Oh Baby (2019)

Oh Baby is a remake of Korean film Miss Granny, and although I haven’t seen the original, it appears that director Nandini Reddy has stuck fairly closely to the original story. The film is a fantasy rom-com where an acerbic older lady is changed to her 24-year old self and given a second chance to make her dreams come true. Both Samantha as the younger Baby and Lakshmi as the elder version are excellent and thanks to their performances and the rest of the lead cast this is an entertaining and light-hearted watch.

Baby (Lakshmi) is basically a typical grandmother. She organises everyone in the family, spoiling her grandson Rocky (Teja Sajja), mothering her son Nani (Rao Ramesh) and terrorising her daughter-in-law Madhavi (Pragathi). Not content with ruling the roost at home, she also runs a café in the same college where her son teaches physiotherapy and routinely trades words with her long-time friends Chanti (Rajendra Prasad) and Sulochana (Urvashi). While she adores her son, Baby has a soft spot for Rocky since he is an aspiring musician and Baby once wanted to be a singer too, but had to put her career on hold when she was widowed shortly after giving birth to her son. When Madhavi is hospitalised with stress after dealing with her mother-in-law one time too many, Baby is berated by her granddaughter Divya (Aneesha Dama) who telle her that she is the reason behind Madhavi’s collapse resulting in Baby deciding to leave the family home. But first she has to have her picture taken just in case it’s needed for her obituary and check in on Rocky’s first real gig, during which experience she is magically restored to her youth as the now 24-year old Swathi (Samantha).

Swathi finds lodgings with her old friend Chanti and his prickly daughter Anasuya (Sunayan) who has never liked Baby. Through various coincidences Swathi hooks up with her grandson Rocky’s band and is given the opportunity to finally fulfil her dreams of becoming a singer when the group are given a wild-card entry into a music competition. In the meantime, Nani mourns the loss of his mother, while Chanti, initially distressed at losing his friend, works out what has happened and is keen to support Swathi (much to the horror of Sulchana and Anasuya). There is also a romance of sorts as Vikram (Naga Shourya), the producer of the music show, is also entranced by Swathi and her rather unusual approach to life. But unfortunately Swathi’s new-found youth is not permanent and the situation with her family requires resolution, so it seems as if Baby will have to sacrifice her dreams for the sake of her family once more.

The comedy hinges on the rejuvenated Baby acting as if she is still a cranky old lady, and this is where the movie really excels. Lakshmi is superb at setting up the character of Baby in the opening scenes. She is deliciously insulting and knows just what to say to most get under her victim’s skin, while at the same time appearing to be solicitous and concerned. It’s a masterful performance, brilliantly funny and a side-splittingly accurate portrayal of everybody’s worst nightmare of an ageing relative. When she becomes the youthful Swathi, Samantha takes over and delivers a simply superb performance, perfectly encompassing an old woman stuck in a young woman’s body. Her movements, her walk, and her absolute delight in having normal bowel movements again are spot-on, best encompassed in the title song where Baby re-invents herself as Swathi.

Also integral to the comedy is Chanti as Baby’s long-time suitor, first desperately leading the search for her and then clandestinely trying to support Swathi in her quest for stardom. Rajendra Prasad is terrific here and shows off his impeccable comedy timing while providing the necessary support for Samantha and Lakshmi. Although his romantic overtures are frequently OTT, they are integral to his character and Rajendra ensures that he is always funny despite being rather over-enthusiastic.

Where the film is less successful is in the emotional aspects. Although Ramesh Rao is believable in his role as Baby’s son, the rest of the family are broadly drawn and Madhavi’s illness in particular is quickly brushed over.  Rocky’s blind self-ambition tends to strike a slightly sour note too since he continually compares Swathi to his grandmother, but doesn’t seem too upset that Baby has apparently vanished. Nani teached geriatric physioteherapy which is also used to point out that old people deserve a better deal in society, but again this goes nowhere and has little impact. As too the background story of Sulchana which could have been better used in the screenplay.

The romantic angle also doesn’t fit well, mainly because it’s not clear if this is supposed to be serious or played more for the comedy aspect. As a result, the romance feels disconnected to the rest of the story and ends up as a mild distraction that splutters into nothing at the finale. Another issue is the music which is surprisingly disappointing for a film all about a wannabe singer. Apart from the title song, most of Mickey J. Meyer’s songs, although pleasing enough, are just not up to the challenge of delivering the kind of memorable hits needed for this kind of movie.

However, the film works best when Samantha or Laksmi are front and centre, and thankfully this is the case for almost every scene. It’s fantastic that in to-day’s mostly male-centric Telugu cinema, this is a film that is focused almost entirely on its female leads and works entirely because of that focus. Samantha is simply luminous, she looks gorgeous as Swathi and yet still remains hilariously funny, delivering her one-liners naturally with faultless timing. I always like Samantha and she was the main reason for watching the film, but I was surprised at just how good she was, almost entirely carrying the film with only Lakshmi occasionally outdoing her performance.

Although not everything in the film works, Oh Baby is definitely worth watching to catch Samantha acting as an old lady, and to see Lakshmi light up the screen once more. It’s funny when either of the two are onscreen and with Rajendra Prasad and Rao Ramesh providing able support, the film is better than average. For me this was a great film for the holiday season and a good all-round family entertainer. 3 ½ stars.

Say something!

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.