Devi (1999)

devi-DVD-cover

Devi offers a giddy blend of religious and folkloric elements in a story that is ultimately all about faith and honour. Directed by Kodi Ramakrishna, the special effects look a treat and the heroine Prema is wonderfully entertaining.

Some technical notes. The Telugu film was released in 1999 and is available without subtitles on DVD and on Youtube. There is a 2001 Hindi dub released as Goddess that is available with subtitles. I’ve taken my screencaps from Youtube as my DVD is out on loan so the picture quality is not as good as it should be. If you can’t locate a subtitled copy, Liz’s excellent review is very helpful to cover off the relationships and plot points.

Devi-Spaceship

Did I mention space ships?

Devi-snakes 1Devi-snake maidens

Devi and her snake handmaidens arrive on earth to look at some wildlife. Unfortunately they neglected to consult the appropriate almanac and so their trip coincided with an eclipse, an event that rendered Devi back into her comparatively helpless cobra form for the duration.

Devi-Devi and fire demon

A very nasty demon (Abu Salim) took the chance to adopt a fiery form and attack her, but she was saved by a kindly human who lost his life in the encounter. Being an honourable girl, Devi stayed on earth to help his daughter who is left at the mercy of not very nice relatives. The story then turns to Devi’s attempts to get Suseela’s life settled and then protect the world from said demon, while also taking some time for herself to fall in love. Devi is a practical woman and her defences are usually effective, causing great vexation to the demon. She draws on her own power as well as negotiating with her father, an array of goddesses and finally makes a drastic sacrifice to save her adopted family.

Prema is lovely as Devi. She is quite statuesque and effortlessly draws attention in even the most chaotic ensemble scenes. Devi is a resourceful and playful young lady but never crosses into hyperactive nutter heroine territory. Prema’s expressions are spot on and she is very funny without being too broad or too silly. I really liked Devi’s relationship with Vijay as once she tricked her way into his home, they genuinely seemed to like each other and would joke around or gang up on Vijay’s brother. Sadly, Devi does no snake dancing but she does frolic a lot; in meadows, in the snow, even in water. Lots of frolicking. But she also takes decisive action when needed, including dragging Vijay to the temple and marrying him on the spot before she went off to sort out the demon. The wardrobe department suffered from the lack of good snake costume reference material and would that they had read Jenni’s Filmi Snake Spotter’s Field Guide.

Devi-Naag PanchamiDevi-The Look

Devi is quite demurely clad, if occasionally retina searing in her colour choices. She does have a simple everyday snake headdress and can muster up a passable Look, but there was room for more and better accessorising.

Devi-Suseela and Devi as a snake

Vanitha is Suseela, and she is the other focus of the story. Devi’s efforts to protect her range from intervening when her guardians abuse her to setting up a romance with Vijay’s bossy older brother Ranjit (Bhanuchander). Suseela is not as active in the drama as Devi but her faith and resilience are tested so many times, and she honours her promises. Her romance with Ranjit is quite sweet despite his tendency to grumpiness. Suseela proves the power of her faith, abetted by Devi, and saves him from Devi-in-disguise-as-a-common-cobra so he is wildly impressed by this shy yet fearless woman.

Devi-Showkar Janaki

Showkar Janaki is Vijay and Ranjit’s grandmother (I think). She is loved and respected and is the glue that holds her household together. She is funny and a bit sarcastic but treats her daughter-in-law and the mysterious Devi with kindness and respect. It is nice to see a blended family that gets along and where people are generally nice unless they are demonically possessed.

Devi-Vijay lycraDevi-Bhanuchander

Shiju and Bhanuchander are good in their roles but despite having seen the film a couple of times I don’t ever recall them in much detail. I do always remember the black and silvery lycra bike shorts Vijay wears in one early scene. What were they thinking? Ranjit is an unlikeable character at first but he does seem to lighten up once he goes sweet on Suseela. Both actors have some nice scenes and are involved in pivotal moments but they are either pawns or observers most of the time as Devi and the demon battle secretly around them.

