Kilometers and Kilometers

Jeo Baby’s romantic comedy Kilometers and Kilometers takes a meandering route with both the screenplay and the road trip that forms the centre of the story. The basic premise is a love story between a rude, privileged American and a struggling Keralan mechanic although the film does briefly touch on a number of different themes including the value of money, Indian patriarchy, family relationships and cultural differences. For the most part though, it’s a fairy-tale style road trip across India that works reasonably well as a light entertainer, mostly due to Tovino Thomas and an excellent soundtrack.

The film opens slowly with the first half hour concentrating on Josemon (Tovino Thomas) and his family. The opening titles charmingly explain the back story of Josemon and his father’s Bullet motorbike which was bought at the same time as Josemon was born. He grew up with the bike, and after his father’s death, the bike has come to be Josemon’s connection to his father, full of good memories and the love they shared. But the family is struggling to pay their debts, and at every turn Josemon is being urged to sell his beloved Bullet to pay the bills. 

At the start of the film everyone is celebrating Onam, with the local festivities being sponsored by a local made good, who has just returned from America. Right away, America is held up as the land of riches while meanwhile Josemon is shown entering every competition in an attempt to get as much of the ‘cash prizes’ as possible. He’s also not above small deceptions such as tampering with the church water pump to get some paid work from the priest when he is asked to fix it. But on the whole, Josemon is a nice guy, trying to do his best for his family and shouldering the usual head-of-the-family burdens. I always thing this is a uniquely Indian view-point, in many ways similar to the UK about 50 years ago, where the head of the family looks after all the finances. Perhaps this really is still the case, but for me this adds to the fairy-tale aspect of the story.

Luckily for Josemon, just when he is about to sell his bike, providence arrives in the form of American tourist Cathy (India Jarvis) who wants a driver to take her on a road trip through India. Cathy has won a heap of money from a casino and is spending all her winnings on a once in a lifetime trip abroad. She’s travelling all by herself and doesn’t seem to have made any attempt to learn any of the local language or tried to fit in with any local customs.  All plausible but none of these fit with my idea of travelling through India. While some of what she says and does is common sense for travellers; not eating from the local stalls, drinking soft drinks instead of water, she seems fairly clueless in many other ways. For instance, at one point she is travelling on the bike and wandering around various tourist sites wearing incredibly micro-shorts, something that jumps out as being incredibly inappropriate even for a dumb tourist. 

Cathy also has a bad attitude initially, berating Josemon for giving all his money to his family and expounding her own personal theory that money is everything while personal relationships are meaningless. At the same time, she is appalled by the dichotomy that is India, seeing children begging in the streets while milk is poured over giant cut-outs of movie stars and being shocked by the need to bribe police. To all of these, Josemon merely says that this is just the way it is, without ever really showing anything other than calm acceptance. I like how Jeo Baby brings out these issues which strike almost every visitor to India, although he doesn’t ever address these as anything other than simply the way life is. I did completely sympathise with Cathy though when she is shocked by Josemon’s attitude to litter, which is something that always shocks me in India. For a country that recycles so much, the attitude to rubbish as something that can be just chucked down in the street anywhere always seems incongruous to me.

The trip dynamic changes when an impulsive decision by Cathy results in a disaster befalling the pair. While Cathy is frustrated by Josemon’s tendency to help everyone he meets on the road, his kindness is rewarded and they fall in with Sunny (Sidhartha Siva) a Malayali living in Punjab. At this point Cathy changes from a typical tourist staying in posh hotels and refusing to share her belongings to a more relaxed persona, happy to spend nights in a concrete pipe and eat simple local fare. It’s a fairly fast transformation, but still not completely unlikely, and the change in circumstance allows a romance to develop between Josemon and Cathy. It’s not all smooth sailing and it never seems likely to be a completely happy ending, but again this all makes sense in the context of the story, and this latter half of the film is smoother and tighter than the earlier scenes. 

