Tag Archives: Chiru

Mrugaraju

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Gunasekhar’s film is a remake of the Ghost and the Darkness – but with Mega Heroics instead of Val Kilmer grimacing. Having seen both (not very good) films, this is actually my pick of the bunch. It makes no sense, the sound team may have been drunk, and everyone forgets about the lion far more than they should. But Simran and Chiranjeevi are good, the songs are fun, and it just never lets anything (particularly geography) get in the way.

Aishwarya (Simran) volunteers to take over a bridge building project that has come to a standstill following a number of lion attacks. Raju (Chiranjeevi) is the legendary forest guide and sharpshooter hired to keep the workers safe. Eventually we find out that Raju and Aishwarya had been married and that sparks a long lion-free flashback to explain their back story. Aishwarya thinks he deserted her knowing she was knocked up and he can’t believe he has a kid (in a happy way). So he sings a sad little song that has the effect of luring his daughter out into the night and towards almost certain death. Will they get back together? Will the lion kill again? Will anyone ever finish that bridge?

I liked that Aishwarya started out as a practical professional woman. Her character is on the receiving end of a lot of unfortunate comedy uncle buffoonery and sexist remarks from Raju. Simran plays Aishwarya as pleasant but firm, and she wasn’t afraid of confrontation. She realised her fiancé Vicky was an arse and at her own engagement ceremony, strode down the aisle and asked Raju to marry her. Good move! But because you can’t have The Heroine on an equal footing with The Hero, many of her skills failed to manifest at crucial times. And her lion catching plan is in MS Paint. I don’t think anyone on the crew consulted an engineer about what good construction looked like (surely half the crew WERE engineers?). I’m not sure about Aishwarya wearing beaded chiffon sarees around camp either, but each to their own. She has nice chemistry with Chiranjeevi and does her best with the stupid screenplay.

Raju is a fairly straightforward good guy character but Chiru’s acting chops drew out the emotional tension in some of his scenes with Simran. Of course he could beat up packs of drug dealers with one hand behind his back, poachers better beware, and he always knows best. But for a renowned hunter he was frankly hopeless. They come up with a plan to have Rajanna up on a platform, with a baboon tied to a tree nearby as bait. Aishwarya startled an eagle which knocked Raju to the ground, just as the lion shows up. I really wish they’d watched a proper wildlife doco or two. He was too chatty and smoked incessantly so ensured the lions knew exactly where he was, he dropped his gun ALL THE TIME (a strap? Did anyone think of a strap?), seemed constantly surprised by animal behaviour, and his clever plans resulted in several unnecessary deaths. He apparently had a no-kill policy which is laudable, but then he wore so many animal teeth I had to wonder. The action scenes range from standard fights to more complex stunts and Chiru throws himself into it all with vim and vigour (and a bit of overacting).

Chiru really shines in the songs, which is hardly a surprise, and they are highlights of this inconsistent adaptation. It was odd but not unpleasant hearing Udit Narayan sing for him in Aley Ley Aley Ley as I tend to associate his voice with SRK. And yes, Chiru provided the vocals for Chai Chai in a spirited Sprechgesang.

Nagendra Babu is a tribal man supervising the villagers work. He and Raju have a lion claw type gesture in place of a bro fist. At one moment that was supposed to be emotional I was shouting “He’s gonna do the hands” and he did and I laughed and then I felt bad but hey…It’s like lots of things in this film, under thought and over used. But I always like seeing Naga Babu as a good guy sidekick. I just wish he didn’t have to die so often.

Prakash Raj and Kovai Sarala are Raju’s befeathered parents. They love their boy and have faith in their tribe’s way of life. And they ham it up at every opportunity. Anyone who can overact when their character is dead really needs to take look at themselves. But they’re not alone. Brahmi is a Hindi speaking doofus who adds nothing. MS Narayana dressed up as a bear to scare Aishwarya, only to have a real (man in a suit) bear drag him away with, er, romantic intent…Jeez. I understand the traditional requirement of a comedy track but it doesn’t sit well against what could have been a suspenseful action oriented story.

