other Mega Style Inspirations?

Rani Kasula Rangamma (1981)

I’m conflicted about this film. This was an Adventure Without Subtitles so I know there are some crucial dialogues I have missed but the action kind of speaks for itself. I’m going to go for a spoiler right off the bat as that sets the context for my thinking, and there are more spoilers to follow. And it’s a long read because I’m feeling ranty.

Sridevi gives an excellent performance and I really liked her character, the titular Rani Kasula Rangamma. Chiranjeevi excels in his negative role as he has the dramatic skill and isn’t reluctant to go there. Which brings me to my problem with the film.

What a horrible premise! The appropriate redress for rape is for the woman to marry her rapist. I know that the double standard of sexual propriety means that by surviving an assault she is ruined in the eyes of patriarchal society, and this was made in 1981. But it’s just revolting. And yet this is a really good film in so many ways, much more entertaining than it sounds when you know the plot, and with some decent surprises throughout. Director T.L.V Prasad keeps things moving along, with a tone midway between melodrama and thriller.

Rangamma (Sridevi) is a cheeky and quick witted village girl, confident she can look after herself, and well liked around the area. Seetanna (Nutan Prasad) has a crush on her and often daydreams about her reciprocating his feelings but that just leads to some terrible dancing.  Sukumar (Chiranjevi) and his camp friend, maybe meant to be a hijra, Kannayya (Rallapalli) turn up in the village. Kannayya goes and inspects farm workers and chooses a woman for Sukumar to rape. The deed is represented by a montage of a dove trying to escape from what looked like a stuffed hawk, but there is no ambiguity. He just goes home and has a conversation about marriage with his father (Kongara Jaggayya). Sukumar wants to enjoy life (and presumably, being a serial rapist) and says marriage has no meaning at all. His dad gives him A Look but says nothing.

Rangamma is frequently the object of unwanted male attention and has no qualms about fighting assailants and telling off a sleazy village elder (Allu Ramalingaiah) for planting wrong notions in Seetanna’s head. Sukumar and Kannayya spot her going to fetch water, and who wouldn’t find the sight of Sridevi frolicking in a river delightful. Sukumar makes numerous attempts to try and trap her. Eventually he takes a direct approach and corners her while she is alone in her own house. She puts up a hell of a fight but is bundled into the jeep and driven away, presumably so he could take his time. No hawk and dove montage here, the struggle looked far too real with both actors channelling strong emotions. Meanwhile Seetanna goes to her house to propose (I think) and sees the assault in progress. He catches up to the car but he gets knocked out, and Sukumar cheerfully gets on with his plan. Rangamma’s necklace seems to give her a sense of protection or a blessing, and she loses all fight when it is torn off. Afterwards Rangamma staggers out and picks up the thread Seetanna had brought for her. She demands Sukumar marry her now she has been ruined. He laughs at her naiveté, pushes her into a well, and leaves her for dead. Presumably he’ll be home in time for dinner with Daddy.

Sukumar’s dad hires a familiar looking young lady in a stylish western dress and hair do. When she takes a letter for Sukumar he freaks out at the sight of her but she calmly insists she is Roja, not this Rangamma person. He can’t leave her alone, and starts with his cat and mouse games trying to prove Roja is Rangamma. He’s not always on task though. He did sleaze on to Jayamalini x 2 after an item number. Eventually he takes a large sum of money to her apartment and seems to be either trying to buy her or make her leave. It doesn’t work as next thing you know, his dad is about to marry her.

Sukumar has a fit at the sight of her necklace and confronts her in front of everyone. Is she or is she not Rani Kasula Rangamma? Yes she bloody well is. He tries to tell his dad why she is unsuitable without incriminating himself but eventually he stumbles and she sees an opening. Rangamma tells him forcefully she will not let him weasel out of being responsible. And then his dad spills the beans – he knows all about what happened and has been plotting with Rangamma to reform Sukumar or at least make him marry her. And he does. Blergh! And she looks vaguely happy about it all. I get that she gains some social protection but…he’s an unrepentant serial rapist.

Sridevi is fantastic. She conveys a huge range of emotions from cheerful innocence through to vengeful anger and is always convincing and compelling. Rangamma is outspoken and articulate, never passive. Roja is a total contrast, her mild character and fashionable style designed to appeal to her rapist and throw him off guard. Their body language is usually very different but in scenes where Roja has had just about enough of all the useless men in the office cracking on to her, you suddenly see Rangamma in the set of her jaw or the way she positions her hands. I loved the casually wide eyed way she would play with Sukumar’s paranoia about her identity. There’s a scene where she gets to save Sukumar from a well, and her disdain and focus on the task plays beautifully off his panic and confused flailing.

Of course she gets to dance. I preferred the happy, carefree, folky numbers because the Indian clothing was much more flattering for her. But the 80s side by side prancing in a park was entertaining too, especially as you can see that back in those days Chiranjeevi had to work at keeping up with her.

Does that logo on his trackie jacket look a bit phallic? Life would be so much easier if all the potential rapists wore a badge. Chiranjeevi plays Sukumar as a devil in his own right but with a façade of filial respect when at home. He will still smoke and drink (and rape) but never in front of Daddy. It would have been very easy for this to be a caricature but Sukumar really starts to lose his marbles once he sees Roja. He doesn’t ever show any remorse for his crimes, but fear of being exposed drives him to try and prove Roja must be Rangamma. He doesn’t seem to have any friends but Kannayya, maybe because they are both outsiders in terms of what gets them off versus societal norms. He is vile but plausible and sometimes charming. And when he decides he might quite fancy Roja anyway, it is both understandable because she is lovely, and completely disgusting because has already raped and murdered her. Technically Chiru is in a supporting role but he dominates his scenes, unless Sridevi is there. Then it’s a nicely judged blend of dramatic tension and sheer charisma that also helped give these two characters depth.

This is probably a film for Sridevi or Chiranjeevi completists. I might have been slightly happier if the final shot was of him in jail, not getting married. The themes and some values are so very far from what I find acceptable, but it’s well made and well written and with great actors. 3 ½ stars!