Devi-Bad familyDevi-babu Mohan and squirrel headdress

The rest of the support cast are in more comedic and less interesting roles. Suseela’s horrible relatives get their comeuppance thanks to Devi who literally shows them in their true colours. Comedy uncle regular Babu Mohan is a hapless fool who is transformed into a monkey for most of the story and if anything, that improves his performance. I’m still not sure why he appeared wearing a stuffed squirrel on his head. The demon also takes on the appearance of a creepy homicidal child (the rather too convincing Master Mahendran) as well as the more traditional multi-limbed monstrous avatar.

Devi-Giant space snakes

The special effects are pretty good and help blend the fantasy and religious themes. Plus it’s very entertaining what with the demonic bats, divine medical intervention, giant fire breathing snakes, you know … the usual. The real snakes are excellent and once again I paused to wonder at the art of filmi snake wrangling and hope that all the scaly stars were in good health after the filming.  But fundamentally the story is not about CGI or being immortal or who has the biggest weapon (although giant snake fangs are hard to beat), it is about doing right and demonstrating faith, no matter how overwhelmed and outgunned you feel.

I liked the opening song which had Shiju and Babu Mohan dancing what was more like a romantic duet than an heroic introduction. I mentioned the missed opportunity for a snake dance. The songs serve little purpose, and neither are they very memorable. Devi Sri Prasad’s soundtrack isn’t bad, but would work just as well as a background score without the very basic picturisations.

Devi is enjoyable if you like the fantasy genre and appreciate the religious underpinning of the story. Prema delivers a strong performance and it was good to see a film with several prominent and likeable female characters. Plus it seems I’m a sucker for a cobra space ship and a bit of divine justice. 3 ½ stars!

Singham II (2013)

Singham IIDespite the promise of subtitles, Singham II turned out to be another ‘adventure without subtitles’ in Melbourne.  Possibly not such a bad thing as there was so much happening on-screen, I’m not sure that I would have had time to read them anyway.  However, director Hari keeps the basic plot the same with a dedicated cop determined to clean up Tamil Nadu and a number of characters from the original Singham reprise their roles.  The addition of Santhanam, Hansika and Mukesh Rishi among many others to the cast mainly adds more mayhem into an already packed storyline but although there is an apparently limitless cast of characters, it’s still Suriya’s movie all the way.  Singham II is relentless, overlong and frequently over dramatic but there are some excellent fight scenes and Durai Singham’s determination and energy help keep the film from dragging.

Singham IISingham II

 

 

 

 

 

There is a quick run through the significant moments of the first film, reminding us that Durai Singham (Suriya) had resigned his position and under the aegis of the Home Minister (Vijayakumar) was heading off undercover to Tutricorn charged with investigating arms smugglers in the area.  So after a run-of-the-mill item song with Anjali, the film starts with Durai Singham working as some sort of an instructor in a local school.  I’m not exactly sure what his role was but it seemed to involve students and a lot of marching but not much else, which at least gives Singham time to pursue his undercover mission.  He also indulges in a little investigation when one of the students breaks in to look at exam papers early.  It’s the first time I’ve ever seen a contact lens used as forensic evidence in a film and I really hope I see it again as I never realised you could learn so much from a discarded lens!

Meanwhile at night, Singham is scouring the shore looking for smugglers.  But since the local police seem to be in cahoots with the gangs he doesn’t have much success.  I was happy to see one of my favourite bad guys Rajendran pop up, especially since he spends most of his time manically unloading illegal goods from a ship and then hurriedly reloading it all again when he’s tipped off about the possible police presence.  He’s funny and yet still menacing, and employs a fighting style which seems to be all elbows and knees but is still surprisingly effective.

