Abhinay Deo loads up Delhi Belly with self-conscious references and imagery of Bollywood and “India”. The opening sequence includes Rishi Kapoor prancing in a blinding white suit from the medley from Hum Kisise Kum Nahin intercut with a slick airport and some slum kids. I wanted to like this. I like the caper genre, I like Guy Ritchie films (of which this is heavily derivative), and I even quite like Imran Khan. But it feels a bit empty, like a film set in India and made for people who have never been there themselves.
Note: I watched the Hinglish version of the film which is heavy on the profanity, with some characters swearing as much as I do. I believe the Hindi version is not quite as graphic.
Tashi (Imran Khan) is a journalist of sorts, interviewing starlets he despises when he isn’t writing up serious crimes. Tashi’s flight attendant girlfriend Sonia (Shehnaz Treasurywala) does a dodgy deal with Vladimir to drop off a package to a local address. Of course the package contains smuggled diamonds. Nitin (Kunaal Roy Kapur) is a perve, and a photographer, as well as Tashi’s sidekick and roommate. The other flatmate is Arup (Vir Das in a terrible wig), the geeky graphic artist charged with making a banana look happier but not too happy. Menaka (Poorna Jagannathan) is a journalist colleague who is there because someone has to have a crazy ex-husband who wants to hunt Tashi down. Tashi tells Nitin to drop off the package to Somayajulu (Vijay Raaz) but Nitin comes down with Delhi Belly, and sends Arup to drop off the package AND his stool sample. Yeah, you can pretty much guess the rest.
The film is stylised, with quirky sound and visual effects emphasising the comedy and dramatic beats. It’s meticulously planned, with all the intersecting plotlines and near misses neatly plotted. And that is one of the problems I have with Delhi Belly. While it is visually accomplished and great to look at, there is not enough fizz or life in the story or the characters.
There is an overabundance of trashy puerile boy humour that might put some people off, but at least it is frank about sex and avoids unnecessary coyness. And as you would expect from the title, there is scatological and toilet humour galore, and that is carried over to Raj Sampath’s soundtrack. The bad language and smutty jokes are largely for shock value and not driven by a genuine insight or moment. That is what I found distasteful and even worse, boring. Making a man run down the street while wearing a burqa is not champagne comedy. One rare comedy highlight is Arup fantasising about breaking up a wedding in his Disco Fighter avatar (and announcing his equal opportunity approach to oral sex) before bursting into song. It’s a little bit Mithun and a little bit Wedding Singer post the break up.
Imran Khan is stuck with a character who doesn’t seem to have much motivation but ends up in an ever more threatening and strange set of circumstances. His nice middle class boy aura never really leaves him, no matter how squalid the surroundings, and I never quite believed in Tashi. I did like his Rajinikanth shirt though. Tashi is apparently acceptable husband material to a wealthy middle class family but he chooses to live in a hovel and not really have much of a career. How does that work?
Imran has no chemistry at all with Shenaz or Poorna which is disappointing considering Tashi gets very hands on with them. Imran and Kunaal Roy Kapur are much more fun together. But despite Kapur’s rambunctious performance and occasional zingers I got so tired of Nitin and his digestive tract that I wanted his scenes to be over NOW. And Vir Das was sort of reprising his role in Go Goa Gone so I felt he was a bit underutilised. And his wig was truly terrible and a great distraction.
Shenaz Treasurywala delivers an entertaining performance in a role that didn’t demand one. Sonia is a confident upper middle class girl. She can afford to be nice to almost everyone because other than choosing a lipgloss she doesn’t have much to tax her brain with. Poorna Jagannathan plays Menaka as more of a world weary cynic, but again she will go out of her way to help a hopeless boy. As mentioned, I couldn’t see the appeal of Tashi to either lady and given they formed a mild love triangle it would have been better if there was more chemistry.
Leading the villains, Vijay Raaz and the gang of henchmen do their best to be OTT. I appreciated their commitment, and some scenes had real tension. But the film couldn’t commit to playing it straight so there were forays into unnecessary slapstick that fell flat. Often literally. A dishonourable mention goes to Rahul Singh as Menaka’s ex. His character was so unpleasant it was hard to believe such a smart confident girl would have married him against her family’s wishes, and his acting was completely suited to the role.
I have to mention Aamir Khan’s appearance as Disco Fighter in the closing song. Aamir is one of the film’s producers and according to the goss, attended some special advance previews to find out why audiences weren’t responding to the film. But his disco antics are there for added box office appeal, not for the film and not for fun. And not because the world needs any more actors in blackface. Jeez. Anyway, it’s not like he needs any more proof he is a terrible dancer so I guess he really likes his nephew.
It’s a clever but ultimately joyless effort. The film lacks the verve of proper masala embodied by Rishi’s performance in the opening visuals. Great masala films crackle with the energy and velocity of dodgem cars and roller coasters, not the methodical progression of chess. 2 ½ stars!
Cinema Chaat 