Khaaleja

Friday night and time for another expedition to India Talkies for the latest Telugu release.  Mahesh time!  Even though we’ve only been watching Telugu movies for 8 months, we were caught up in the excitement around his long-awaited return to the big screen .  We had with us a true Mahesh fan – someone who had been there for him right from the start – and despite her concern over the lack of subtitles, came along with us for our first look at Mahesh on the cinema screen.  So how did it go?

Although the plot was surprisingly easy to follow for the most, we won’t get too detailed or reveal too many spoilers in this review. We thought this appeared to be two separate films in one.  It starts out with a very funny story about Raju, a taxi driver who is jinxed by the stunningly beautiful and walking disaster Subbhasini, played by Anushka.   It detours into buddy film territory as Raju meets up with a documentary director, played by the very funny Sunil. And then becomes a story about corruption and environmental politics all tied together by Mahesh as the saviour of a village in Rajasthan. And we should probably mention that Raju somehow becomes identified as an incarnation of Shiva. Our friend the Mahesh fan spotted his godliness as soon as she saw his snake wrangling skills. It was very exciting!

Our hero starts off as the taxi driver who has a disaster every time he meets up with Subbhasini.  There are many excellent and very funny scenes set around the numerous ways in which it is possible to destroy a taxi. These are nicely illustrated by Mahesh in later discussions with his boss by the use of model cars – a technique which really should be used by all insurance agencies. The romance is played well by both leads. They are worlds apart, don’t speak the same language (he is pure street, she is more the college girl) and of course, she seems to be an omen of doom for Raju. Their meetings are usually capped off with Raju’s taxi being totalled so it was always going to be a rocky relationship.

Anushka plays the daughter of a wealthy businessman who has some very undesirable associates, and an eye for marrying her off to his own advantage. She is smart, well off, a really bad driver but seems to be a decent human being. She does have terrible taste in get well gifts though (and Mahesh would seem to agree with us).  Her father is involved in some dealings with GK – the evil Prakash Raj. We were perturbed by the wardrobe chosen for the multi-billionaire GK as some of his suits looked to have been designed for a schoolboy not a magnate.

Through a series of typically filmi coincidences, arguments and relationships (no really you don’t need subtitles to work this bit out), our hero and heroine find themselves in Rajasthan and on the run. Raju is delivering or demanding an insurance payment relating to a deceased friend or colleague or the guy who died and landed on the cab  (we don’t know and it didn’t matter so much why he went). Subbhasini is running from her intended fiancee who turned up for a romantic dinner in the desert and in a fine public health announcement, dropped a packet of condoms. So she ran to her almost certain death rather than deal with an over eager boyfriend who planned to practice safe sex. Hmmmm.

Once Raju and Subbhu are together in the desert, the plot takes a turn.  Siddha (played by Shafi) has been searching for the saviour of his village, a man he will recognise by certain signs. Guess who? Yes. Raju was indeed the man. Anushka was then sidelined for the remainder of the film as it became the more familiar Mahesh style of action adventure.

The ending was both predictable and exciting in it’s epic scale and the grandeur of Trivikram’s vision. Mahesh fans will be delighted to see their hero in full flight, and dominating the action.  Prakash Raj was in total villain mode, and made the most of every second of his gore-splattered finale.

The songs were well filmed and the choreography suited the performers. They were also well placed in the story so actually helped enhance our understanding of the plot and the developing relationships. And the songs gave the costume designers the chance to see how many layers of clothes they could make Mahesh wear and still allow him to dance.  We did enjoy the occasional daring flash of an elbow or even a collarbone whenever the three shirts and a scarf permitted. The modesty singlet made several appearances too. Mahesh keeps himself well under wraps. It just adds to the allure according to our resident Mahesh fan.

None of us expected Mahesh Babu to have the comic flair and style to carry this off. We know the dialogues must have been hysterical as we could hear the crowd laughing and the boys sniggering like naughty kids at some of the colourful language. But to perform this role , and still keep us fully engaged, laughing and cheering along really takes something special  from an actor. Mahesh delivered that. In fact we found him funnier than comedy stalwarts Ali and Brahmi and he certainly kept up with Sunil who is one of our favourites. Khaaleja really is hilarious! We were never bored, it seemed to make sense despite our lack of language, and the time just flew by. We would have to give this 5 stars!

Yamadonga

And so we come to the third film in our “South Indian Cinema Induction Programme” – Yamadonga.
Yamadonga features enough gilt to dazzle even our well trained Bollywood eyes, demonic antics from Lord Yama and some fantastic and well choreographed fight scenes. This is a film from the same director as Magadheera, and SS Rajamouli certainly knows how to entertain. His stories are engaging and full of action. This is no exception!

Yamadonga also features NTR Jr, grandson of NTR and renowned as one of the best dancers in the business. NTR Jr although a fine figure of a man, somehow just does not look like a dancer despite his much vaunted weight loss and fitness regime of late. And then he just pulls some astonishing moves and we are left gasping and dumbfounded :‘how did he do that – that’s just not physically possible!’ His ability allows the choreographers to push their limits, and those of the poor backing dancers, in order to showcase the amazing technique of this star. His extensive classical dance training is evident in the balance and control he exhibits in both dance and fight choreography. He certainly seems to exemplify the current mould of South Indian Cinema leading men as an all dancing all fighting all action Hero.

