Tag Archives: Navdeep

Baadshah (2013)

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Baadshah

Time for another adventure without subtitles – this time the latest Jr NTR release Baadshah.  There was a surprising new innovation at the cinema too – the addition of a queuing system! No free-for-all crush to get in and grab a seat!  This meant less conversation outside, but more time for discussions inside as it took quite a while for the trickle of people to slowly fill up the cinema.  Needless to say there were still plenty of chants and cheers (and a lot of seat swapping) as the cinema was full for the first night show.

Not understanding Telugu turned out to be not too much of a problem this time since Baadshah closely resembles director Srinu Vaitla’s last venture, Dookudu – even including a similar convoluted scam as the comedy track.  Despite the air of déjà vu, there was still plenty to enjoy with well-choreographed action scenes, awesome dancing from Tarak and (judging from the audience response anyway) some entertaining dialogue.

Baadshah

The film opens with a voice-over from Mahesh Babu, who is the first of a number of guest artists to appear in the film, although there is a large and impressive support cast too.   Tarak is Baadshah, the son of gangster Ranjan (Mukesh Rishi) who successfully runs a casino in Macau.  Ranjan works for international crime lord Sadhu Bhai (Kelly Dorji) and the first half sets up the inevitable struggle between young upstart Baadshah and the established boss.  Sadhu Bhai does have a rather swish Asian inspired lair, with a very shiny black table but otherwise Kelly Dorji’s villain is fairly routine.  I do wish he would cut his hair though – it’s too wispy to be effective as an evil crime lord look!  Sadhu Bhai has the assistance of Crazy Robert (Ashish Vidardhi) and Violent Victor (Pradeep Rawal) who both do their best to eliminate Baadshah and his father which keeps the body count relatively high in the first half.  There is also some painfully bad violin playing, which even Kajal attempts to my horror!

Baadshah

Baadshaah ends up in Milan in time for the first excellent dance number, and this gives him the opportunity to meet Janaki (Kajal Agarwal).  After the usual misunderstandings – she thinks he’s trying to commit suicide while he fails to mention any of his gangster affiliations – the two get together for a romantic song in the snow.  This would have been much better without the addition of some dreadful female backing dancers who looked out of place and uncomfortable wearing jeans under their saris and clomping around in Ugg boots while sliding around in the snow.  They did make Kajal look like a professional dancer in comparison though, so perhaps that was the whole point?

Baadshah

Janaki just happens to be the daughter of the Commissioner of Police Jai Krishna Simha (Nasser) and once back in Hyderabad is supposed to be getting married to another police officer Aadi (Navadeep).  I’m not sure if Navadeep was trying to portray angry and forceful for his character here, but he didn’t make it past mildly petulant and mainly just looked as if he had smelt something bad.  Siddharth on the other hand puts in a good performance in his brief guest appearance as Baadshah’s brother.  By the start of the second half, not only does Baadshah have to deal with the threat of Sadhu Bhai and his evil plans to blow up most of India, but he also has to get rid of Aadi and deal with the police if he wants to get the girl.

Baadshah

While the comedy in the first half comes from M. S. Narayana as a spoof film director, Brahmi appears in the second half and his character Padmanabha Simha takes over the comedy proceedings, and most of the action as well. Although the humour was mainly dialogue based there was plenty that made me laugh even as a non-Telugu speaker.  The audience loved it judging by the response, but the biggest cheer of the night went to a dance by Janaki’s female relatives at the Sangeet ceremony.

Baadshah

The film depends heavily on Tarak’s screen presence and thankfully he delivers on every scene, whether it’s action, comedy or in the dance sequences, although he is somewhat side-lined by Brahmi in the second half.  It was great to see some better choreography, without so much emphasis on ‘trick’ steps, although the item numbers weren’t up to the same level.

Kajal is good as Janaki, but she looks almost subdued in a number of sensible outfits and I thought her make-up made her look tired.  However she did seem to get some good dialogue, and at least she had a meatier role than usual for a ‘love interest’ character.  The support actors in general were reprising roles they have done many times in the past although most didn’t have a lot to do.  I was delighted to see Ajay back on screen as a gang member, even if only for a short time!

