Badlapur & Theevram

As I was watching Sriram Raghavan’s Badlapur I was struck by a number of similarities to Theevram, a Malayalam film I’d watched just a few weeks before, so it seemed appropriate to write about them together. Both are films based on a story of revenge where the hero is forced into action by his perceived lack of justice, and both star an up-and-coming young actor surrounded by an experienced and proficient support cast. While Badlapur focuses on the obsession of revenge and the destructive consequence to Raghu (Varun Dhawan), Theevram is a more straight forward drama with Harsha (Dulquher Salmaan) playing a game of cat and mouse with Police Inspector Alexander (Sreenivasan) as he exacts his revenge. Both are good films in their own right but while I prefer Badlapur’s more ambiguous storyline, Dulquher Salmaan just pips Varun Dhawan in his portrayal of a man driven to the absolute extreme for revenge.

The story of Theevram is told in a non-linear fashion, and is actually based on a couple of real life murder cases. Sreenivasan plays a respected police officer who has an unfortunate dislike of autopsy although there is nothing lacking in his detective skills. He’s paired with a younger officer, the more impetuous Ramachandran (Vinay Forrt) and the two make a good team. The film begins with Harsha’s revenge and it’s not until later that we discover why he has been driven to this extreme. At the start we don’t know if he is a good guy or a serial killer, as without any explanation he systematically tortures and kills a man in his plastic coated cellar. His actions seem to be at odds with his day-to-day life as a piano teacher, however once Inspector Alexander comes to call it becomes clear Harsha was the victim of a crime. Most of the film is shot with dull and muted colours, but once a flashback sequence starts, explaining what has happened to Harsha to turn him into this cold and methodical man, suddenly the colours are full and rich. A rather obvious metaphor but one which is very effective.

Harsha’s wife Maya (Shikha Nair) was murdered by a company driver Raghavan (Anu Mohan) for her complaints about his speeding with her in the car. Her murder is pre-meditated and brutal, with Raghavan severing her head from the body to attempt to delay identification. He’s quickly arrested and sentenced to life imprisonment for his crime while Harsha struggles to cope with life without Maya. However, just as Harsha is starting to get on with his life, the circumstances of Raghavan’s family life allow the murderer to obtain an early release from jail. Very early. In fact he only spends 4 years behind bars before being allowed his freedom. Harsha and his friends Dr Roy (Vishnu Raghav) and Nimmy (Riya Saira) decide that Raghavan must die for his crime and set about planning the perfect murder.

Theevram rather controversially takes the view that murder for revenge is perfectly justified if the legal system has failed to properly punish the offender for his crime. Writer and director Roopesh Peethambaran delivers a story of vigilantism where the cold-blooded murder of a criminal is depicted as a good solution, and even acknowledged as such by the police. I can’t say that I agree with this view or with portraying Harsha as a hero for what he does, but the story is gripping and the plot cleverly developed. The contentious treatment of Raghavan is perhaps a way to start a discussion about such issues, and it’s interesting that he isn’t a completely black character. Raghavan does appear to try to look after his disabled wife and seems to be trying to turn over a new leaf after his release from jail. However his behaviour towards Nimmy suggests that the change may only be surface deep and he still has a poor attitude towards women.

Badlapur is a darker film where the lines between right and wrong are blurred and revenge is shown to be a weight dragging Raghu down. The first few minutes are brilliantly filmed, with a shot of a street, with people going their everyday business and the only sounds heard the traffic going past and snatches of conversations as vegetables are bought and gossip exchanged. However in the background there is a robbery, and as the two criminals leave the bank they force their way into a car parked outside where Misha (Yami Gautam) is just loading in her young son and her groceries. During the subsequent chase Robin falls out of the car, while Misha is shot and killed. While one of the robbers manages to escape, Liak (Nawazuddin Siddiqui) is left to face the music. After his wife’s murder, Raghu becomes a haunted and driven man, obsessed with finding Liak’s partner whom he believes fired the fatal bullet. However in reality the opposite is true. Liak was the man who, in the heat of the moment shot and killed Misha, although he never confesses, insisting that he was just the driver.

