Chakravarthy (1987)

Chakravarthy

Charavarthy starts off with a standard storyline where there are the customary good-hearted villagers living under the tyranny of a wicked village president and his sleazy side-kick.  Chiranjeevi is the rather rough and ready villager with a heart of gold who stands up to the president and fights against the various injustices he sees in the village.  So far so good, (although rather routine and not too exciting).

But then, suddenly, there is this:

Definitely well worth the Rs35 I paid for the VCD!  Sadly the rest of the film doesn’t quite live up to the expectations generated by watching Chiru dance in gold lame and black pleather, but there are still plenty of good songs, plus Chiru in a variety of dapper suits and bow ties – so I’m definitely calling it a good buy.

Chiranjeevi is Anji, a simple man who lives in the village and helps the local Swamiji (Somayajulu J.V.) look after a number of orphans.  Swamiji runs a school at his ashram where the orphans also live, but it’s under threat from the village president (Satyanarayana Kaikala) who wants the land for himself.  The president threatens and blusters, but Anji isn’t going to let anyone bully the gentle Swamiji and when the president’s thugs turn up at the school to throw the kids out (literally!), Anji makes sure that they are the ones forced to leave.

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Anji is also intent on making the best match for his sister, who is back in the village after completing her studies.  The scene where Anji meets up with her again is brilliant, although I’m not sure why he should be so shy and bashful on meeting his own sister.  Maybe it’s just because his clothes are several sizes too small, but at least he’s made the effort to dress up for the occasion.

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Despite the self-conscious nature of their meeting, Anji is soon trying to get Lakshmi (Ramya Krishnan) to marry his best mate, and the local police sergeant, Mohan (Mohan Babu).  Mohan Babu hams it up nicely for the camera here and does his best to be the overall good guy in the film, with mixed success.  Still it’s probably only natural that Lakshmi prefers her rich former class mate who has plenty of style, even if it is all wasted posing on the golf course.

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Anji is doing his own fair share of romancing, as he chases after the feisty Rani (Bhanupriya).  Although the two seem to spend most of their time arguing or at the very least teasing each other,there are some night-time shenanigans which result in this great song.

Bhanupriya is lovely here and she just sparkles in the scenes with Chiranjeevi.  They both frequently look as if they are about to crack up laughing at each other and the camaraderie between them ensures some great chemistry as they veer between fighting and making up, usually both at the same time.

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However the president has more evil plans afoot and Anji ends up losing an eye as he saves the ashram yet again, leaving him with an eye patch and a generally bad attitude.  He picks a fight with Lakshmi’s rich suitor (Sudhakar) who is later found dead, sparking a hunt for the murderer.  Since the fight with Anji was seen by everyone on the golf course, Anji is the obvious suspect, and Mohan is the man charged with bringing his friend to justice.    There is much drama and scenery chewing as Mohan and Anji head for a show-down while Rani and Swamiji try to deal with the fall-out.  The president’s servant is played by a young Brahmi, and he provides a large proportion of the comedy, along with Allu Ramalingayya as Rani’s quack doctor father.  It’s worth keeping an eye on the various support actors in the background too, as below where the servant who brings the president his drink, totally unnoticed, helps himself to a glass as well.

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That brings us to the re-incarnation of Anji as Chakravarthy, the famous disco dancer, who returns to his village presumably to clear his name and sort out the village president once and for all. And if he’s lucky hook up with Rani again too.

Chakravarthy is as far removed from Anji as it is possible to be.  He is suave and sophisticated, dresses in smart suits and talks in English as he schmoozes the villagers.  Mohan suspects Chakravarthy may be Anji, possibly due to the uncanny resemblance between the two, but is thrown off when Chakravarthy demonstrates that he has full use of his left eye.  It’s a conundrum!