Baadshah

Baadshah follows a predictable path, but it’s entertaining with plenty of variety and it’s not quite as gore-soaked as Dhammu or Oosaravelli.  I loved the action sequences and Tarak’s dancing was an absolute stand-out in the first half, but for me the second half dragged due to the more dialogue driven comedy scenes.  The film could also have done without two item numbers, neither of which were particularly impressive. But overall this was a fun film to watch and I’m looking forward to the DVD where I can work out all those references to old NTR films.

Oh My Friend

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Chandu and Siri have been ‘Best Friends Forever’ since meeting in primary school and Oh My Friend deals with the way their close friendship impacts on other relationships in their lives. While the film seems to follow a fairly predictable path, it’s still entertaining with excellent performances by the two leads.  Siddharth and Shruti Haasan make an attractive couple and bring plenty of energy to the screen. It’s the debut film for director Venu Sriram and while he’s played it safe with the story, the songs are excellent and the whole film looks beautiful.  Another bonus is only one very small comedy track involving Ali by himself, with no other irritating comedy uncles in sight.

Chandu is a wannabe rock star and both his mother and Siri provide him with plenty of encouragement. His father on the other hand isn’t so sure about the whole idea and disapproves of his son’s career choice. Perhaps his displeasure isn’t too surprising as Chandu doesn’t seem to take his chosen profession very seriously, despite walking around everywhere with his guitar slung over his shoulder. Even when he does get a gig with a band to perform in a competition in Kerala, after the competition is over they seem to go their separate ways.

The whole disapproving father story works its way to the inevitable conclusion without really impacting on the rest of the story and as a result doesn’t seem to be a necessary part of the plot. Tanikella Bharani does his usual dad thing very competently although I did keep getting distracted by his glasses which looked to be constantly sliding down his nose.

Siri appears to be a classical dance teacher although at one point there was a proposed trip for her to Chennai to study, so perhaps she had more plans than I was able to understand. More importantly though, I think this is the first time I have seen a heroine who plays a dance instructor in a movie who can actually dance!  Shruti has some great moves, and gets the chance to show them off in a couple of songs with Siddharth. The choreographer must have been delighted to have a heroine able to keep up and the songs are the high points of the film. Not just due to the dancing either. The music is catchy and well suited to the plot and it helps that both Siddharth and Shruti sing a couple of the songs which makes them sound very natural.

When Chandu meets and falls in love with Reetu (Hansika Motwani) he forgets Siri in his obsession with his new girlfriend. I like this part of the story as I think everyone has probably had a friend exactly like this who vanished when they started a new relationship. Siri is left alone to do all the things she used to do with her BFF and unsurprisingly feels abandoned since she doesn’t seem to have any other friends. However, she doesn’t mope around too long, but gets on with her life and becomes engaged to Uday (Navdeep), an NRI living in the USA. Uday turns up unexpectedly in Hyderabad just as Chandu realises that he cannot live without his BFF and moves back into Siri’s life as if he never left. There is crackling chemistry between Chandu and Siri so it’s not surprising that no one, not even their parents, believes that the two are just good friends. This misconception leads to problems with the couple’s respective partners who understandably feel shut out of the close relationship Chandu and Siri share and everyone has to deal with the consequences.

Hanskia is relatively inoffensive here as Reetu whose only real characteristic is that she is unable to make a decision. I think there is some explanation for it in the dialogue, but I really didn’t care since there wasn’t enough development of her character to make her more than just ‘the other woman’. For most of the film Reetu either looks at Chandu as if she’s starving and he’s a bar of chocolate, or as if he’s just taken her last chocolate away – not really too taxing. Venu Sriram wisely doesn’t allow Hansika to dance at all, except in one comedy scene which works out well. Ali pops up in Kerala as a guide but his time on-screen is short and his initial appearance is quite amusing so I didn’t mind this rather truncated comedy track. Navdeep plays the very one-dimensional character of Uday as well as he can with such limited material to work with. He has little opportunity to do much more than glower every time he sees Siri and Chandu together and it’s not until near the end that Uday has a little more personality to display.