Where this bridge is located is debatable. While all the people speak Telugu, the government departments seem to be Indian, and the place names are Indian there is a sizeable population of giraffes, along with a few rhinos and those pesky lions. The “tribal” people don’t help with narrowing down the continent either. The cultural appropriation extended to Australia as Raju also wielded a very sharp edged boomerang. There is so much geographic inconsistency – are they in a jungle or grassy plains, where did those mountains come from and why are they so easy for a toddler to climb up and back down again…

The lions were very diverting. Due to shonky CGI and changing perspectives they sometimes appeared to be hippo sized, then sometimes like a small terrier. Seeing what looked like a tiny lion speeding by with galloping pony sound effects – hilarious. I also liked the lion strolling along a log made to look like it was climbing a tree. Very 1960’s Batman. There were some stuffed lions too. I think I paid more attention to the lions than most people in the film. Aishwarya spends a lot of time wandering around the long grass looking picturesque and edible, and Raju spends more time singing motivational songs than actually being on task.

I was also reunited with an old friend – the jungle bunny. Aishwarya nearly shoots a fluffy white rabbit thinking it is a lion, but it fakes death until revived by Chiru breathing on it. And then in what may be an act of rabbit revenge, local glamour girl Sivangi (Sanghavi) chases a fluffy white bunny that leads her into the lions’ den; a cave filled with skulls and bones. I reckon either the rabbits are in cahoots with the lions or they are the real evil masterminds.

Mruga Raju is not a very good film, Gunasehar lacked focus and the execution is clumsy. But Chiru is very appealing (once Raju eases off the sexist BS), and Simran is a good partner. It plays a lot better with judicious use of the FF button, but the songs are worth a watch. 3 stars!

Jai Chiranjeeva

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K Vijaya Bhaskar’s film is a rightfully neglected effort from the latter part of Chiranjeevi’s pre-hiatus career. While Chiru’s Megastar presence is always compelling, he can’t compensate for the desultory direction and derivative screenplay. On the upside, Arbaaz Khan makes Bhoomika look like a brilliant actor so she must be happy.

Pasupathi (Arbaaz Khan), obviously EVIL, steals a cargo ship to go to Mumbai. His henchman (Rahul Dev) is waiting there (again, obvious signs of EVIL). Pasupathi demonstrates a new fancy gun with computerised target tracking, and when Ramkoti (Jayaprakash Reddy) seems mildly disbelieving he shoots a child playing some distance away in the park. EVIL.

Meanwhile 40 something year old virgin Sathyanarayan Murthy (Chiranjeevi) comes to the big smoke to stay with his relatives. Some unfunny mistaken identity shenanigans result in sexual harassment, but it’s OK because he is filthy rich. Even a comedy fall from the roof involves heroics and mild sexual harassment (stopping a robbery, encouraging a couple to get it on, copping a feel of the one who will be One of The Ones). He continually crosses paths with Shailaja (Sameera Reddy) and of course sparks of all types fly. Sometimes literally.

After a big night Sathyanarayan passes out drunk and has a long flashback to the death of his much loved niece, Lavanya. She was a pushy little minx and, sadly, also the child murdered in Pasupathi’s gun demonstration. When Sathya learns that the doctor lied to him about Lavanya’s cause of death and colluded with the gang to prevent a police enquiry, things become more dangerous for everyone. Back in the present day, the doctor’s daughter Neelima (Bhoomika) becomes involved as she seeks justice for her dad who was killed to prevent further blabbing. She ends up in a fake marriage with Sathya so he can get a visa for the USA to go kill Pasupathy.

