Manmarziyaan

Manmarziyaan

The performances from the three main actors are the reason to watch this romantic love triangle written by Kanika Dhillon and directed by Anurag Kashyap. Taapsee Pannu and Vicky Kaushal are the carefree couple indulging in their lovemaking whenever and wherever they can, while Abhishek Bachchan plays ‘the most patient man ever’ as Taapsee’s potential husband. The story doesn’t break new ground but the ever-present music and stunning locations make this a more watchable film than expected, even with its clichéd finale. And it’s good to have another female-centric film from Bollywood that doesn’t portray Rumi as a bad girl just because she indulges in pre-marital sex.

Taapsee Pannu’s Rumi initially appears manically impulsive which makes her rather more irritating than I suspect was intended. She’s also incredibly selfish, but then that applies to all the characters in this story, so her absorption with her own affairs sits easily beside the rest. But as the story unfolds, the complexities of her character become more apparent and Rumi’s ‘no apologies’ approach to life starts to make sense as her circumstances are revealed. She lives with her grandfather, aunt, uncle and cousin as her parents are dead, and she helps to run the family sports store. She used to play hockey at state level and still runs – for exercise, for enjoyment and also when she’s sad, upset or just plain angry.

Rumi is in love with Vicky (Vicky Kaushal), a free-wheeling DJ with spiky dyed hair and a collection of The Doors t-shirts. Vicky hops over balconies to have sex with Rumi behind her family’s back, although it’s pretty much an open secret in the neighbourhood since the lovers take a haphazard approach to concealing their activity. This is an entirely new side to Vicky Kaushal and he nails the man-child aspect of his irresponsible character with complete enthusiasm. He’s totally into Rumi and the two have an intensely passionate affair that all comes crashing down when Rumi’s aunt finds them together in the bedroom. Naturally the only solution is marriage, and rather surprisingly Rumi agrees. Perhaps she too has had enough of the sneaking around and she wants Vicky to finally ‘put a ring on it’. What moves the film forward here is Rumi’s family’s acceptance of Vicky as a husband if that’s what she wants. They may not totally approve, but there are refreshingly no demands to only marry the man of their choice. Rumi also takes a pragmatic view of the entire idea although her immaturity is on show when she declares that she will marry anyone the family chooses if Vicky fails to appear.

Although Rumi has absolute faith that her lover will agree to getting married, for Vicky that’s a step too far. He’s not ready for marriage, but he does at least admit his reluctance to an astonished and devastated Rumi. At this point the family contacts Kakaji (Saurabh Sachdeva), a marriage broker who has also been contracted to find a bride for Robbie (Abhishek Bachchan ), an NRI living in London who is back in India to search for a wife. Robbie might tie his turban on arrival in the airport to appease his rather traditional family, but is determined follow his own path as he searches for his life-partner. He falls in love almost immediately with Rumi’s picture despite the best efforts of Kakaji to provide a range of options. With Vicky’s refusal to commit, Rumi agrees to marry her family’s choice, but despite the wedding preparations, Vicky still isn’t able to let Rumi go and continually makes promises he just cannot seem to keep.

One of the areas that works well in the film is the depiction of Vicky’s commitment issues. There’s never any doubt that he is head over heels in love with Rumi, but his irresponsible nature doesn’t allow him any thought for the future. There’s an excellent scene where the two lovers run away together, only for Rumi to stop the car and ask Vicky where are they going and how will they survive. When he can’t answer, she knows that for all his passion in the bedroom, Vicky really isn’t husband material. Vicky’s father also has some harsh words for his son that ring true, telling him that he sees Rumi as a possession that he cannot bear to lose leading Vicky to make countless promises and break them over and over again. When we were discussing the film, a friend asked me why Rumi believed Vicky when it was so obvious that he wasn’t going to follow through? And that is the other part of the film that works for me. Rumi obviously loves Vicky and doesn’t want to lose him. So, she is prepared to do anything, say anything and believe him yet again when he says he will come and marry her. It’s a common scenario for women who believe they can change the men they fall in love with, and it takes maturity and experience to know that it’s simply not true. I could very much relate to Rumi’s attempts to hold on to the love she desperately wants to keep, despite being let down time after time after time.

Taapsee Pannu really is excellent here and after the initial overdone manic enthusiasm she settles down into a wonderful performance of a woman who is torn between her heart and her head. Her best scene for me was when she runs down to the river on her honeymoon and simply sobs, heartbroken and mourning the love she has lost. It’s a very powerful moment that’s followed up beautifully by her indifference to Robbie and her need to get drunk to sleep with him. Even when the story lags and the dialogue becomes repetitive, Taapsee is always engaging and convincing in her role.

What doesn’t work is Robbie’s insistence on marrying Rumi when he knows all about her relationship with Vicky. For all his talk about finding a life partner, his actions don’t appear to follow his words and his willingness to put up with Rumi’s bitchiness and indifference seems unlikely. Abhishek plays the sensible, sober and responsible Robbie well, but his character is simply too patient and understanding until towards the end of the film where he finally loses his calm façade.

The first half of the film has plenty of energy and sparkle that’s driven by Taapsee Pannu and Vicky Kaushal. Much also comes from Amit Trivedi’s fantastic soundtrack which is embedded in the very heart of the film and is used to good effect. Anurag Kashyap has added in twins who dance behind Rumi in a few of the songs and they are absolutely brilliant, adding yet more colour and vibrancy to the first half. Amritsar too is becomes part of the story as the city is beautifully filmed, and technically the film is excellent. Look out too for the gorgeous tea cups used by Rumi throughout the film and the thought that has gone into dressing Rumi and Vicky’s respective rooms.

Unfortunately, Manmarziyan loses steam in the second half and becomes rather repetitive although scenes between Vicky and Rumi still have an impact. The ending too is rather disappointing and tame after all the fireworks and energy at the beginning, and also much too predictable. This is a film to watch for the characterisations and the clever staging of a number of scenes rather than for the screenplay, which does tend to drag at times. But with such outstanding performances from the three leads Manmarziyan is still a step up from an average love story and definitely worth a watch.

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