Neither Uday and Siri nor Chandu and Reetu have any chemistry together, and their scenes lack any of the spark and excitement that characterises those between Chandu and Siri. A little more investment in the characters of Reetu and Uday would help to make them more appealing and make their relationships more interesting. Since this isn’t the case, the film belongs to Siddharth and Shruti and they do make a great couple. This is the third film I’ve seen with Shruti Haasan and it’s definitely her best performance so far. She has plenty of vivacity and Siri is a likeable character, although her behaviour in Kerala is a little overdone.  Siddharth is charming and while his role is one he has played many times before, he does play the loveable scamp character well. The styling is good for all the characters too and I like that Siddharth wore his T-shirts more than once giving the idea of a somewhat struggling musician a little more credibility.

The end is rather disappointing with some long drawn out speeches which didn’t have much impact, but otherwise Oh My Friend is an entertaining if not very demanding film. I enjoyed it more than I was expecting to and it does have plenty of good moments. Worth a watch for the songs by Rahul Raj, good cinematography by Vijay K. Chakravathy and excellent performances from Shruti and Siddharth.

Arya 2

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This is the second film in the ”South Indian Cinema Induction Programme” for our friends. MAGADHEERA (Step One) is a full out epic film that dazzles the senses, while Arya 2 on the other hand is on a more intimate, character driven scale. It also has many of the staples of a Telugu film used to great effect:

–          Creepy weird stalking = true love and you should be totally grateful to your stalker and love them back
–          The hero will fall in love with the heroine instantly on first seeing her.
–          Machetes are essential for any proper fight scene
–          No Telugu film is complete without Brahmi (it may indeed be a law that he must appear)
–          Totally awesome dancing.

The movie contains similar themes of one-sided love and stalking til you win as the earlier (and far inferior) film, Arya, but is not a sequel as such so you don’t need to see that to understand Arya 2.  The child Arya sacrifices his chance at leaving the orphanage when he wins a coin toss but lets his best friend Ajay be adopted. Years later Ajay reluctantly gives Arya a job after Arya rescues him from some thugs. Ajay tells him he must be the perfect employee and if anything untoward happens, Arya is out. He doesn’t think that Arya can manage this as his childhood friend is a drunken thug who has never managed to make anything of himself. However, Arya transforms himself into the stylish Mister Perfect and confounds Ajay’s expectation of a short-lived stint at honest employment.

Both fall in love with Geetha, played by Kajal Agarwal, and to show his true love Arya stalks her – of course!!  This totally freaks her out, especially since no-one will believe that the perfect Arya could do any of the things she is accusing him of.  It says enough that Brahmi plays the HR Director, so you can imagine the quality of staff counselling on offer! Finally she turns to Ajay to try and shake off Arya’s attentions, and announces that she will marry him.

Meanwhile her family, who are the local big-wigs in her village, want to marry her off to the son of their rivals in order to bring the two families together and stop all the bloodshed.  For various reasons, Arya goes to let her family know that she will only marry his good friend Ajay.  Along the way he manages to get married to her himself and his conflicts between doing the right thing for his best friend, his own desires and flaws and his total all encompassing love for the girl are brilliantly portrayed. How he tries to resolve all these dramas and achieve a happy resolution for all forms the second half of the film.

This is Allu Arjun’s movie all the way, and he does turn in one of his best performances to date as the psychopathic Arya.  Bunny manages to make all of this convincing as he swings from manic stalker and psychopath to tender lover and concerned friend and back again, all the while trying to make Geetha’s world as perfect as possible, be the ideal worker, solve the inter-family rivalry, and be true to his best friend.

Special mention of his goldfish – despite being worried for its safety the whole way through the movie, thankfully all was well in the end.  We choose not to consider the fluctuations in appearance of the goldfish, and decided it was just occasional use of a stunt fish rather than multiple goldfishes. Indeed the goldfish had a vital role to play, apart from the obvious one  demonstrating that Arya really was a good person at heart because he took care of a goldfish!

The added touch of Arya administering first aid to the thugs while he was beating them was genius!  He wasn’t wantonly violent – just teaching them a lesson. This was picked up again in another fabulous fight scene involving a bus and a trail of ambulances.

