Varisu

Vamshi Paidipally is usually associated with films in Telugu but this time he’s worked with Thalapathy Vijay to make Varisu in Tamil. Thankfully, Varisu is better than Vijay’s last film, Beast, although I think it would be difficult to make a worse movie! Although the story here is nothing new and the setting in a rich and privileged family tends to grate, the songs are fun, the action plentiful and Vijay is in top form.

Vijay plays Vijay Rajendran, the youngest son of rich businessman Rajendran (R. Sarathkumar) who has incorporated his other two sons into his mining and shipping business. Vijay has been disinherited for refusing to take part in his father’s succession plans and has managed instead to develop a start-up company distributing food to people in need. His success is apparently down to an MBA degree, which magically seems to give him amazing knowledge and ability in business and ensures that everything he suggests works amazingly well. If only! Meanwhile, Rajendran has set up his other two sons to compete against each other to become his successor and run the business empire he has developed.

But all is not well in the Rajendran family. Eldest son Jai (Srikanth) is married to Aarthi (Sangeetha Krish) with a daughter Ria (Sanjana Tiwari) but is also having an affair with Smita (Nandini Rai). Middle son Ajay (Shaam) is happily married but is struggling with his work looking after his father’s interests at the dock and is in debt to a financier Mukesh (Ganesh Venkatraman) as he tries to develop his own business ideas to impress his father. To add to Rajendran’s woes, his wife Sudha (Jayasudha) is unhappy at the forced separation from her youngest son, and his chief rival Jayaprakash (Prakash Raj) is snapping at his heels at every possible opportunity. When his doctor, family friend Dr Anand (Prabhu) tells him he only has months to live it seems to final blow that will fracture the family beyond repair.

But of course that’s not going to happen – enter Vijay and his amazing business prowess to save the day. Naturally Vijay is also able to defeat thugs at the docks, run off a gang of people smugglers and otherwise destroy any and all attacks on the family, his father and himself. The film settles into the usual ‘Vijay as all conquering hero’ and we know that everything will work out all right. While Vijay saves the business, sorts out his brothers and rescues Ria from kidnappers, there are plenty of fight sequences, numerous songs and a brief romance with Divya (Rashmika Mandanna), Aarthi’s sister.

What works here are the songs and the action sequences. There are a lot of songs, which I suspect is to help offset the thinness of the plot. The music is by Thaman S with lyrics by Vivek, and together they have come up with toe-tapping numbers that fit into the film well. Vijay dances up a storm with Rasjmika and a large number of enthusiastic backing dancers, and the songs are full of energy, bursting with colour, and just lots of fun. Best of all, rekhs has managed to make the translated lyrics rhyme and actually sound like songs, which adds to the overall emotional lift of each number. Unfortunately though, the background music would have benefitted from being turned down a few notches and at times I really couldn’t make much out other than just noise.

The action sequences are also well choreographed and Vijay smoothly eliminates every villain that attempts to stop him on his path to the top. It all looks effortless, which I’m sure means there was a lot of work put into these sequences, and it pays off. Perhaps more surprising are the number of rather odd diversions in the story that appear to have been included solely to allow fight sequences to be added. For a corporate and family drama, there are a lot of moments where Vijay has to fight his way out of a corner and, although these action sequences are impressive, they mostly don’t fit well into the rest of the story.

More problematic though is the rest of the film. For a start there are outdated attitudes on view from most of the male characters, who have little time or thought for the women in their lives. As a result, most of the female characters are thinly drawn and leave little impression although to be fair, all of the cast outside of Vijay have minimal impact on the film. The romance with Rashmika Mandanna is over before it starts and she mainly just looks pretty in the songs. Jayasudha does the usual mom routine, but she’s mostly relegated to serving food and worrying about her husband and family. As the two brothers, Srikanth and Shaam have little to do before the interval and not much more in the second half. Even R. Sarathkumar and Prakash Raj, who should have been tearing up the screen with their rivalry, are both very much side-lined by Vijay and end up appearing ineffectual and almost irrelevant. Everyone except Vijay appears one dimensional, which further erodes any plausibility of the story. While Vijay is excellent, the hero-centric nature of the film even starts to dull his shine and it’s only the energy of the songs that keeps the film moving along. The second half does have more energy than the first, but by that stage I was getting tired of Vijay’s relentless ability to conquer every difficulty so easily. A little more failure would have stopped the character from being quite so insufferable by the end of the film.

In the midst of all this, I do have to mention that at least the subtitles were excellent. During the interval I realised that I hadn’t even realised I was reading subtitles at all for a change! Usually I’m distracted by poor grammar, spelling mistakes and odd phrasing, but rekhs and her team have added subs that are easily readable, accurate and which make total sense. It makes a huge difference to be able to concentrate fully on the action and not have part of my attention diverted by trying to work out what is being said.

This is Vijay’s film from start to finish and he’s in almost every frame. Like most of his more recent films, this is made for fans, and there are plenty of nods to previous Vijay films throughout (thanks rekhs for the handy notes in the subs for those of us who didn’t get all the references!). I enjoyed the songs and the action but the story needed more depth, as did the characterisations of the supporting cast. It’s not a terrible film, but it’s not Vijay’s best, despite his energetic performance. Entertaining for a one-time watch, but wait for streaming if you’re not a Vijay fan.