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Kavya (Anushka) is still chasing after Singham and trying to organise their wedding which seems to have stalled since he gave up his role as a police officer.  However apart from appearing in the songs she doesn’t have much to do and trying to fit her into the storyline makes the film even longer.  Another unnecessary addition is Hansika as Sathya, a school student who is in love with Duria Singham.  Sathya stalks Singham, which could have been an interesting role reversal, but there never seems to be any point to her unrequited love.  Even her connection with one of the villains of the story isn’t played on to any great extent until near the end, although that could just be because I didn’t understand the dialogue.  Although Hansika looks much too old to be a school student, she is much better than usual and plays her role with restraint, but her character just doesn’t add anything to the story.

As if two romances and all the action wasn’t enough, Hari also adds in a number of comedy tracks featuring Santhanam and Vivek.  I found Vivek annoying in the first Singham, but he is more restrained here and doesn’t have as much screen time which makes him slightly more bearable. He’s also more of a genuine character with most of the one-liners seemingly given over to Santhanam who at least is very funny (even without understanding the dialogue) as the school caretaker Sussa.

Singham II

One of the main problems with Singham II is the sheer number of villains that Hari throws at his hero.  Bhai (Mukesh Rishi) is a smuggler and drug dealer who has a gang of accomplices that Singham has to wade his way through before he can get to the top man.  Similarly Thangaraj (Rahman) is a more sophisticated smuggler who uses his shipping company as a front but also has his own gang of thugs who need to be dealt with.   And finally there is their supplier Danny (Danny Sapani), an international drug dealer who spends most of his time sailing around the Indian Ocean indulging in various forms of vice.  This included killing a police man who was supposedly Australian but the dubbed accent was so bad that I didn’t even realise the actor was supposed to be speaking English!

Singham IISingham II

 

 

 

 

 

The inclusion of so many antagonists means that there are seemingly endless fights against different groups of thugs and never-ending schemes and counter schemes to deal with the gang leaders.  While Bhia, Thangaraj or Danny by themselves would have been effective enough, with all three the threads become entangled and the plot starts to get both confusing and repetitive. The comedy and romance even comes as a bit of relief from all the action!  The fight scenes though are well choreographed by Anal Arasu, with the best being also the most nonsensical when Singham throws away his gun in order to fight unarmed in the rain outside his parents’ house. It’s pretty stupid, but great fun!

Singham II

There isn’t too much ‘angry Singham’ in the first half, but after he puts his uniform back on, Singham gets progressively more and more enraged as he systematically sets up and destroys each of the gang leaders and their various minions.  It’s not as effective as in the first film because there isn’t the mutually antagonistic relationship between Singham and Prakash Raj’s Mayil Vaaganam which made their vitriolic exchanges so fiery.  However Suriya is still convincing and carries the film despite the long and overburdened storyline.  He does have good chemistry with Anushka and both look great together in the songs.  Although the music (Devi Sri Prasad) isn’t memorable, the choreography seems better than in the last few Suriya films and his dancing is excellent.

'Angry Singham'

There is just so much of everything in this movie and it does get rather wearing   Fewer villains and a harsher hand with the editing would make it much better but it’s still worth watching for Suriya, better than usual choreography and plenty of excellent fight scenes.

Iddarammayilatho

Iddarammayilatho

I haven’t been too impressed with the last few Puri Jagannadh films I’ve seen, but I was hopeful that this latest offering starring my favourite hero might offer something a little different.  But although the film is visually very pretty and both Bunny and Amala Paul do their best with their respective characters, the story has far too many plot holes and is frequently too unbelievable to make Iddarammayilathi anything other than disappointing.  While there is the expected excellent dancing from the stylish star, some good fight scenes and Bunny and Amala make a sweet couple, it’s just not enough to make up for the screechy, irritating Catherine Tresa and a dire comedy track which almost completely derails the film in the second half.