The film depends heavily on the on-screen presence of Tovino Thomas and his likeable personality. He oozes charm and his frustration with Cathy is totally understandable. The language barrier is cleverly exploited both for comedic value but also to emphasize the huge cultural difference between Cathy and Josemon and the two actors work well together to illustrate these differences. India Jarvis is also good in her role, but has a harder job since her character is not well developed. She starts as a ‘typical’ foreigner, ignorant and rude, but has to evolve into a more empathetic character while still holding rather odd views about money and family. He idea that money is more important than relationships isn’t a common viewpoint, whatever the background, and it’s a difficult one to reconcile with her change of heart as the film progresses. The kindness Josemon and Cathy meet along the way, while possible is also rather rose-tinted, but also doesn’t seem quite enough to cause such a big change of heart. The pair also don’t have fantastic chemistry, Tovino Thomas seems to get on better with Sidhartha Siva and Basil Joseph as Kuttan his best friend, but mostly this adds to their awkward relationship rather than being a downfall of the film. The other cast members including Joju George, Sudheesh and Pauly Valsan are all good in their small roles.

The other standout of the film is the music. Both Sushin Shyam’s soundtrack and Sooraj S. Kurup’s songs are gorgeous and suit the mood of the film perfectly. While Sinu Siddharth’s cinematography is beautiful with wonderful attention to the lighting, we don’t get to see as much of the different locales in India as I would have liked. The action is all firmly focused on Josemon and Cathy, often on country roads and nondescript fields which could be literally anywhere. I did feel very nostalgic for Mumbai though when the pair finally make it to the city at the end of their journey. 

Although at heart Kilometers and Kilometers is a fairly routine rom-com, adding a foreigner with actual personality is fairly novel, while the contrast of positives and negatives of life in India are rarely shown together in such stark clarity. There is nothing ground shaking here, but despite the slow start and wandering story, I still enjoyed this trip across India by motorbike. 3 stars.

Theevandi (2018)

TheevandiSmoking is not something you see very often in Australia since there are laws that prohibit lighting up in most public spaces. As a result, a film that’s all about smoking seems a really strange topic to me, especially one that seems to treat the subject matter so lightly. It’s also quite ironic that the story ensures there are statutory warning notices displayed on the screen almost constantly, and in addition to the smoking and drinking warnings, there are also warnings about not wearing a motorcycle helmet, not wearing a seat belt and a declaration at the start advising that violence against women is a crime. However, Tovino Thomas makes this meandering story worth watching as he transforms from a clean-shaven school boy to a bearded and chain-smoking adult with an interest in local politics. Not a must-see drama, but a pleasant excursion in good company that benefits from a strong central cast and a generally upbeat approach.

The film starts with a birth, but the baby doesn’t breathe until his uncle blows a puff of smoke into the baby’s face – not a recommended way to start a child breathing! After this medical miracle, young Bineesh (Maheen) grows up as a normal village kid, although the local shopkeeper (Jaffer Idukki) is used to him buying cigarettes for his uncle Sugunan (Sudheesh) and using the change to buy sweets and snacks. This makes the teenage Bineesh (Tovino Thomas) the ideal person to send for cigarettes when the group of school friends decides to try smoking one day after school. While the others cough and splutter, Bineesh has no problems, since after all, his first breath was full of cigarette smoke. Oddly, while the students are having their first experience of smoking, their cigarettes are blurred out, I guess in some sort of censorship decision. It must be the school uniform that’s the issue, since the same actors are shown moments later without any blurring when they are supposedly older, but it still makes very little sense.

Tovino Thomas makes a convincing teenager, mainly due to his posture and body language, but he really hits his stride as the adult Bineesh. By this stage his smoking has become a chain habit that earns him the nickname of Theevandi, after the old-fashioned smoky steam trains. Bineesh hangs around the village with his friends, and doesn’t appear to have any gainful employment, although he seems to have a reasonably ready supply of cash to keep buying cigarettes. I was expecting some of the usual family rows with Bineesh being forced by his father to find a job, but his family seem happy to let him drift, although there is an undercurrent of concern about his smoking.

