I don’t know much about Indian politics and even less about Indian politics in the seventies, but that didn’t stop me enjoying Tom Emmatty’s directorial debut, Oru Mexican Aparatha. In fact, the political agenda of both groups involved in this college based drama seemed mostly irrelevant, as the film is more about the clash of personalities rather than any large differences in manifesto or ideology, despite the mainly Communist theme. What stands out about the film are the strong performances from Tovino Thomas, Roopesh Peethambaran and Neeraj Madhav, who rise above a somewhat patchy screenplay to deliver a passionate tale of student elections at Maharaja College in Kerala.
The film starts with a flashback to the seventies and the time of Emergency when students were among those involved in protests against the government. The government responded with lethal force resulting in the death of Kochaniyan (Tovino Thomas), leader of the student political party SFY. The flashback is overly dramatic and a little hard to understand for someone who doesn’t know the history, but it is an effective way to introduce the idea of revolution and the passion associated with student ideals.
Back in the present day, SFY has all but been eliminated from Maharaja college as KSQ, led by charismatic leader Roopesh (Roopesh Peethambaran), holds sway. KSQ are a more conservative party and they have numerous petty ordinances including bans on long hair and wearing lungi’s on campus that they use to let the party faithful throw their weight around. Mostly though, KSQ just want to hold on to power and keep their status as big frogs in a rather small pond. Roopesh and his friends decide who will compete in the annual college cultural festival, which is a major source of discontent in the college and seems to be the spark that will start a new revolution.
Paul (also Tovino Thomas) is a first year who shares a shabby hostel room with his friends Subhash (Neeraj Madhav) and Jomy (Vishnu Govindhan). He’s reasonably apolitical but notionally belongs to the SFY party, mainly due to Subhash’s dedication to the Communist cause. Subhash is a committed party member and is determined to bring SFY back to power in the college, despite a general lack of support and an obvious uphill struggle. His main manifesto appears to be a protest against the bullying tactics of Roopesh and the members of KSQ rather than a strong socialist agenda and apart from a few pictures of Che Guevara and a tendency to brandish red flags the group as a whole initially appear to have only a glancing acquaintance with communism. Paul and his friends are concerned with the usual college activities and their opposition to KSQ seems more to do with Sharks and Jets style rivalry rather than any serious political leanings.
Subhash on the other hand is a socialist and is committed to the communist party which gives him some legitimacy in his fight against KSQ. His strong political beliefs start to affect the other members of the group, especially when they are pushed around by Roopesh and his cadre. Once college elections are announced, what started off as a push-back against a group of bullies escalates into a full-blooded revolution as the walls of the University ring with chants of ‘Vote for Change’ and blue starts to make way for red around campus.
The first half of the film meanders, sometimes rather aimlessly, as the different characters are introduced. For the most part the friends spend their time drinking, chasing after girls, getting up to the usual college mischief whenever the opportunity presents and then drinking some more. Paul is chilled and laid back, and cares more about his budding romance with Anu (Gayathri Suresh) than changing the world, or even just his small corner in Kerala while Jomy is just trying to cope with studying in general. For a political drama it takes a long time for the politics to be introduced and many of the scenes revolve around the friends sitting and drinking but discussing anything of significance. The romance between Paul and Anu also seems rather pointless, while the inevitable break-up is bland and also serves no purpose. I was expecting a spark of some kind to set off political leanings in the group, but neither the romance, nor the break-up achieve anything other than dissatisfaction with the poorly realised character of Anu. Tom Emmatty seems to have an aversion to writing female characters since the few that do appear have little to do and even less impact on the story, to the point where their non-participation is noticeable and impacts negatively on the story. Perhaps making Maharaja college single-sex rather than co-ed would have been a better decision since the focus is all on the male characters anyway.
The second half is much better when the fight between KSQ and SFY begins in earnest and the candidates for the elections are decided. Roopesh Peethambaran is excellent as the scheming leader of KSQ who will stoop to any lengths to hold onto power. His facial expressions are perfect and capture his fleeting thoughts as he plots and plans in response to SFY’s attempts to gain voters, while ensuring that he does display some good qualities and an inner strength that explain his hold on power in the college. Tovino Thomas is suitably charismatic as he runs for college president and his transformation from apolitical student to passionate believer in SFY is very well done. It’s another stellar performance from Tovino after his excellent work in Guppy and it’s impressive just how different he appears here. Neeraj Madhav is just as good as the idealistic leader of SFY who has to put aside his own political ambitions for the good of the party. Again he gets every nuance just right, and his indecision as he puts his friend in danger is realistic and convincing. Together these three along with Manu, Vishnu Govindan and Jino John bring campus politics alive and infuse the film with the spirit of the revolution so that the lack of response from the college authorities and even the local police doesn’t even register until the final credits start to roll. What it lacks in the beginning, the film more than makes up for in the final scenes with impressive performances from the main leads and excellent dialogues that reverberate with the fervour of revolution.
The story and screenplay of Oru Mexican Aparatha may not be consistent but the three main leads are, and it’s their passion in their respective roles that makes the film so exciting in the second half. More emphasis on the politics and less on the usual college escapades and drinking in the hostel would have made for a more even storyline but the drama of the second half and excellent characterisations make the film well worth watching. One to enjoy as a different take on college life and a reminder that a revolution can start anywhere.