Khaidi No 786

 

What a way to kick off Megabirthday2017!

Vijaya Bapineedu’s film opens with married woman Radha (Bhanupriya) going on a journey that clearly makes her sad, which cuts to a defiant Gopi (Chiranjeevi) under interrogation at the police station. Gopi is taken to the office and something makes him so mad he actually flips a table. Then he beats everyone up, has a few choice words for the key players, and gets back into his cell. The film then moves to a long flashback, explaining who Gopi is and how he came to be in the lock-up.

Radha is the daughter of local bigwig and furry suited villain Surya Chandra Rao (Kota Srinivasa Rao). One day Gopi refuses to let her car pass his cart, and she swears vengeance. Clearly the only way this can end is in True Love.

Chiranjeevi and Bhanupriya have good chemistry, and that is tested through a long series of clashes that Radha never really wins. She goes to learn music from Gopi with the intent of punishing him for blocking the road. She storms off insulting everyone, so Gopi goes to teach her a lesson…by lassoing her car then forcing her to dance in what might be a choreographed rape threat. So she tries to run over him and kills his harmonium. So he beats her car up, egged on by the children she almost ran over too. She slaps a kid, and that is Just Too Much. But when she frames Gopi for rape, she gets the whip hand. Literally.

In turn he whips a marriage chain out of nowhere and marries her very much against her will, and as payback. Despite their relationship being adversarial at the start, Radha gives as good as she gets, at least verbally. Eventually Gopi weakens, and finally Radha has her way with him. And Radha’s song fantasies are the worst dressed by far, so there is perhaps an element of payback. At the jail she steals a few moments with him and OMG his smouldering glance is enough to trigger a hideous hat-fest of a song. Love it! She is also the one who initiates the physical relationship, so I felt that they achieved a healthier balance in their dynamic over time.

But Radha’s dad sets up a thug to kill Gopi, and after the attempt fails Asirayya (Mohan Babu) convinces Surya Chandra Rao to kill the henchman and set Gopi up for the murder.  Just as well Gopi is a one man justice seeking machine with a very bad temper!

Chiru gets to show off his athleticism in the fight scenes, throwing himself and his opponents around with verve. I like that Chiru remembers to act while fighting, so Gopi’s motivation and level of fury is always apparent. The action scenes cover a lot of ground and use lots of props, a very entertaining combination. My favourite fight was with the That Guy who wore boots so fancy I was not surprised Chiru would fight him.

There is minimal romance in the dramatic scenes, but plenty of emotion. I liked Gopi’s relationship with his family as the guys seemed affectionate and supportive of each other. But when he was angry – helpfully indicated by scenes of crashing waves – look out!

Bhanupriya is excellent as potentially unlikeable Radha. She was never beaten into submission but came around to the realisation that her dad wasn’t all that while Gopi was rather fine. Radha seemed comfortable making her own decisions, and was resolute when telling her creepy dad that Gopi was her only family and to leave her be. She remained strong through Gopi’s incarceration, even though clearly stressed and saddened by events. When his grandmother (Annapoorna) is killed, Radha is the one who colludes with Silk Smitha to get him to the funeral to light the pyre. The wardrobe department had a go at her in the songs, but she looks beautiful and elegant in her sarees. And when she faces off with her enemies, I definitely got the feeling Gopi was not the only tough nut in the family.

Silk Smitha is great as a good bad girl with an inexplicable thing for Satyanarayana Kaikala and a resourceful approach to life. I mean…of all the men in this film who I might want to get naked, he is not one. In one scene Radha is seeing a lawyer and I don’t know what he says but she starts seeing flashes of Silk which turns into this hideous song where she dances for the baddies and fondles a lot of fish.

The song is also a cover for Gopi’s family to get into villain HQ, although Asirayya sees through the unfortunate blackface disguises. And that is not even the silliest thing that happens.

The support actors generally have a reason for their existence. Satyanarayana Kaikala is funny and avuncular, Nutan Prasad and Allu Ramalingaiah are there for comedic shenanigans and heart. They even have a nice little “I’m Spartacus!” scene in an attempt to buy Gopi some time. Kota Srinivasa Rao chews the scenery and Mohan Babu is slimy and opportunistic. But you know, crocodiles aren’t that fussy about their food.

This is a highly entertaining and a perfect vehicle for Chiru and for Bhanupriya. There’s little you couldn’t predict but a few things you might not expect. And while there is a bit of clueless comedy, there is more collaboration and support when it counts. And crocodiles. 4 stars!

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3 thoughts on “Khaidi No 786

  1. So I clicked on the Silk song, because of course I did, and I appreciate your warning about the fish. Her groceries-producing thrusts are a nice precursor to Mumaith’s “turn them to ash!” moves in Magadheera. Blackface ahoy! [I realize this comment sounds like it was typed by the million monkeys with a million typewriters, but such are vintage item songs.]

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