Go Goa Gone

Go_Goa_Gone_poster

I like a good caper, I like zombie movies and I don’t mind copious swearing. So Go Goa Gone should have been tailor made for me. Sadly, after a promising start – featuring Chiru in Golimar! I cheered! – the film fell away into rote dialogues and predictable predicaments.  Raj and DK had a great idea but the execution didn’t quite do it for me.

Luv (Vir Das) and Hardik (Kunal Khemu) are dope smoking slackers, nominally employed but really living off their good friend Bunny (Anand Tiwari). Luv breaks up with his girlfriend Priyanka and Hardik decides that all he needs is another woman to cure his woes. So off to Goa they head, freeloading on Bunny’s business trip. Luv meets Luna (Pooja Gupta) who invites him to a rave on a deserted island. Following much recreational drug use, the boys wake up the next day to discover the party goers have become zombies with a taste for blood. The boys rescue Luna, run into Boris (Saif Ali Khan) the mafia dude who ran the party and they all hustle to get to safety.

go-goa-gone-luv-and-hardik

The first section of the film sets up the characters of Luv, Hardik and Bunny. Although different personalities on the surface, they’re all whiny boys who don’t take responsibility for much and have little clue. Luv is the more appealing as he seems to have a faint notion of how to be decent and Vir Das generally nails the right balance of silly and serious. Hardik (imagine the puns) is more self-centred and less inclined to bestir himself to make an effort. Kunal Khemu plays most scenes just for laughs, sometimes to great effect. Bunny is the good boy who wouldn’t mind being bad but lacks opportunity. The dialogue is mostly one liners, some hilarious some not, and insults. If you find calling someone ‘fucker’ over and over really funny, this is your movie.

go-goa-gone-pooja-gupta

Pooja Gupta is very good as the smart and sensible Luna. She deals with the undead and the unceasingly horny with the same air of faint dismay, and generally runs away from trouble not at it so I approved of her. She is a very pretty girl but despite spending most of the film in micro shorts and a strappy top, she isn’t just eye candy. I loved her scenes with the boys as they each thought they were sharing a moment with her and she shut them down ruthlessly.

go-goa-gone_Saif

Boris is a caricature. In fact, I think Saif took his character references from Bob Christo. With a bad wig, fake tatts, a dodgy accent that he maintains even after admitting he isn’t Russian, he is a charismatic presence without being in the least bit real.

go-goa-gone-the-good-guys

I think Boris is also indicative of the confusion within this film about whether it is a comedy or a horror or both. The gore is very gory so that was a bit darker than needed with the comedy and the horror element isn’t scary enough. The zombiefication occurred after the rave goers took a specific $5000 pill which fried their brains, but then was transmitted by bite. So there’s no logic in the threat, and it’s a really bad business model if you kill your clients after one dose. They were just shuffling zombies of varying acting ability. But there are some moments of the quirky genius I expected from the team that delivered 99 and Shor in the City. Hardik lures a zombie girl away in a brilliant filmi song inspired romp around trees and through the woods, his facial expressions totally at odds with the music and body language. They take a boat called the Tatinic to the island, the Russians subtitles are in a specific font. There are lots of details to enjoy.

There is an overt anti-smoking and anti-drug message that is about as subtle as a zombie bite. One of the warnings struck me more as an effort to placate Goan authorities for yet again portraying Goa as a place overrun with crime and drug addled ‘zombies’ than anything else. A further warning at the end was heavy handed and careless. I felt the second half just lost momentum as it needed to ramp up.

go-goa-gone-zombies

It’s a very stylish film (except for a few zombie ravers who looked a bit like accountants), and the Sachin-Jigar soundtrack works well with the sharply edited visuals. Some subtitles are out of synch with the dialogue, which surprised me in a project that otherwise had good production values.

I laughed at some lines, but didn’t find this terribly funny especially in the second half. It’s a kind of Delhi Belly of the Living Dead, and neither as fun or frightening as it could have been. Worth a look, but not the zom-com I hoped for.

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