Bunny 2

The film follows Akanksha (Catherine Tresa), the daughter of a prominent politician in  India (Rao Ramesh) who moves to Barcelona to study psychology.  She has a fantastic room which just happens to contain a box belonging to the last tenant.  Inside is a diary which tells the story of a romance between Sanju (Allu Arjun) and the room’s previous occupant, Komali (Amala Paul).  The romance is played out in flash-back as Akanksha talks endlessly to herself about the diary’s revelations and frankly seems far too interested in the details of a stranger’s love life.

Iddarammayilatho

Bunny looks great as Sanju Reddy, a singer/dancer who performs with his band in the streets of Barcelona and is surprisingly successful considering that the band seems to perform exclusively in Telugu in a Spanish/Catalan speaking city.  He’s also pretty nifty when it comes to the obligatory biffo although his prowess in this area is never really explained – but then neither is anything else so at least there is consistency in the lack of elucidation.  Sanju falls in love with Komali who is in Barcelona to learn classical music from Brahmi – again, completely nonsensical but there is even more absurdity to follow.  Amala does a good job as a demure and rather shy violinist apart from being completely unable to fake playing a violin.  She does look stunning though in some beautiful costumes and has good chemistry with Bunny so at least the romance part of the story is believable.

IddarammayilathoIddarammayilatho

 

 

 

 

For a change I really liked Bunny’s various outfits too, which aren’t as over the top as his last few films and do appear fashionable with a European touch.  Most of the songs by Devi Sri Prasad are fairly average, but the choreography is good if not exceptional and Bunny as always proves he really can dance. However a dance off between the classically influenced Brahmi and the more rock and roll Sanju would have been much better if the backing dancers had been able to keep up with the choreography.  There is a short tribute to Chiru’s Gangleader which got the biggest cheers from the Melbourne crowd, but this was my favourite:

The love story ends abruptly in the diary so Akanksha tracks down Sanju to find out what happened and learns of a tragedy that occurred when Sanju and Komali crossed paths with a gangster (Shawar Ali). Shawar Ali has to be the dullest and most incompetent villain ever and it’s surely only by chance that Komali is the only person who sees him execute one of his gang on an incredibly public beach in broad daylight.  Unbelievably, it takes all the might of his gang of assorted thugs, sword-wielding ninjas and Subbaraju in a rather dapper beanie to deal with one petite classical violinist and her guitar playing boyfriend!

IddarammayilathoIddarammayilathoIddarammayilatho

 While Akanksha shrilly indulges in flagrant scenery chewing and desperately tries to persuade Sanju to fall in love with her, Sanju has his own agenda for revenge which ends up with a surprisingly good and effective plot twist with a flashback to some of those awesome sword fighting techniques from Badrinath.  Overall, apart from the woeful comedy scenes with Brahmi and Ali, the second half moves faster and is a little better than the first, although that may just be that I stopped worrying about the lack of logic and settled back to enjoy Bunny’s dancing and the fact that he does look as if he can actually play a guitar.  The fight scenes by Kecha are also beautifully choreographed and appear more like dancing than fighting, an effect which is heightened by Sanju’s total lack of emotion as he calmly and efficiently despatches everything and everyone that is thrown at him.

Iddarammayilatho

Iddarammayilatho looks beautiful and cinematographer Amol Rathod makes the most of the location in Barcelona, showcasing some of the beautiful buildings in the city, but the film is let down by a complete lack of logic in the story and very little in the way of character development .  Although the cast in general put in good performances, most of the supporting mothers, fathers etc have very little to do and both Subbaraju and Srinivas Reddy are chronically underused.  Brahmi is fine in the first half but the comedy with Ali is totally pointless and almost as irritating as Catherine Tresa.  Perhaps understanding the dialogue might have made Akanksha a more appealing character, but somehow I doubt it.  I still enjoyed the film, but more for the location, action scenes and dance numbers which were all good.  Overall, Iddarammayilatho is worth a look for Allu Arjun fans and anyone who likes movies with pretty scenery and great architecture.

Iddarammayilatho