I loved Lokesh Kanagaraj’s last film Kaithi, and was interested to see how he would approach having a big name star for his latest movie. Not that Kathik isn’t a star (he definitely is!), but there are certain fan expectations for a Vijay film and as might be expected Lokesh follows most. However Master is more than simply another star vehicle and thankfully there are some touches that make this a cut above the usual Vijay mass film. For instance, the villain here is just as important as the hero – in fact he has more of a backstory and quite frankly a more interesting story arc. The obligatory ‘romance’ is practically non-existent and here Vijay plays a more dislikeable hero with more flaws than I’ve seen before. It’s not a perfect movie, but better than I was expecting and with both Vijay and Vijay Sethupathi on screen together, a real treat for fans of both.
The film opens with a young Bhavani (Master Mahendran) being menaced by his father’s enemies after they have murdered his family. He’s thrown into a juvenile detention centre where he is beaten and bullied, leading Bhavani to develop a tough persona and his own ‘superpower’ from years of pounding his fist into the wall. Moving forward to the present, and the now adult Bhavani (Vijay Sethupathi) has taken control of the trucking industry using the young inmates of the detention centre as his criminal associates. Most notably he uses them to take the blame for his various illegal acts, while plying the youngsters with drugs and alcohol to keep them compliant.
Meanwhile, a college teacher John Durairaj aka JD (Vijay) is struggling with his job. Although he is loved by the students for his stance on student rights, the headmaster and other staff dislike him, possibly due to his popularity with the students, although this doesn’t ring true. When a contest for a new student president descends into violence, JD is quickly ousted from his job and moved to the juvenile detention centre to take charge of the facility as the new ‘Master’. JD quickly discovers the facility is beset by corruption and after a distressing incident involving two of the inmates, he starts to make changes in his own life. The idea seems to be that to change the facility he first has to change himself. After discovering links between Bhavani and his juvenile pupils, he sets out to destroy Bhavani and redeem the inmates.
So far so good, the story is engaging if rather predictable, and the addition of a good and personable villain really helps. As expected for a Vijay film, the action sequences are well choreographed and executed to a high standard. Those involving Bhavani and the various people who stand between him and the coveted Union leader’s position are made even more awesome by his ‘super-power’, which harks back to those hero fight scenes where the hero can manage to defeat hundreds of men without even breaking a sweat! There is a terrific extended sequence with JD in a police station, and it’s clear that all these small fight scenes are leading up to the big finale between JD and Bhavani, which also does not disappoint. While I would have liked a few more fight scenes with Vijay, overall, in terms of action, Master gets the recipe just right. The songs too are excellent. The energy and exuberance in this opening number with Vijay is simply spectacular!
What also works well is the development of Bhavani as a villain. Initially the character evokes sympathy for the way he was treated, and in many other films this would be the track that turns someone into a hero. But not here. Instead, after being powerless as a teenager, Bhavani becomes corrupt and willing to sacrifice anyone and everyone for his ambition. Lokesh uses Vijay Sethupathi’s voice for the young Bhavani, I think modulated to sound younger, and it’s works well to anchor Bhavani’s persona in what he experienced as a youth. Vijay Sethupathi uses his physicality to really dominate in the film and I loved that here was a villain that I could really enjoy. There is some comedy and naturally lots of cool mannerisms that meant I was rooting for Bhavani in every single fight (well, the people he was fighting were just as corrupt) at least until he locks horns with Vijay. I am a big Vijay Sethupathi fan, and it was good to see him as the villain of the story for a change.
Interestingly, Vijay’s character JD had much less character development, although there is a long sequence at the start that introduces him and deals with his issues in the college where he works. This part of the film does drag and it also introduces characters that don’t add anything much to the story. Although they do appear at the end, by that stage I’d forgotten who they were and why I should care about their fate. Indeed, the entire introduction sequence only had 3 points of note, all of which could have been established in a fraction of the time.
JD’s introduction sequence does feature new teacher Charu (Malavika Mohanan) who has a crush on JD. But s is so often the case in these big hero films, there was simply no point to Charu’s character and unfortunately, she adds little to the story. Her crush doesn’t go much further and attempts to bring her into the story using ‘connections’ in the detention facility fall rather flat. The only part of her story I enjoyed was when young inmate Undiyal (Pooviyar) manages to save her from a gang of thugs while JD is unable to do anything but watch. That felt much more like a Lokesh Kanagaraj touch. The best scenes are those with Vijay and the kids in the detention facility, and in these the mix of comedy, action and tension is just right. The contrast between Bhavani’s scenes of menace and destruction are used well to contrast with the gritty but still lighter scenes in the facility. I just wish there had been more of this and less of the ‘fluff’ and window dressing,
The good parts of the film; the fight scenes, Anirudh’s music and Vijay Sethupathi as a villain, are all excellent. Vijay is awesome in the fight scenes and his interactions with the kids in the detention facility are really cute. But where Master really falls down is the length. The film is really long and there is much that just feels unnecessary and indulgent. The screenplay seems loose and at times not coherently put together with a number of side alleys and diversions that should have been curtailed. The additions and distractions slow down the plot and the film only comes back to life when either JD or Bhavani are centre stage without all the extra padding weighing them down. An action film with Vijay should be tight and exciting from start to finish but sadly, Master isn’t, not quite. But it’s still a fun watch and I did enjoy watching Vijay Sethupathi as a villain and Vijay’s foray into the educational system. Thanks to rekhs and her excellent subtitles the film is also easy to understand while the production is slick and polished. I wish I’d been able to watch this in the cinema with a huge crowd, which would have helped get through some of the slow sequences. But even at home, Master is still a good film and definitely a better than average watch.