15 years later when Liak is diagnosed with terminal cancer Raghu is persuaded to plead for Liak’s early release in the hope that he will run to his old partner in crime. Raghu’s bereavement turns him into a cold, hard man who rapes and abuses Liak’s girlfriend Jhimli (Huma Qureshi) as part of his revenge. He’s so obsessed with the idea of finding the man behind his wife’s death that he lives a miserable life, alone and in fairly dismal circumstances. The tragedy has become what has defined the man and it seems as if only his plans for revenge keep him going.

Here, revenge is shown as something that corrupts. Raghu becomes more despicable than his enemy, killing Liak’s partner Harman (Vinay Pathak) and wife Kanchan (Radhika Apte) in cold blood. Liak himself is shown as a rather grey character, who seems to have more of a life than Raghu, despite spending most of it behind bars.

Dulquher Salmaan and Varun Dhawan both do an excellent job as young men devastated by their loss. The problem I have with Varun’s character is that it takes 15 years before he manages to achieve his revenge, and it seems unlikely that he could have maintained his rage so long. Varun tries hard but doesn’t quite manage to pull off playing a man in his forties although he does convey his preoccupation with finding Liak’s partner and his disconnection from normal life very well. Dulquher has an easier time of it, as his character only has to wait 4 years to exact revenge, and his protagonist is easier to dislike. Dulquher is also a man who has managed to move on with his life and although his world is duller without Maya, he would have been content to let Raghavan rot in jail if he’d just stayed there. His revenge is coldly plotted with great attention to detail but there seems to be little rage left – in fact little emotion at all.

Both films are made even better by their excellent support cast. Badlapur would have been less substantial and the revenge less ambiguous without the excellent Nawazuddin Siddiqui and his nuanced performance as the main antagonist. Sreenivasan doesn’t have such a consequential role, but his support and that of Vinay Forrt rounds out the story and ensures a satisfying plot. The films are brutal, both in the violence they depict and in the exposure of such deep despair but there are lighter hearted moments in both and it’s not all doom and gloom. There is just enough light to allow the shade space to deepen and both directors have paced their films well. The strength of both Badlapur and Theevram is in the portrayal of emotions and it’s heartening to see two young actors bring so much depth to their roles. I enjoyed both these films and recommend them for a combination of fine performances, strongly written characters and good storytelling. 4 for both.



8 thoughts on “Badlapur & Theevram

  1. I thoroughly enjoyed Badlapur and my husband can totally understand how the quest for revenge can keep a man going for 15 years or more. So perhaps it is a ‘guy’ thing. 🙂 Anyway, my reading of Varun’s character in that film was that it was only his quest for the real killer (as he thinks) that keeps him alive. His rage is the sort that sits and ferments, not just the immediate anger that drives one to kill at once, but the coldblooded sort that allows him to abide his time, never once allowing his goal out of his sight. It is all the more chilling for being so. He’s not human any more. That scene with Radhika Apte in the bedroom had me cowering – it was such intelligent cruelty. And later her killing was brutal. He is so consumed by hatred that it blazes within him, even as he goes through the chore of living. As Huma asks him in the end after Nawazuddin dies, ‘What will you live for, now?’

    Now I have to find Theevram. (I’m grinning at the idea of me, a Malayali woman, getting to know about which Malayalam film to watch from a couple of westerners. Keep posting!)


    • Hi Anu,
      Great summary of Varun’s character. Thanks for your husband’s input 🙂 Maybe it’s a guy thing then – personally I can’t imagine keeping the rage going for that long without making more of a push to find the answer. And if I couldn’t find the answer I think I’d just let it go! Rahgu noticed Liak’s mother after the trial so I was expecting him to follow that up a little sooner. But he does become completely dehumanised and I totally agree about the bedroom scene with Radhika Apte – it was chilling! Clever film making, and that last scene was just perfect.
      Theevram is more straight forward and a more typical revenge film – but still a good watch. Hope you enjoy it – I’m slowly working my way through Dulquer Salmaan’s back catalogue, and so far haven’t found anything I haven’t liked 🙂


  2. Hi Heather,

    I saw Badlapur because Varun Dhawan was in it ,but it’s just not the type of movie for me. I’ve following you guy’s blog for about a year now and I just realized that y’all never reviewed Temper. I was wondering if y’all watched it yet or not. I thought it was pretty good and Jr. NTR’s performance was really nice. If you guys did watch it, I want to know if you guys feel like Mahesh would have been pretty good if he acted in the movie. I don’t know why, but I felt that the characterization of the protangonist in Temper would have suited Mahesh.