The film starts with an amulet which has been blessed by Lord Narasimha and is given to the young Maheshwari, known as Mahi. She gives it to a boy she meets at the fair who appears to her as a prince on a flying horse when he rescues her from a broken merry-go-round. This is Raja, a thief even at this young age, who later tries to sell the amulet. On finding out it is worthless in monetary terms he throws it away, but it always makes its way back to him, in sometimes quite bizarre ways.

12 years later, the young girl is now treated as a servant by her grandfather’s family who have taken over the house and fortune left to her when he died. Raja is a con-artist and thief who stumbles across an attempt by Mahi’s family to eliminate her and assume total control of her fortune.

Raja and Mahi cross paths again when she is on the run from kidnappers (hired by her family) and mistakenly takes the dress Raja has been sent to steal. As he defends the dress (and incidentally Mahi) from the kidnappers, she once again sees a prince come to rescue her, but has no idea they have met before. Who else but Rajamouli would have his heroine hurtle around the street inside a gigantic wire ball, with the hero in pursuit battling goons, disrupting traffic and generally creating mayhem as he rescues her!

Raja tries to get rid of Mahi before he finds out that she is an heiress, whereupon he changes tactics and tries to ransom her to the family who really don’t want her back. Earlier, following a failed heist, Raja and his friend Sathi ended up drunkenly abusing Lord Yama, who overheard (of course he overheard – he’s a God!) took offence, and decided to arrange for Raja’s death. Once in Yamaloka (or Heaven as our subtitles call it) Raja manages to create havoc as he ends up in control of the realm. In order to get rid of him, Lord Yama has to return him to life. Things get even more complicated when Raja sees the truth and genuinely falls in love with Mahi, and Lord Yama comes to Earth to try and make Raja sin so that he will have to return to Heaven. There are many twists and turns with some great dancing and inspired fight scenes before Raja finally gets the girl and she gets her prince!

The movie does drag a little before the intermission when Raja is in Heaven. This whole sequence could have been shortened in our opinion without losing any of the story. However it does allow for a couple of great dance sequences and a chance for yet more gold and sparkle.

The dance scenes are a real highlight of this film. NTR Jr is a beautiful dancer and SS Rajamouli has made very good use of his talents. There is even a picturisation cleverly worked to look as if NTR and NTR Jr are dancing together– an awesome idea, sadly not fully realised due to some pretty clunky CGI work in a couple of spots. Rajamouli’s team make excellent use of modern technology with the sweeping camerawork adding to the sense of speed and movement in the dances.

SS Rajamouli’s love of CGI tigers is shown again in one of the best filmi hero entrances when the tiger transforms into NTR Jr!

The tiger/leopard/big cat of your choice theme is used throughout the film:

Heaven is wonderfully sparkly and golden, and you can imagine the artistic director just covering anything that didn’t move fast enough in gold paint. Lord Yama and Raja (when he is in Heaven) are fantastically costumed.

Priyamani as Mahi is beautifully moving as the girl badly treated by her abusive, grasping family and just joyous when she is falling in love with the oblivious Raja. She is an actress we will watch out for, after this and her pivotal performance in Ravanan. Mamta Mohandas makes the most of her role as the “other woman”, the scheming fence and loan shark Dhanalakshmi, and is great fun in scenes where Lord Yama assumes the form of Dhanalakshmi in order to tempt Raja. There are many clever visual and musical motifs recurring throughout the film, adding to the feeling of destiny at work.

Heather says: This is another fantastic film from Rajamouli. He really does know how to tell a story! This is also a great showcase for NTR Jr who combines his awesome dancing skills with some very good acting.  In particular his comedy is very well executed, and between Raja, Lord Yama and Chitraguptudu (nicely played by Brahmi) the comedy is very well integrated into the story.  Mahi’s character was also beautifully and sympathetically played by Priyamani.  Despite playing a downtrodden character for most of the film, she managed to show Mahi as capable of fighting back, and was excellent in her scenes with NTR Jr.  Also a word of praise for Mamta Mohandas who really was a delight to watch and did a fantastic job as Lord Yama pretending to be Dhanalakshmi.  This was the first NTR Jr film I watched and he totally blew me away with his dancing.  Needless to say I now have seen most of his films!  Yamadonga does tend to drag a little in the middle when they are in heaven, but the glorious costumes somewhat make up for the slower pace.  Overall an excellent film and I give this 4 1/2 stars.

Temple says: Yamadonga is a very engaging film, despite the flaws in pacing. I watched it again recently with a friend and it still keeps my attention. One major distraction for me was, I am somewhat ashamed to admit, the appalling hairstyle of NTR Jr. I don’t mind the long hair, but if you’re going to straighten your hair, do it properly! And that includes the back of your head! Anyway – apart from the unfortunate 70s era blow-waved Tarak, the rest of the film looked brilliant. Heaven looked so sparkly and fancy and rather like a Faberge egg – it was gorgeous and the attention to detail was lovely. I enjoyed little touches like Yamadharmaraja handing his mace to two soldiers who immediately buckle under the weight, and the cavalcade of NTR avatars. I really liked the wardrobe for the leading ladies too – the colours and fabrics looked great and seemed really appropriate for each character. The songs were a highlight, particularly for the dancing. Priyamani made a fantastic effort to keep up with NTR Jr and her energy was so appealing. On the downside, I really didn’t like Ali’s character in this film, and found his “comedy” track to be irritating. He is my least favourite Telugu comedian at this stage – perhaps because his characters are often a bit sleazy or negative. The film loses a star from me because of the draggy midsection and the really stupid tribal statue skit. I give this 4 stars.