Australian Festival of Travel Writing: the road to Tollywood

The Australian Festival of Travel Writing wrapped up last night after three days of fantastic and interesting panel discussions and workshops. I was invited to represent our blog to discuss ‘Bollywood Stories and Contemporary Indian Cool’.

Our panel moderator Roanna Gonsalves was charming and elegant, and made the panel all feel at ease. She injected some style into proceedings, wearing a beautiful blue and cream sari that contrasted with the Melbourne monochrome wardrobe.  I will admit I googled her before we met and I was very impressed by her writing. Go look at her site.

Shalini Akhil shared some moving and funny reminiscences of how Bollywood touched on many ‘firsts’ in her life, including her first time going to the cinema by herself. What was the film that made such a mark on her life? Surakksha. Still not clear? Well, Gunmaster G9 may ring a bell. Here is a clip Shalini thoughtfully sent me afterwards:

Mitu Bhowmick-Lange gave the audience a quick history of Hindi cinema, how it has changed and the development of stories set overseas that reflect the NRI experience. She ended with a song filmed in Melbourne, My Dil Goes Mmmm from Salaam Namaste, which Mitu also line produced.

And I have no idea what I said. It was lovely to look at the audience and see Heather and other friends sitting there nodding emphatically at everything I mentioned, but that’s what great friends do. Thanks guys! I blathered on but I did manage to get 3 short clips of a minute or so each into my presentation. I really wanted to show why masala films have had such an impact on Heather and me and why we love to watch them. The audience seemed particularly taken with the South Indian film clips, and we may have a few more Magadheera converts! So what did I woo them with?

Helen!

MAGADHEERA!

Rajni!

The organisers were fabulous and really set me at ease, and Heather and I got some very nice comments afterwards.  It was a fun thing to do, and I am delighted that we were asked to participate.

Thanks all!

Temple

Baava

What a huge weekend! Diwali festivals happening all over town, Spring Racing is underway and to top it off we had another Adventure Without Subtitles. Melbourne is a great place to live at times like this!

So off to Baava at the newly christened India Talkies cinema.

We think this is a film that will improve greatly with access to subtitles, however there were many things to enjoy regardless.

The first half opens and sets up the lead characters- Siddharth as Veera and Praneetha as Varalakshmi. It becomes clear that Veerababu is a hapless lad, causing mayhem in his wake. We wondered if perhaps he was the idiot in search of the right village as he seemed to have the knack for doing nothing right. The village residents tried to banish him, his parents despaired of him. Varalakshmi on the other hand is the golden child of a well-to-do family, and is a ball of energy and fun.

That took a few minutes to establish, and yet it is basically the whole story of the first half. The dialogues were clearly hilarious, but there was no character development or  drama so it seemed very slow to us non-Telugu speakers.  This is where we think the subtitles will make the first half  more entertaining.

But the songs are awesome on screen. The picturisation, the choreography and the music are so well meshed and make sense within the plot. We read Siddharth’s complaints on Twitter about the dances, but he looks like he is having a ball. Perhaps that was just some great acting, but we had a ball too. And really, Sid rocked the half sari and did a very creditable snake dance.

So back to the story. There is a long and (to us) confusing subplot about a family feud and the repercussions at the local temple. Varalakshmi realises that Veerababu is the boy who fell in love with her when they were schoolchildren, and falls in love with him too.

Meanwhile her family are planning on marrying her off to the very tall and very creepy Ramana, played by Vijay Samrat in a really strong performance that doesn’t hold back on the sleaze. Drama is building – Veerababu and Varalakshmi marry secretly. She returns to her home until the time is right. After a nasty confrontation with Varalakshmi’s family (the feud subplot again – it turns out she is his cousin) Veera’s father dies, and Veera goes to reclaim his bride and assert his rights. It was all getting really interesting. So Ramana who by now knows she is secretly married kidnaps Varalakshmi and there is only one way to settle this.

The ending was just silly, and not at all dramatic. We don’t want to tell all, but will give you a hint – they should have had Phil Liggett doing the commentary.

We loved, really loved, the songs on the big screen. The cinematography is just stunning and makes the most of every scene. The lighting and colours were just perfect – things looked sun bleached and warm, with beautifully intense hues to accent the scenes. The production design overall was a real plus.

Praneetha was very good as the sparky Varalakshmi. Her entrance (to Ring Ringa from Arya 2) was just fantastic and her dancing was so much fun to watch we just wanted to join in! Siddharth was full of energy, sometimes maybe too much, but gave it everything. His scenes with his friends and Varalakshmi showcased his cheeky smile and flirtatious eyes and the emotional scenes with his family let him use a bit more of his dramatic range. Brahmi and Ali did their thing and got lots of laughs. We did like the fact that we have to see the bald spot to verify that it really truly is Brahmi.  And the guys who played… well the guys in the village who were Veera’s friends were lots of fun. Extra special bonus points for having Chiru appear on screen during a scene set in a cinema!

We have the feeling that the film would be much  improved with a better plot structure and a few edits (as well as a much better climax scene) but have to reserve judgement til the DVD is available.

Cinema Chaat & the Australian Festival of Travel Writing

Temple has been invited to take part in a panel discussion along with Shalini Akhil, Mitu Bhowmick-Lange and Roanna Gonsalves at the Australian Festival of Travel Writing at 6pm on Friday 29 October:

Bollywood Stories and Contemporary Indian Cool. Indian Film Festival Director and Producer Mitu Bhowmick-Lange, writer and comedian Shalini Akhil, and Bollywood blogger Temple Connolly discuss the influence of Bollywood on their creative projects and writing with Roanna Gonsalves.

And yes, she’s warned them she will be sneaking in more than a passing mention of the South Indian film industries. There are some fantastic writers and photographers at the festival, so it’s quite an honour for our blog to get a gig.

Follow this link to view the whole program and book tickets if you wish.  If you’re really lucky you’ll get to sit near Heather in the audience!  She has promised not to heckle (much).