Sindhubaadh

 

Sindhubaadh

S.U. Arun Kumar previously teamed up with Vijay Sethupathi for the excellent Pannaiyarum Padminiyum and police-drama Sethupathi, both of which had well developed and slightly off-beat stories with an interesting array of characters. It’s disappointing then, that in Sindhubaadh, he’s come up with a disjointed story and characters who don’t seem to know exactly who they are supposed to be. Thankfully, Vijay Sethupathi is excellent and his presence, along with a strong performance from his son Surya Vijay Sethupathi is enough to keep the first half of the film engaging, but things go rather more pear-shaped in the second half.

Vijay Sethupathi is Thiru, a petty street thief who is hearing impaired. He lives with his adopted son Super (Surya Vijay Sethupathi), although the actual story behind their relationship is shrouded in various tales they spin Thiru’s uncle (George Maryan). Thiru’s lack of hearing allows him to sidestep his uncle’s attempts to sell their house to grab some fast cash and their tussles provide some of the comedy in the first half. Thiru is a pretty laid-back guy who doesn’t seem to have too many problems with his deafness and seems happy to continue on his slightly crooked path through life. Super is a perfect side-kick and his high spirits offset Thiru’s more relaxed approach to life.

Meanwhile Venba (Anjali) has returned from Malaysia where she’s been working in a rubber plantation to pay off family debt. Her family are trying to arrange her marriage but Venba’s loud strident voice puts off potential suitors. For the hearing impaired Thiru though, she’s the one person he can hear easily and he instantly falls in love with her voice. But Venba isn’t interested in marrying a thief, leading Thiru to try and change her mind by the tried and trusted method of stalking and harassment. And, as only ever happens in the world of movies, this tactic works – and now it’s Venba’s family who aren’t impressed with the prospect of a thief for a son-in-law. By this stage though Venba is quite prepared to sacrifice her family for a man she despised only a song or so ago, and she returns to Malaysia just to finish up her job there, promising to be back in a couple of days.

Unfortunately for Venba, the corrupt owners of the rubber plantation where she was employed are involved with a much larger criminal gang. When she arrives back in the country she’s sold to a consortium who are involved in the skin trade, with a more literal meaning than usual. Venba manages to get word to Thiru who sets off for foreign shores using the name Sindhubaadh in his fake passport with Super in tow. But this is where the story starts to break down. There are way too many coincidences that are used to patch over the gaping plot holes as Thiru crosses Thailand and into Cambodia in the search for Venba. Along the way, Thiru just happens to meet people who can both speak Tamil and point him in the right direction, including Vivek Prasanna who is trying to buy back his daughter from the same gang. There’s also a Tamil speaking police-man and the chief villain, Ling (Linga) coincidentally is a Tamilian adopted into the Thai gang.

Ling is a typical caricature of a bad guy who has a big build up as a vicious and remorseless killer, but ultimately ends up fairly ineffectual, resorting to screaming threats and petulant displays of bad temper. The mullet really doesn’t help either. Also strange is Thiru’s sudden emergence as a mass-style hero who can easily vanquish the thugs who stand between him and Venba. He’s a one-man army as he develops sophisticated traps, kills his opponents with a quick twist of the neck and survives everything that is thrown at him. At one point, Super throws a stone at a 4WD which flies through the window, hits the driver and causes the entire car to flip over. And that’s not even the most ridiculous part of that entire scene. It’s just all too much of a change from the easy-going persona of the first half and the continual coincidences just make the story even more ridiculous.

There are some good points though. Despite the clichéd romantic plotline, Anjali and Vijay have excellent chemistry together, and Anjali is good as the capable but loud Venba. It’s unfortunate that she has less to do in the second half, but she excels at looking terrified and at least she does get a chance to fight back. The best relationship though is that of Thiru and Super, and there is a wonderfully joyful camaraderie that shines out of everything they do together. Their father/son dynamic translates well into the story and Surya is developing into a fine actor. His comedic timing in particular is fantastic here, and his cheeky grin perfectly suits his character. In reality it’s this dynamic and the scenes between father and son that keeps the film from total disintegration in the second half.