Race Gurram (2014)

Race Gurram

Race Gurram was very nearly a non-starter in Melbourne, but at the 11th hour the distributors managed to find a venue and the race was on!  Better still, there were English subtitles – even for the songs – a first for Telugu cinema here in Melbourne, but hopefully not the last.  So, with a small but luxurious cinema, subtitles and the promise of Allu Arjun for just over 2 ½ hours, was the experience worth all the effort to get the film onscreen? Definitely!  Race Gurram is a mass entertainer that doesn’t break away from standard masala fare, but still manages to leave you laughing at the end.  That’s thanks mainly to strong performances from Bunny and Brahmi, while the usual suspects who make up the rest of the cast are a bit more hit and miss.

Apart from Allu Arjun’s introduction with a herd of horses and a few brief dialogues between our hero and the main villain, I’m not entirely sure why the film is called Race Gurram.  It has nothing whatsoever to do with the race track, and instead is a tale of acrimony between two brothers, Ram (Shaam) and Lakshman (Allu Arjun).

Race GurramRace Gurram

 

 

 

 

 

 

Ram is the elder and more sensible brother. He’s an ACP and is the standard morally upright policeman that Telugu films like to use as a sacrificial lamb.  Lakshman prefers to be called Lucky, because apparently it sounds ‘cooler’, which is probably enough of a clue to his feckless and irresponsible character.  The interactions between the two brothers are one of the strengths of the film and Shaam and Bunny make their exchanges seem natural and realistic.  Their arguments are just petty and immature enough to ring true, and when the situation escalates after a few more personal jibes, Lucky’s response is also in keeping with his personality. The way their relationship develops later in the film is also well handled, even if Lucky’s revelations before the interval do seem a little forced.   The tables are turned when Lucky finds out that someone else is targeting his brother and while it’s OK for Lucky to humiliate and fight with his brother, it’s not on if someone else tries to do the same.  It’s typical boy logic, but at least it gets Lucky on to the right side in the war against goon turned politician Shiva Reddy (Ravi Kishan).

Race Gurram

Shruti Haasan appears as Spandana, Lucky’s love interest, and at first seems to have an interesting role as a devotee of yoga who only shows her emotions on the inside.  But once she hooks up with Lucky, her usefulness to the plot seems to evaporate as her ability to emote increases, and she’s relegated to mainly appearing in the songs.  At least Shruti gets to actually dance rather than just pose and gyrate like Debi Dutta in the unimpressive opening number, and she does look great even if she doesn’t get to say much in the second half.

Another disappointment is Shiva Reddy and the whole plot against Ram and Lucky.  Although there are some good moments, overall Shiva Reddy is too much of a caricature villain to be properly offensive, and his machinations to become a minister are laughably inept. Ravi Krishnan never seems to get his teeth into the role, and mostly plays it for laughs with plenty of grimacing and sneering rather than any real maliciousness.  The knock-on effect is that the fight sequences don’t work as well as they should against such an ineffectual hoodlum and even throwing Mukesh Rishi in as Shiva Reddy’s somewhat nastier father doesn’t improve the situation. However, the usual suspects including Kota Srinivasa Rao, Posani Krishna Murali, Sayaji Shinde and even Prakash Raj as Spandana’s father all add enough to the mix to keep the action moving along well.

The second half introduces Brahmi as Kill-Bill Pandey, a name which does infer the usual dire slap-stick that Brahmi often relies on for comedy.  But such is not the case – Kill-Bill Pandey has great lines and an actual proper role in the story. And he’s really funny!  Seriously! Bunny and Brahmi work well together too, as Lucky comes to realise just what he has done by releasing Kill-Bill Pandey as head of a special police force on the unsuspecting Hyderabad public.  It makes for a much better ending than expected and has to be one of the best performances I’ve seen from Brahmi in recent times.

Race Gurram

I was expecting great things from the songs despite the fact that the soundtrack didn’t sound too special on first listen, and overall I wasn’t disappointed.  Apart from the first number which appeared out of nowhere without any particular point and had very little actual dancing by Bunny, the choreography was excellent.  Placement was generally odd and mostly there was no effort to place the songs within the storyline, but who really cares when it’s Bunny dancing? The stylish star looked, well, stylish, and as always his dancing was superb, particularly with Shruti Hassan in the larger group routines. Bunny always looks to be having such a good time when he’s dancing and his energy is incredibly infectious, so no matter how ridiculous the sudden appearance of Spandana and Lucky in the snow-covered fjords of Norway seemed, it was impossible not to enjoy the show.

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Race Gurram does suffer from a rather rambling screenplay, and at times the film gets bogged down with irrelevant odds and ends that taper off into nothing.  Apart from the feuding brothers, the family moments are a tad cloying and overdone, and a heavier hand with the editing wouldn’t have gone amiss.  However, Bunny and Brahmi together make for a surprisingly entertaining finale that was certainly well appreciated by the Melbourne crowd.   Well worth a watch for their combined antics

Race Gurram