There’s a glimmer of hope on the horizon though as Bineesh is in love with Devi (Samyuktha Menon) who has promised to marry him only if he gives up his disgusting and smelly habit. But Bineesh doesn’t take her seriously and only pays lip-service to the idea, with his nonchalance and lack of commitment eventually resulting in a breakdown of their relationship. Samyuktha Menon is very good here and she gets the balance between heady romance and responsible common-sense just right. She’s the one who climbs up ladders in the middle of the night to speak to Bineesh, but she’s also the one with a job and a much clearer idea of where she wants to go and how to get there. Devi is a strong character who has the determination not only to stand up to her parents, but also to turn her back on Bineesh when he lies and hides his habit from her.

Bineesh is an interesting character and Tovino is excellent in this portrayal of a young man who his happy to drift until he works out what he wants from life – although he’s pretty clear that he wants Devi to be a part of it. As long as he can continue smoking , which is really his only other passion. To be fair, he’s probably more passionate about smoking than Devi, and certainly shows more emotion when faced with circumstances that force him to give up cigarettes. Despite this imbalance, the relationship between Devi and Bineesh is charming and sweet, with a realistic approach to the conflict between them. Oddly, although there is a warning at the start of the film, it’s Devi who slaps Bineesh every time she sees him smoking, and not surprisingly this isn’t a strategy that succeeds.

Writer Vini Vishwa Lal brings in a political angle with Vijith (Saiju Kurup) who is married to Bineesh’s sister. Vijith is active in the local party and Bineesh and his friends become involved as a result. One of the leading party members is Devi’s father Madhu (Suraaj Venjatammoodu), who generally disapproves of Bineesh and isn’t keen at all on the proposed marriage with his daughter. Adding fuel to the fire, Madhu becomes involved in a struggle with Vijith for the leadership after the party leader Balachandran (Shammi Thilakan) meets with an accident. After arguments and posturing on both sides, the leadership contest comes down to a bet that Bineesh will stop smoking until after a major protest organised by the party. But with Madhu and his supporter Libash (Vijilesh Karayad) determined to win at all costs, Bineesh’s struggle to overcome his addiction becomes a more public battle that he seems unlikely to win.

This is an interesting story that could have made more of Bineesh’s struggle to stop smoking. His initial attempts appear realistically half-hearted and the lengths he goes to in order to hide his smoking from Devi ring true, but the latter half of the film fails to show just how difficult it is to break the habit. Although Tovino Thomas gives a good portrayal of a man driven to the brink by his cravings, director Fellini T.P. takes the easy way out and gives Bineesh no choice other than to break his addiction. The methods employed by Vijith aren’t likely to be useful to anyone genuinely looking for a way to stop smoking and that to my mind seems to be a lost opportunity. The political bun-fighting also seems rather contrived and isn’t helped by Surabhi Lakshmi overacting as the corrupt party secretary. In fact, overall the political thread is weak without any real focus for this part of the story and it’s difficult to know if Fellini was trying to send a message about corruption, or just play the situation for some laughs. The best parts of the film are undoubtably those that focus on Bimeesh’s struggle and the song Oru Theeppettikkum Venda is a perfect example of how well Tovino Thomas portrays this inner conflict.

What also works well are the relationships , particularly between those between Bineesh and his friends, family and Devi. Tovino Thomas makes his character work and despite the vagueness of the screenplay, he keeps his part in the story focused and engaging. The support cast too are generally good and Suraaj Venjatammoodu, Saiju Kurup and Sudheesh excel in their supporting roles. The music from Kailas Menon is lovely and although the songs in the second half are less effective, those in the first half fit well into the narrative. Gautham Sankar does a great job behind the camera and the film looks beautiful with scenes set on an island appearing lush and colourful. This is a thought-provoking concept for a film, but Vini Vishwa Lal and Fellini T.P. seem to have run out of steam half way through, resulting in a film that doesn’t quite succeed as a whole. Nonetheless, it’s worth watching for Tovino Thomas and Samyuktha Menon, and it may perhaps convince people that smoking really can be injurious to your health.