The film should be improbable but suspenseful, but almost everyone, including Sathya, seems go off task far too easily. For someone bent on revenge and believing he is on a mission from god, Sathya is easily distracted. There is always the opportunity to bust a move or rehabilitate a child beggar by telling her not to beg anymore because it just isn’t nice for a girl to do that. Chiru has to perform every style from slapstick to smack down and he is good, as he always is. But it’s more like a series of skits so the dramatic tension is lost, and Chiru has nothing to get his teeth into except the scenery. The songs by Mani Sharma are diverting and Chiranjeevi looks like he is having fun with the choreo. The action scenes are tailored to suit him and, despite being copied badly from films like the Bond and Die Hard franchises via Jackie Chan, they are a highlight. While it’s obvious he’d been living in a good paddock and wasn’t his svelte 80s self, he really goes for it.

However the attitudes are a bit 80s and it’s very vexing. Venu Madhav chases prostitutes and rejects one who is too dark. That was supposed to be funny. Shailu’s parents say they stopped her studying because she behaved like a boy – i.e. did what she liked. Shailu decides to stage a party and make Sathya pay for his insulting behaviour. Simple country lad Sathya has to be styled up as a parody of Chiru just to get in. Luckily pub = dancing. But his (drunk) song combines bhangra beats with a warning of how drinking and partying is not for nice young ladies and they should be careful not to make their parents cry with their modern ways. Neelu’s family pressure her to leave her father’s death alone and not cause embarrassment by looking for the truth.

The two girls are the only ones with a real sense of purpose. I quite liked Sameera Reddy. Shailu was not the most realistic character but Sameera has a robust energy that stood up well against Chiranjeevi’s presence and her dodgy wardrobe. She wasn’t afraid to go for it in the dances either. I didn’t necessarily agree with her decision making but I thought Shailu was articulate about what she wanted and where she drew the line. Bhoomika used both of her expressions, and despite having the potentially more substantial role she didn’t really make much of it. Neelu was tortured, threatened, kidnapped, her poor puppy Dandy was the victim of a Fatal Attraction bunny boiler scenario, and yet I barely remember anything about her. I have better recall of her bedroom furnishings, right down to the Australia shaped souvenir on her bedside table. Neelu has reservations but is won over by Sathya’s “revenge is better than happiness” speech. Plus he promised to only kill bad people. Shailu finds out Sathya intends to marry Neelu to get a USA visa but agrees because she loves him…and makes them have a church wedding as a Hindu ceremony is only for realsies. Points for actually having the discussion I guess.

Pasupathi likes to believe he is the puppet master but while all of his plans seems grandiose, the execution kind of fizzles out. I mean, it takes a miracle from god and Lavanya but eventually Sathya notices the building sized portrait of Pasupathi on the side of a skyscraper over the road and deduces that might be the top secret HQ he has been searching for. A bomb that took several minutes to describe and would supposedly vaporise a building only set fire to a small section of the car park. If I had been Arbaaz’s school careers counsellor I like to think I would have steered him away from “acting”. But since the rest of the baddies are played for cartoonish laughs, he does kind of fit in.

Among the many interruptions to the big comeuppance there is a long comedy interlude with Brahmi. I kept shouting reminders they should be off doing revenge-y things but nobody seemed to care. Even on the way to find the baddies they had to stop for a dance break at a wedding. MS Narayana has a running gag appearance that does nothing but isn’t offensively awful. Sunil is Ramkoti’s useless son and while I find him likeable as an actor I kind of wished the death threats had come to fruition. Even Tanikella Bharani annoyed me with his turn as a travel agent. My Comedy Uncle Intolerance has not waned.

I don’t hate the film as there are enough bits and bobs that make it mildly entertaining, plus there’s Chiru. But I wouldn’t recommend it to anyone but a Chiranjeevi completist. Watch the songs, you’ve seen the rest in one form or another. 2 ¾ stars!

Khaidi No 786

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What a way to kick off Megabirthday2017!

Vijaya Bapineedu’s film opens with married woman Radha (Bhanupriya) going on a journey that clearly makes her sad, which cuts to a defiant Gopi (Chiranjeevi) under interrogation at the police station. Gopi is taken to the office and something makes him so mad he actually flips a table. Then he beats everyone up, has a few choice words for the key players, and gets back into his cell. The film then moves to a long flashback, explaining who Gopi is and how he came to be in the lock-up.