    • Hi TJ,
      Varun was the main reason I watched Badlapur too – he’s such a good actor, and I thought he did a pretty good job in a challenging role 🙂
      I saw Temper in Hyderabad without any subtitles earlier this year and didn’t have the opportunity to write about it at the time. I would need to watch it again (with subtitles) I think 🙂 but from what I do remember Tarak’s character had that drive for redemption that you often see in Mahesh films. Interesting thought and I will rewatch the film when I get a chance
      Cheers, Heather


      • Hi Guys,
        I’ve commented on here a few times but I’ve never really introduced myself. My name is Thomas James aka TJ and I am a sophomore in college right now. I have watched Telugu movies all my life since my mom is Telugu. I also occasionally watch Hindi movies and some Tamil dubbed movies. I am a huge fan of Mahesh Babu though I make sure to watch all the big star movies in Telugu. I have a also been a fan of Naga Chaitanya ever since I saw Ye Maaya Chesave and 100 % Love though it sometimes seems like I’m the only one 🙂 . I am serious about that though, none of my friends like Chaitanya at all, and sometimes it seems like Akhil, his brother, has more fans than him. I am also huge fan of Samantha, I will seriously watch any movie if it has Samantha in it. She’s the only reason I managed to make it through watching Alludu Seenu. In the Hindi industry, I enjoy watching Shahrukh Khan movies and I am a huge fan of Varun Dhawan. I don’t know why but he’s is such a good actor and he’s fun to watch. I am super passionate about Indian movies (the only Hollywood movies I watch are animated ones) and I hope to someday be associated with a movie someway possible, maybe assistant director? I know y’all wanted movie suggestions but I am pretty sure you guys must have gotten many so I am hoping that y’all would answer some questions that I have.

        1. Better Dancer, Junior NTR or Allu Arjun?
        2. Would you like to see Mahesh Babu in a Gautham Menon movie or in a S.S. Rajamouli movie?
        3. Are y’all excited for Chiranjeevi’s guest role in Bruce Lee – The Fighter?
        4. Do you agree with me that Varun Dhawan would be good in a remake of Julayi?
        5. What would be your ideal star cast if Manam was remade in Hindi this year?

        If y’all reply then I’ll tell you what I feel the answers to these questions are. And I wanted to add that y’all should definitely watch Yevade Subramanyam starring Nani. It is a nice coming-of-age story and they shot part of the movie in the Himalayas which are beautifully shown. Sorry for writing a whole essay basically. Thanks for putting so much effort into this awesome blog!

        See you guys around,


      • Hi TJ,
        Thanks for the introduction and for some great questions that seem to be stimulating a good conversation. My answers to your questions are:
        1. I’m a huge Bunny fan and love his joy and exuberance which are always very evident when he dances. That makes him my preferred dancer over Tarak even though I also love watching him and he is probably technically a better dancer.
        2. Rajamouli I think for Mahesh. Both are excellent directors but I’d like to see what Rajamouli would come up with for Mahesh 🙂
        3. Totally!
        4. Hm – points for making the question relevant to the original post! I think if anyone could do it, it would have to be Varun, but I don’t think he has the same vitality as Bunny to make the film really work. I’d also prefer to see an original film rather than yet another remake. Hindi cinema doesn’t seem to remake Southern Films well at all!
        5. See point above – I’ve had a quick think but so far only have Rishi Kapoor on my wishlist – will get back to you!
        Cheers, Heather


    • Hi prava,
      Watch this space!
      I plan to review Kammattipaadam very soon, and I have Neelakasham Pachakadal Chuvanna Bhoomi in the pile to watch.
      Thanks for the recommendations 🙂
      Cheers, Heather


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