ChakravarthyChakravarthyChakravarthyChakravarthyI’m not sure if the two functioning eyes is ever explained, but it doesn’t really matter since there are more fights, more drama and suspicious looks exchanged before the final big showdown to grab our attention.  There are also more of K. Chakravarthy’s excellent songs.  I couldn’t decide which to add in here, but decided to go with this as Bhanupriya gets to wear much more tasteful outfits than in a few of the others.   Needless to say, Chiranjeevi looks perfectly styled in every one!

Although the film is overall a fairly standard masala flick, director Ravi Raja Pinisetty has added a few touches that bring originality into the mix.  Since he later directed one of my favourite Chiru films, Yamudiki Mogudu, I was a little disappointed that he kept the flamboyance to a minimum in Chakravarthy, apart from disco dancer Chakrvarthy’s introduction number.  But the more restrained costumes and comedy suit the overall style of the film.  What I do like are the different dynamics in Anji’s relationships with his mentor, his lover and his best friend.  The sudden shift when he reappears as Chakravarthy is also well envisaged, although I really did miss the subtitles that might have explained where he got all of his sudden sophistication.  And the eye fixed up!  Chakravarthy is definitely worth a watch for the chemistry between Chiranjeevi and Bhanupriya and for the concept of a disco dancer being the only person able to save the day! 3 ½ stars.

Chakravarthy

Raja Vikramarka

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Chiranjeevi stars as Raja Vikramarka in this modern day mass flavoured fairytale. Written by Satyanand, the story borrows a few scenes from Coming to America, but Ravi Raja Pinisetty makes it his own with lashing of Telugu film staples (family drama, revenge, convoluted assassination plots etc). There are fabulous costumes and great songs too. Another Adventure Without Subtitles, this is a fun celebration of the Megastar mass hero in a film designed to entertain and not tax the thinking bit of your brain too much.

Raja Vikramarka wakes up in his palace. His feet are guided into his bedazzled fluffy slippers. Gorgeous handmaidens brush his teeth and generously hop into the 12 person bubble bath to scrub his back. His thoughtful servant shows him deep fried snacks but only lets him eat cucumber and carrots.

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His parents (Jayanthi and Satyanarayana Kaikala) arrange a betrothal to a pretty princess with no brain. But he wants more, dammit! Raja runs away from home with his trusty friend and sidekick (Brahmanandam).

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I cannot express how much I love that he runs away by public bus, and in that outfit.

Once in the big city, Raja and Brahmi settle in with the common people. Raja finds lodgings in a guesthouse and swishes around majestically in his silky robes. He attracts the attention of thief Maya (Radhika) who soon parts him from his briefcase full of cash. Forced to toil as a mechanic, Raja meets the elegant Rekha (Amala Akkineni) and becomes her bodyguard. He also becomes her would be assassin as he accepts the job of hitman in order to send the attempts awry and protect her. Hijinks ensue as Chiru turns the tables and nearly kills the bad guys with multiple attempts gone wrong. But what of his kingdom? And with 2 women in determined pursuit, who gets the guy?

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This is the kind of role Chiranjeevi could do in his sleep, but he gives a funny and energised performance despite the thin material. I was a bit sad when his princely outfits made way for 90s denim, but there was an improvement in the hair so I guess that was something. Raja is a dancer, a fighter, a lover and a bit of a lightweight when it comes to drinking.

His antics gave Chiranjeevi lots of opportunity for playful comedic shtick and more intense action. I can’t say Raja struck me as a particularly interesting character but if you want a Megastar sampler, this role has a bit of everything. He had good chemistry with both his leading ladies.

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Amala Akkineni is a striking looking woman, and has an air of maturity that suits independent and educated Rekha. Her character is attracted to Raja and she spends rather a lot of time fantasising about him, whether he is pouncing on her as she rests or infiltrating her dreams as a snake.

Her dance style is odd. She is very strong and flexible but not particularly musical so doesn’t always look quite right. I love the fight scene where Rekha is part prop, part weapon and part accomplice in Raja’s hands as he sees off some hired rowdies.