Another plus point is a brief but well written scene with a prostitute who was one of the women seen working with Venba earlier in the film. She has information for Thiru and unexpectedly S.U. Arun Kumar treats their interaction sensitively with reactions from Thiru that are much more in keeping with his earlier persona. Sadly, it doesn’t last, and we’re quickly back to the mayhem and slaughter, but it does show that there are some good ideas here despite the lack of overall cohesion.

I really wanted to like this film. There is the makings of a decent story hidden under all the unnecessary travels across SE Asia, poorly utilised hearing impairment and extravagant Thai gangster plot. Vijay, Surya and Anjali are all excellent and make their characters engaging despite the inconsistencies in behaviour. It’s also encouraging to see a film about people trafficking that isn’t voyeuristic but gets across the horror of being treated like a commodity and the fear that prevents escape, even if that’s mostly subsumed under the action adventure. Technically too, the film has been well put together and the subtitles by Aarthi are clearly visible and grammatically correct.  What lets the film down is the screenplay which just doesn’t come together once the story leaves India and all the extra threads to the story that mainly just add confusion. Sindhubaadh ends up as a formulaic mass action film that isn’t terrible but doesn’t have any of the magic expected from the pairing of Arun Kumar and Vijay Sethupathi. Worth watching once for the father and son relationship that genuinely lights up the screen.

 

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Thadam (2019)

Thadam

Magizh Thirumeni’s Thadam takes a little while to get going, but once it does, step by step the film builds into a puzzling conundrum where the identity of a murderer is cleverly concealed until the final big reveal. There are two prime suspects, but which one of them is the murderer and perhaps just as puzzling, why was the victim killed? Arun Vijay is excellent here in a double role that requires him to fight himself (which looks very convincing!), while the story keeps you guessing right to the end. The film does start rather slowly, but there is more going on than first appears and once the investigation kicks in. the twists come thick and fast. Although Thadam initially only had a three day run in Melbourne, it was popular enough to be extended and I’d definitely recommend it as a better than average whodunnit.

The film starts by introducing two men, Ezhil and Kavin, both played by Arun Vijay. First is Ezhil, a successful engineer who runs his own construction firm. He’s chasing after a girl who works in the same building and the first riddle is the correct question he must ask to persuade Deepika (Tanya Hope) to go out on a date. Eventually he works out the critical query and the two quickly becomes an item until Deepika leaves to attend a wedding. Ezhil seems like a nice guy – he’s thoughtful and considerate, has his own successful business, and is prepared to use a bra to illustrate the miracle of engineering that is Howrah bridge. Perhaps not such a great chat-up line!

Kavin, on the other hand, is a crook. He’s a thief and fraudster who, along with his friend and accomplice Suruli (Yogi Babu), cheats anyone and everyone. Kavin is also addicted to gambling which is unfortunate since he seems to be particularly bad at it, losing a large sum of money which Suruli had set aside to repay a debt to a nasty thug. When Suruli can’t pay, Kavin is given a short space of time to organise the funds otherwise his friend will suffer the consequences.

