Varun Tej takes on the role of a soldier in the Second World War so effortlessly in Kanche that it’s hard to believe this is only his second movie. His performance is one of the highlights of a film that has at its heart a simple love story but uses a more ambitious setting to deliver a deeper social message based on the literal and psychological ‘fences’ of the title. The story starts in Thirties India and moves to the battle torn landscape of Italy during the Second World War using flashback sequences to keep the focus on Dhrupati Hari Babu (Varun Tej) and his romance with Seetha Devi (Pragya Jaiswal). It’s an unusual backdrop for an Indian film and despite a tendency towards melodrama in the second half Kanche is one of the better films I’ve seen this year and well worth catching in the cinema if you can.
The story starts when Hari meets Seetha while they are both studying in Madrasapattinam and Hari is working part-time as a waiter in a social club. Hari is outspoken but respectful with a twinkle in his eye, while Seetha is the perfect lady, always looking absolutely stunning in elegant saris, sparkling jewellery and perfect make-up. I was a little surprised at how liberal her thinking was for a wealthy and presumably somewhat sheltered girl in 1936, but Pragya has just a touch of aloofness which gives more authenticity to her role and she certainly looks the part. The couple have sparkling chemistry together and the romance moves along with a freshness that belies the familiarity of the story. Varun plays Hari with the perfect mix of serious scholar and carefree larrikin to make him an appealing character, and gives an immediate contrast with later scenes where he is more introspective and self-contained as a soldier in the Indian Army.
Although Seetha is from a royal family and Hari is the son of the local barber, their romance blossoms while they are away from home. When they return from college however their relationship seems doomed to failure since social norms decree that Seetha must marry a man from her own class. Seetha and Hari try to enlist the help of Seetha’s brother Eeshwar Prasad (Nikitin Dheer) but he is firmly on the side of tradition and opposes the match almost more vigorously than Seetha’s father. Nikitin plays Eeshwar with a permanent sneer that looks painful to maintain and becomes almost comical with each reappearance. There are whiffs of a more rational and intelligent man but they don’t seem to be able to make it past the facial grimace and Eeshwar is too one dimensional to be completely convincing here. Sowcar Janaki has more scope as Seetha’s mother, trying to get her daughter to conform while at the same time acknowledging that as a woman she has little influence and no effective assistance to offer. I love the subtle message that Krish adds here about the role of women in Indian society which is just as effective as his more obvious statements about social divides later in the film.
The class divide isn’t enough drama for Krish though, and he adds in inter-caste rivalries in the village which increase the tension and lead to literal fences being constructed alongside the invisible social barriers to keep different groups of villagers apart. The village is split by class, caste and gender which makes for a lot to expect Hari to fix in the final half of the film!
The romance is told as flashback sequences interspersed with events on the battlefields in Italy and although the love story follows a predictable path, the rest of the film is rather more unexpected. Eeshwar is now Hari’s commanding officer and still hasn’t lost the sneer or his enmity towards Hari although the two avoid each other as much as possible. Krish doesn’t fall into the trap of making Eeshwar a vindictive bully and Nikitin does a better job in these scenes, making Eeshwar an honourable and decent man behind the curled upper lip. As events unfold, Eeshwar is forced to depend on Hari when he is captured by the German army along with the other commanding officers. Hari and a few other soldiers set out to rescue them but find themselves confronted by Nazi atrocities in a small town they pass through and need to adjust their plans accordingly.
There are a number of more subtle messages that are almost lost as Krish hammers home the point that anything can be achieved through co-operation and mutual trust. The camaraderie between the soldiers – British and Indian – is unexpected and an interesting counterpoint to the more usual rivalry and prejudice seen in other films. Hari’s letters to Seetha also provide a different view of the war and her unseen presence provides support for Hari as he struggles with the realities of the conflict.
One of my pet hates in films with foreign characters is the usually poor quality of the performances, however here the actors are good and generally appropriately cast. The commanding German officer and a family of bakers in a small Italian village are particularly effective and add credibility to this part of the film, while the various British soldiers are also all good in their roles. The dubbing is however not as successful with a definite miss on some of the British army accents making the British General sounding more like an East End butcher rather than an officer of the British Army. There is also some confusion with the Italian villagers who speak variously in oddly accented Italian and German, although this is mostly drowned out by the Telugu voice-over. Still, overall the foreigners are much better than usual and are convincingly part of the film storyline rather than simply extras in the background for added flavour.
The pace in the second half is slower and the particularly in the final scenes the action becomes overly dramatic where less really would have been more compelling. The end is also heavy on the films message of peaceful co-existence through mutual respect and tolerance, even adding a baby called Hope just in case there could be anyone who missed the point. However despite the awkward melodrama and overly drawn out final fight scene, the story is still powerful and Varun is impressive right to the end. Definitely an actor to look out for.
With good performances, an interesting story and some clever dialogue, Kanche demonstrates Krish’s ability to think outside the norms of Telugu cinema and deliver another great film. Don’t miss it!
Cinema Chaat 