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She exudes confidence and is utterly not interested in, or fazed by, medium grade villain Kiriti (Sudhakar) although will happily use him when it suits. Rekha often does the sensible thing when she is in trouble and I liked that she could be the hot chick without being the dumb chick.

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Radhika is such a good actress. She is wasted in Maya’s caricature of a thief, but she rises above the worst efforts of the wig and wardrobe double team.

Why did they hate her so? While most of her scenes are broad comedy as she picks pockets and cons people, like Chiranjeevi she adds a little more quality than the film demands. She’s not much of a dancer but she performs her songs with heaps of energy and expression. Maya is a bad girl but when it counts she does the right thing. Radhika was fierce when her character confronted the really bad guys and made a fairly ridiculous scene moving and dramatic.

It is a quite amusing film, but the highlight for me was the Raj Koti soundtrack and the picturisations which are lots of fun. The costume department must have been on overtime as they had to provide glitzy royalty, modern stylish Raja and a bit of filmi song fantasy attire.

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This style is what I like to call Mughal-e-WTF.

There is some playfulness in the action too. Maya’s accomplice dances to Chiranjeevi hits as she picks pockets in the crowd, Raja has a fight with a rather sturdily built man in a ninja suit and stops to adjust his beret before taking on the next masked assailant, Rekha and Raja play Frisbee before a romantic duet, and there is a classic Masala Death Trap in the finale.

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Plus an evil henchman who will not die and another one who spontaneously combusts. This film is never dull.

Unfortunately it does contain the old “marry a woman off to the man who assaulted her and everyone’s honour will be preserved” chestnut but luckily Laxmi seems to make Kiriti behave better so hopefully her life was more than being a victim of his idiocy. I know it’s only a silly old film but that gets my goat every time.

The supporting cast is full of familiar faces – Rao Gopal Rao, Allu Ramalingaiah, Kota Srinivasa Rao, Gollapudi Maruthi Rao and Narayana Rao make up the numbers.

See this for a good timepass with enjoyable songs and lots of dancing. Or just see it for Chiranjeevi in all his mass hero glory. Either way you get a bonus snake dance! 3 ½ stars, just for the sheer entertainment.

The film is available on Youtube with no subtitles if you’re keen.

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Agent Vinod (1977)

Agent Vinod

Aaah, the seventies!

A time of flares, large floppy hats, the always delightful Helen, and wonderfully cheesy Bollywood.

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A time when Mahendra Sandhu played the original Agent Vinod, long before Saif Ali Khan donned the same nom de guerre and secret agent mantle.  And did it with much more flair (and flares)!  Agent Vinod draws heavily on the 007 franchise, even including a sidekick by the name of James Bond, but despite its derivative nature it’s still lots of fun with plenty of gadgets, glamorous women, car chases and the obligatory secret hideaway.  Mahendra Sandhu is quintessentially smooth and suave as Agent Vinod, although his habit of introducing himself as ‘Agent’ Vinod does rather give his profession away.  As an added bonus there are strong female performances by Asha Sachdev, Rehana Sultan and Jayshree T, as well as the divine Helen in a role that requires more than her appearance in an item number.  Sadly I only have an un-subtitled VCD copy of this film which means I may have missed some subtleties of the plot (if there were any!), and I do apologise for the poor quality of the pictures.

Agent Vinod is a spy film, so of course there has to be an evil organisation plotting world domination of some description, and the film starts with the kidnaping of renowned scientist Mr Saxena (Nasir Hussain) by the Scorpion group. The Scorpion organisation plan to sell his secrets to the rest of the world for mega bucks, or maybe it’s to force him to create a secret formula for something that they can bottle and sell for mega bucks.

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Both seem equally plausible and maybe it’s a combination of both, but whatever the reason, Chief Scorpion Madanal (Iftekhar) and his gang of thugs find that Saxena won’t be coerced by the fear of death, but he might just be persuaded if his daughter is threatened instead.  To this end, the group sets out to kidnap Anju Saxena (Asha Sachdev) but she manages to elude her rather inept kidnappers and instead disguises herself as a taxi driver in an attempt to find her father.