After introducing the two men and their significant others, Magizh Thirumeni throws in a murder. There’s a dark night, a thunderstorm and a vicious attack on a young man in his apartment. SI Malarvizhi aka Malar (Vidya Pradeep) is the chief investigating officer who is initially baffled by the complete lack of clues. No fingerprints, the rain has kept everyone away and the victim Akash doesn’t appear to have any enemies who would want him dead. A chance photograph throws up a potential lead that seems a sure thing once Inspector Gopalakrishnan (Vijayan) recognises the man lurking on Akash’s balcony. He’s had dealings with Ezhil before and is positive that Ezhil is the man in the photograph. But another police station has picked up Kavin and identified him in the photograph too. So, who is the killer? Both men appear identical and the photograph is the only clue Malar has to work with. It turns out that Gopalakrishnan has a personal bone to pick with Ezhil and there doesn’t seem to be anything that links Ezhil to the murder. However, there is a large sum of money missing which leads Malar to suspect Kavin even though she can’t work out how he could have known about the cash. With no answers and only a few days before she needs to either charge or release both men, Malar is desperate to find any link between Akash and either Ezhil or Kavin. Adding to the mystery, Ezhil and Kavin seem to know and despise each other. What is the connection? Why Akash? And who committed the crime?

There are plenty of clues and red herrings alike in this clever story that is actually based on true events. Magizh Thirumeni keeps us guessing as he throws up clue after clue that seem to lead nowhere and Malar’s frustration is beautifully captured as every lead she has turns out to be worthless. I also liked how seemingly meaningless conversations from earlier in the film turn out to be important later on – it pays to take heed of even the smallest comment as almost everything turns out to be significant in the end. This also helps make sense of the first half of the film which is slow and spends a lot of time on the romance between Ezhil and Preethi. There’s also a seemingly pointless con where fraudster Chechi (Meera Krishnan) sets up Kavin as a potential husband for Ananthi (Smruthi Venkat), but both the romance and the con are essential for the reveals in the second half. However, without the benefit of hindsight, the first half just seems overlong and slow until Akash is killed.

On the plus side, throughout the film there is a good mix of action and comedy that helps ensure that the film doesn’t get too lost in the fluffy romance or bogged down in the police proceedings. Yogi Babu has less to do with this than expected and much of the comedy comes from George Maryan as a bumbling police officer and the interactions between Ezhil, Kavin and the cops. Some of this is just too filmi to work in the context of a thriller, but most of the comedy is well integrated into the main story and is genuinely funny. The exchanges between the police and their suspects are also well done but it’s the tangling of the story that really makes this film worth watching as Magizh Thirumeni manipulates us into repeatedly changing our minds as to who is the guilty party.

Arun Vijay is fantastic in the double role, particularly once Ezhil and Kavin have been arrested. The two men look identical but their personalities are different, although similar enough to make both a plausible suspect for the murder. His reaction to the arrest as Ezhil is brilliantly done, while his Kavin is perfectly cocky when brought in for questioning. Also worth mentioning are the excellently done interactions between the two characters. A great job by the special effects team who really made it look as if Ezhil and Kavin were fighting each other, and brilliant acting from Arun who made every interaction between Ezhil and Kavin seem totally natural.

Vidya Pradeep is also excellent as a police officer who has something to prove after being transferred in under a shadow. I really like that she isn’t portrayed as a “female” police officer, but instead she’s simply the main investigator for the murder. This doesn’t sound like much, but it’s a definite improvement over the more usual insistence that any female lead has to either have a romance track or be a comedic figure of fun. Vidya brings a good mix of seriousness and authority to the role along with some lighter moments that ensure her character appears likeable and as approachable as can be expected for a police officer in a murder investigation. Tanya Hope on the other hand has little to do except be romanced by Ezhil, but Smruthi Venkat has a more nuanced role and is good in a small but important role. Less successful is a flashback sequence featuring Sonia Aggarwal as Kavin’s mother that feels overdone in comparison to the rest of the film and doesn’t work as well as it could to explain Kavin’s motivation.

This is a clever whodunnit that keeps its cards close to the chest and doesn’t give anything away until the end. The final reveal is excellent and not wrapped up too neatly which allows some room for reflection. Arun Vijay is brilliant, as too is Vidya Pradeep, but better still is the execution of the idea and the twists and turns along the way. I thoroughly enjoyed Thadam and highly recommend it as a murder mystery that’s shrewdly plotted to be delightfully baffling. Make sure you don’t miss the true stories mentioned at the end too.