Radha is the daughter of local bigwig and furry suited villain Surya Chandra Rao (Kota Srinivasa Rao). One day Gopi refuses to let her car pass his cart, and she swears vengeance. Clearly the only way this can end is in True Love.

Chiranjeevi and Bhanupriya have good chemistry, and that is tested through a long series of clashes that Radha never really wins. She goes to learn music from Gopi with the intent of punishing him for blocking the road. She storms off insulting everyone, so Gopi goes to teach her a lesson…by lassoing her car then forcing her to dance in what might be a choreographed rape threat. So she tries to run over him and kills his harmonium. So he beats her car up, egged on by the children she almost ran over too. She slaps a kid, and that is Just Too Much. But when she frames Gopi for rape, she gets the whip hand. Literally.

In turn he whips a marriage chain out of nowhere and marries her very much against her will, and as payback. Despite their relationship being adversarial at the start, Radha gives as good as she gets, at least verbally. Eventually Gopi weakens, and finally Radha has her way with him. And Radha’s song fantasies are the worst dressed by far, so there is perhaps an element of payback. At the jail she steals a few moments with him and OMG his smouldering glance is enough to trigger a hideous hat-fest of a song. Love it! She is also the one who initiates the physical relationship, so I felt that they achieved a healthier balance in their dynamic over time.

But Radha’s dad sets up a thug to kill Gopi, and after the attempt fails Asirayya (Mohan Babu) convinces Surya Chandra Rao to kill the henchman and set Gopi up for the murder.  Just as well Gopi is a one man justice seeking machine with a very bad temper!

Chiru gets to show off his athleticism in the fight scenes, throwing himself and his opponents around with verve. I like that Chiru remembers to act while fighting, so Gopi’s motivation and level of fury is always apparent. The action scenes cover a lot of ground and use lots of props, a very entertaining combination. My favourite fight was with the That Guy who wore boots so fancy I was not surprised Chiru would fight him.

There is minimal romance in the dramatic scenes, but plenty of emotion. I liked Gopi’s relationship with his family as the guys seemed affectionate and supportive of each other. But when he was angry – helpfully indicated by scenes of crashing waves – look out!

Bhanupriya is excellent as potentially unlikeable Radha. She was never beaten into submission but came around to the realisation that her dad wasn’t all that while Gopi was rather fine. Radha seemed comfortable making her own decisions, and was resolute when telling her creepy dad that Gopi was her only family and to leave her be. She remained strong through Gopi’s incarceration, even though clearly stressed and saddened by events. When his grandmother (Annapoorna) is killed, Radha is the one who colludes with Silk Smitha to get him to the funeral to light the pyre. The wardrobe department had a go at her in the songs, but she looks beautiful and elegant in her sarees. And when she faces off with her enemies, I definitely got the feeling Gopi was not the only tough nut in the family.

Silk Smitha is great as a good bad girl with an inexplicable thing for Satyanarayana Kaikala and a resourceful approach to life. I mean…of all the men in this film who I might want to get naked, he is not one. In one scene Radha is seeing a lawyer and I don’t know what he says but she starts seeing flashes of Silk which turns into this hideous song where she dances for the baddies and fondles a lot of fish.

The song is also a cover for Gopi’s family to get into villain HQ, although Asirayya sees through the unfortunate blackface disguises. And that is not even the silliest thing that happens.

The support actors generally have a reason for their existence. Satyanarayana Kaikala is funny and avuncular, Nutan Prasad and Allu Ramalingaiah are there for comedic shenanigans and heart. They even have a nice little “I’m Spartacus!” scene in an attempt to buy Gopi some time. Kota Srinivasa Rao chews the scenery and Mohan Babu is slimy and opportunistic. But you know, crocodiles aren’t that fussy about their food.

This is a highly entertaining and a perfect vehicle for Chiru and for Bhanupriya. There’s little you couldn’t predict but a few things you might not expect. And while there is a bit of clueless comedy, there is more collaboration and support when it counts. And crocodiles. 4 stars!