Other plus points of this film are Kajal Agarwal, who is just beautiful and feisty enough to make a very attractive heroine.  Her evolution from hating Arya and trying to ruin him to understanding his motivation and problems was believable. The scenes where she realised Ajay might not be the man she believed him to be were effective and not overplayed. The addition of Subbu (played by Ajay) as her third prospective bridegroom, the son of the opposing gang-leader, was an unexpected bonus as this actor is another favourite.  The Sholay tinged bromance between the characters played by Ajay and Bunny was both hilarious and touching, and more than a little twisted.

In fact the only downside, and it is small, is the character of Ajay, played by Navdeep in the movie.   Despite the  back-story showing how young Arya manipulated situations to ensure they stayed close, little of this was referenced again in later scenes, except by Arya who genuinely seemed to care about their shared past, albeit in his warped way. Ajay seemed just mean and spineless as he tried to throw Arya to the wolves and come away with the girl and without the burden of his “best friend”.  We really never care about Navdeep’s Ajay at all, despite the potential for us to see him as a victim of an unstable relationship or as the villain of the piece. Navdeep also didn’t turn in a particular inspiring performance, and it really felt as if he was sleep-walking through the role.

The soundtrack and choreography are excellent, and months later we are still listening to the songs on high rotation. Neither of us quite understand who came up with the reverse-worm move in “My Love Is Gone”, or why, but they all seem very proud of it, and it clearly took some doing! The muted colour palette in the city scenes gives the boy-meets-girl story a fresh and modern look, and the monochrome costumes for Arya are quite a remove from the usual bling-is-more Telugu hero style.

The cinematography and editing are brilliant, and the dance and fight sequences look fantastic. For those who like a colourful village wedding, machetes, moustaches and skanky item girl, these essential elements are abundant once the story relocates to Rayalaseema.

Heather says: Arya 2 is my favourite Telugu movie.  It just has absolutely everything.  Action, drama, comedy, Allu Arjun (who just happens to be my favourite Telugu actor), brilliant dancing and a really well plotted and paced story.  The lead actors shine in this film, and Sukumar’s direction is just fabulous throughout.  I agree with Temple that the small details and personality quirks shown throughout really raise this film above other ‘stalking as love’ films I’ve seen.  The only quibble I have is with Ajay who was just too one-dimensional, but since he was only there to showcase how selfish and narrow minded he was compared to the big hearted Arya, this wasn’t too much of an issue.  I love the music in this film, the dancing is just incredible, although trying to copy the dance moves in “My Love has Gone” has caused some minor injuries in our dance group.  I would therefore advise watching with some caution and the ‘please don’t try this at home’ warning should apply! This film makes me laugh, cry, sigh over Arya, shout at the screen, and even gasp every time at the climax even though I’ve watched it many, many times.  Just perfect – 5 stars!

Temple says: When I started watching Hindi films, I saw a lot of early SRK films where he played the stuttering stalking psycho that you couldn’t help but love, but who dies in a hail of bullets. Arya 2 reminded me a little of those films, but with the added bonus that the very attractive anti-hero survives, and gets the girl. Hurrah!! But I will add, I only barrack for the stalkers and psychos in films, not in real life.  Small details in the direction really made this film perfect for me – Arya putting his glasses back on so he could see his dream sequence clearly, the goldfish, the tiny jail for frogs, Bunny’s excellent moments of pure mayhem when Arya broke through the surface of Mister Perfect and the recurring musical and sound effect motifs. Oh – and a heroine entrance featuring an umbrella hat. Haven’t seen one of those in ages! I really have no criticism of Arya 2. I love the story development, it has all the action and brilliant dancing I want, and the comedy was actually funny. Allu Arjun just shone in this role, and is a delight from start to finish. I’m sure it was considered quite risky to make this film as it isn’t a standard heroic role, and the character is manipulative and unhinged right to the end, and not something a lot of young actors would venture. A huge thank you to the producers, director and writer and all the cast for making something so quirky and fun. Of course this gets 5 stars from me!