Set mostly in a beautiful rural location, and with Mahesh Babu and Venkatesh starring as brothers, this could have been a great feelgood movie. Writer/director Srikanth Addala has crafted a picturesque and sentimental family oriented film. Unfortunately he neglected to provide anything by way of drama and the brothers are unlikeable. It was very disappointing to see so much potential go to waste.
It’s a charming film to look at. I loved the heroes’ introduction; everything from the composition of shots to the clever editing and the choreography that featured Venkatesh and some great random street dancing was so appealing. Unfortunately it was downhill from there as Venkatesh and Mahesh play entitled manchildren who exist at the centre of their own and all other universes.
Manchild 1 (Venkatesh) is fired from his job by a surly Kota Srinivasa Rao. It seemed that M1 was sacked because he was late or lazy or just rude and off he went in a cloud of indignation. Manchild 2 (Mahesh) was irresistible to women (The Mahesh Fan agrees) and constantly told these poor girls why they were not good enough for the likes of him. M2 is sarcastic, cranky, often funny, but the humour is mean-spirited in tone. M2 does tell M1 he needs to improve his attitude but neither man really thinks the problem is with them, it is always someone else.
Prakash Raj is introduced wandering around the village smiling benignly upon all he sees. He is a kind of a ‘simple man is a holy man’, and is totally absent from, and oblivious to, his sons’ lives. Prakash Raj phones it in, and added nothing to the film. Again – what a waste!
The family of mother, grandmother, sister and cousin devote themselves to running the household while M1 and M2 devote themselves to self-pity and lounging around until the next meal. Seeta (the cousin, played by Anjali) has her eye on M1 but he is oblivious because of course she should always be there to wait on him hand and foot. The boys’ sister Radha is married to a relative of M1’s former boss who looks down on Prakash Raj as a bit of a country bumpkin or something. There are tensions between the families, but a little compromise or swallowing of over-inflated pride by the boys could easily have de-escalated all that. There is a romance thread for M2 with Geeta (Samantha), also related to the ‘enemy’ family. Samantha got a really cute introduction song and dance and then all she had to do was make puppy eyes at M2 for the rest of the film. M1 and M2 fall out over Samantha as M1 is peeved at his little brother canoodling with the ‘enemy’. Much emo brooding ensues – a whole song montage worth – and neither considers compromise or conversation. They’d rather feel hard done by and betrayed.
I thought the first hour or so was just establishing the scene and people, and there would be some plot or character development. No. It is all ‘slice of life’ and watching these two sooky boys. In what is supposed to be the dramatic high point, things are eventually patched up but really – who cares? Two brats decide they’re on speaking terms again. Hurrah.
I really like both Mahesh and Venkatesh and they are very accomplished actors. I liked watching them together (especially when they weren’t sulking) and I enjoyed some of their scenes at home with the family. Mahesh fans will enjoy the occasional wardrobe malfunction that resulted when his modesty singlet rode up exposing the princely tummy.
Had there been a more engaging or credible story I might have been more sympathetic. The interview panel at GOOGLE asked M2 why he couldn’t smile from the heart – so he had a hissy fit and walked out. Who thinks that was a good idea? And who believes that is a legitimate interview question? M2 had a nice relationship with his grandmother, very playful and annoying, but loving. Why not set that conversation with his gran, not via product placement? M1 was very half-hearted in getting a new job. Why not show him as someone who lost their job through redundancy or something so we could empathise with his bitterness, rather than him just being a temperamental diva? Why not show him having to learn and grow like a real person? Why not show a threat to the family home or something that might compel the boys to get over themselves? Anything! In an action mass type film it doesn’t matter as much whether the hero is likeable because he exists to deliver victory and he does what it takes to win. In a character piece where there is no mitigating threat or transformative incident, there is nothing to dilute the boorishness.
The supporting actresses (including Jayasudha as the long suffering Ma) were good, all of them creating distinct characters and often funny. I would have liked to see more of them.
I liked the songs (by Mickey J Meyer) but in a film with little plot, more spectacle could have stopped me checking my watch. They could have included more big set pieces instead of wasting a good cast on montage after montage. Venkatesh and Anjali got the better of the duets in terms of choreography while Mahesh and Samantha scored the fancy foreign location. I suppose that (and splitting the heroic rescue 50/50) is how you keep two big name heroes happy.
The audience lapped it all up. The ladies seemed to laugh more at the family scenes, while the boys clearly thought these guys were legends. Normally after such a dialogue heavy film I would be keen to get the DVD and see what I missed. But I don’t think there is anything to gain from the aggravation of knowing exactly how objectionable they were. Oh this could have been so much better. Watch the songs and enjoy the pretty, but avoid the tedious glorification of the manchild!