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At the same time, another secret agent Zarina (Rehana Sultan) has foiled an attempt by Madanal and his thugs to blow up a train, managing to take pictures of the main gang members before they spot her and give chase.  Zarina is an ace secret agent, and she escapes pursuit, hides the photographic film and climbs down the side of a building – all in high heels too – before she’s finally captured by the gang.  Zarina is my hero.  She escapes from Madanal not once, but twice, including by climbing up against the water being pumped into her cell to drown her – go Zarina! Her best moment comes when she uses a handy robot to beat up one of the gang members and to be honest I think she’s a much better secret agent than Vinod!

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However, the film is titled Agent Vinod not Agent Zarina, and finally the threat to National Security means that there is only one man for the job.  Agent Vinod is recalled from his frolicking in the sun with a bevy of beautiful maidens and charged with finding Saxena and his daughter, as well as hopefully finding out what has happened to Zarina.  Finding Anju Saxena turns out to be relatively simple, although initially she suspects him of involvement in her father’s disappearance.  This leads to an excellent cat and mouse song between the two where Anju tries to get Vinod drunk to make him reveal her father’s whereabouts.

As any good secret agent knows, the key to foiling villains is a bunch of cool gadgets, so Agent Vinod picks up an assortment of disguised bombs, tracking devices, a distinctive golden gun and of course his specially modified car.  He’s also well prepared in the event of a stake-out, making sure to have his trusty flask along.  I was also impressed to see that despite the reckless nature of the car chases, Agent Vinod was careful to fasten his seat-belt before driving with reckless abandon along Indian country roads.  Note the dapper white suit too!

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The discovery of Zarina’s resourcefully hidden photographs point Agent Vinod in the right direction although Lovelina (Helen) attempts to lead him astray, although her backing dancers might just dazzle him enough all by themselves.

Luckily for Agent Vinod, the Scorpion organisation falls into the trap of so many evil, secret gangs by requiring its agents to wear the mark of the scorpion, making them easily identifiable.  However, perhaps as compensation, the gang have cool walkie-talkie’s in the form of scorpions and they have a classic hidden lair on a remote island.  Although this isn’t as opulent as might be expected, it does feature a giant opening mouth on the wall as a rather obvious ‘spy-hole’, and there are plenty of traps and creative ‘death’ rooms to make it acceptable as an evil hide-out.

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Agent Vinod is helped by the hapless James Bond (Jagdeep), aka Chandu who appears at odd moments with some generally vacuous slap-stick. I don’t find Jagdeep’s comedy amusing here, and the comedy scenes often seemed disjointed and out of step with the rest of the film, although part of that may be due to the lack of subtitles. However his character improves in the second half of the film when he romances the gypsy girl Jayshree T.  This also gives the film one of the best songs, when the gypsy girl and Anju team up for a comic dance to distract the gang and try to throw them off Agent Vinod’s trail.

There are yet more nods to the  James Bond films including an elaborate mirrored room on a rather small boat, and of course the identity of the shadowy figure behind the Scorpion organisation has to be revealed before Agent Vinod and Anju can sail away into the sunset. K.N.Singh makes an appearance as the Head of the Secret Service, Leena Das has a lovely dance number as one of the Scorpion agents and Pinchoo Kapoor is excellent as Vinod’s uncle/ mentor.  The cast all throw themselves into the general mayhem, with only Agent Vinod staying cool and calm throughout.  But with this selection of outfits, who can blame him for his air of suave sophistication?

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While the writing team of Khalid Narvi and Girish have borrowed heavily from 007, the underlying story is entertaining in its own right with a solid cast who all put in credible performances.  The music by Raam Laxman is excellent and Deepak Bahry has kept everything moving along.  It’s fun, engaging and definitely worth watching even if it’s just to count the number of Bond references. I really enjoyed this Agent Vinod and wish they had made a sequel!  3 ½ stars.