Srimanthudu (2015)

Srimanthudu

Mahesh Babu’s latest is a commercial masala movie that manages to fit in some better than expected moments while still remaining true to its mass roots. Writer/director Koratala Siva has penned a good story and although the film could have done with some snappier editing and less one-sided fight scenes, overall Srimanthudu is an entertaining watch. Along with Mahesh Babu and Shruti Haasan, the film features a cast of thousands with almost every Telugu actor appearing at least briefly on-screen, but for a wonder there is only Ali as the mandatory comedy uncle and even he has a very truncated role. That alone makes it a step above the usual fare, and with Mahesh at his charismatic best and some great songs, Srimanthudu is well worth a trip to the cinema.

Mahesh plays Harsha, son of a millionaire businessman and the heir to both the company and his father’s fortune. However that’s not what Harsha wants and he refuses to conform and take over the business despite his father’s continual gentle pressure. The scenes between Harsha and his father Ravikanth (Jagapathi Babu) are a little clunky, but the sentiment hits at the right level with Harsha treating his father with respect despite disagreeing with him on almost every topic. Although Ravikanth is very much a family man, he is cold and distant with no interest in anything outside his millions, while Harsha is diametrically opposite, more interested in his father’s employees and their ambitions. Harsha isn’t totally adverse to those millions though and they do come in handy whenever he needs some cash for his various schemes.

When driving his mother (Sukanya) and sister to the temple one morning, Harsha sees Charu (Shruti Haasan) outside her hostel and drives round the block a few times to get a better look. Luckily for Harsha, Charu also turns out to be cousin to his friend Apparao (Vennela Kishore) and she turns up at his birthday party. She’s beautiful and quirky but her biggest draw for Harsha is that she’s studying rural development at college – something that sounds just his cup of tea. Naturally Harsha enrolls in the same course and while Charu is initially rather disheartened to discover that Harsha is really there to study and not just stalking her, romance does blossom between the two.

As Harsha is falling in love and discovering his true calling, the film jumps to a small rural village where a school has collapsed and Narayana (Rajendra Prasad) is running around with a permanent expression of dismay as tragedy after tragedy occurs. Head villain Sasi (Sampath Raj) and his team of muscle men are slowly sucking the life from the village as their beer factory uses up all the water, and Narayana is doing his best to halt the decline as families leave the village and farmers commit suicide. Sasi is also in league with his brother, Minister Venkat Rathnam (Mukesh Rishi), whose son Radha (Harish Uthaman) is threatening Harsha’s father, so it’s inevitable that Harsha will get involved and use his new knowledge of rural development to save the day. Along with his excellent skills in dishoom of course!

Multi-layer Mahesh has shed his multi layers for Srimanthudu and he mainly appears in a single shirt or elbow baring T-shirt, although the biggest cheers went to his appearance in a knee-baring lungi. He is a one-man unstoppable army and the fight scenes are more comical than exciting as Harsha dispatches any and all comers with ease. There is one fight scene at a wedding function which is cleverly choreographed, but the rest are a montage of villains hitting the ground and bouncing wildly in all directions while Harsha has no difficulty lifting men twice his size over his head and flinging them into the dirt. No one manages to even lay a finger on him until it becomes necessary for the plot, and even then it’s during a shady ambush where Harsha still comes out on top. It’s mayhem, but it’s Mahesh mayhem and I loved every minute!

Shruti Haasan has a role with some substance and she’s generally good as Charu, even managing to hold her own against the star power of Mahesh. It’s good to have a heroine who doesn’t fade into obscurity as soon as the action ramps up, and Charu’s character does have enough depth to move beyond the romance track. The love story itself is well blended into the village make-over story line, while Mahesh and Shruti have good chemistry together adding a touch of plausibility. Shruti also has some lovely outfits, although she does fall foul of the costume designers in the Charuseela song. Seriously, no explanation is possible for the studded shoes, while the female choreography just adds insult to injury. The other songs are all much better with Poorna appearing in the first Rama Rama song, while Shruti gets to strut her stuff in the rest. The music by Sri Devi Prasad is catchy and the choreography generally very good – I loved a brief flash-mob style interlude in the bangle market during one of the songs while Dhimmathirigae bursts onto the screen in a riot of colour and is just as awesome as this teaser suggests.

The accomplished support cast is excellent although with so many good actors quite a few seem underused. I would have liked to see more of Subbaraju, who briefly appears as one of Harsha’s relatives with a spiritual disposition, while Rahul Ravindran has a potentially interesting role as a rival for Harsha that sadly isn’t expanded any further. However Jagapathi Babu and Rajendra Prasad have better developed characters that allow shades of grey while Mukesh Rishi and Sampath Raj are just as black and despicable as such villains need to be.

Srimanthudu may not be a perfect film, but it is a welcome return to form for Mahesh and infinitely better than last year’s Aagadu. The film is a tad overlong and somewhat slow to get going in the second half, but at least Koratala Siva avoids any suggestion of appearing preachy by keeping the attention focused on Mahesh rather than the development work he is doing in the village. Nothing to complain about there! Mahesh is excellent throughout and with a story different enough to maintain interest and great performances all round, Srimanthudu is one of the better films I’ve seen this year. Recommended for Mahesh, Shruti Haasan and those crazy fight scenes.

Jwala (1985)

jwala

Jwala hails from deepest darkest 1985, and is the first collaboration between Ravi Raja Pinisetty and Chiranjeevi. It’s a typical mass effort with the added delight of Chiru in dual roles. I watched this on a terrible quality print and with no subtitles so I was quite confused until I realised there were two Chirus!

The story opens with a Chiru being washed and dressed by his Ma. He is an adult, but buttoning up his shirt seems to not be in his skillset. As it turns out, that trait runs in the family.

Jwala-the kittens know

The Chakravarthis (Annapoorna and Satyanarayana Kaikala) fight about their sons under the watchful eyes of kitten art. There’s floppy haired Yuvaraj who cannot dress himself but is respectable, and Raju who favours an up-do and also cannot dress himself, but is possibly working as a mechanic and maybe has slightly rowdy-ish tendencies.

Bhanupriya has a troubled relationship with cars. She nearly runs Yuvaraj into a ditch, he runs her off the road, she retaliates against his parked bike and flees the scene leaving a cocky note and a blank cheque. Bhanupriya’s dad is less than happy when the cheque is presented with a generous amount filled in but hardly surprised.

She flounces off to a nightclub and sees Chiru , but he doesn’t seem to care or recognise her. She goes off in a huff, casting aspersions on his ability to shake what his mama gave him, which can Only Mean One Thing. A quick change later and Chiru hits the stage that has been used in so many films I cannot name off the top of my head.

I love that he is frozen in mid-air to give people ample time to applaud. Bhanupriya is furious that his outfit is better than hers and goes home in an even bigger huff. Her house has a photo mural and a cuckoo clock so she knows Style. Her dad lectures her about huffiness. I think maybe the money was either returned or used for a good cause, but he seems to be quite OK with motorbike dude. And that was about it for her – a couple of songs and a simper, never to be seen again.

Meanwhile Janaki (Radhika) is sold out to cover a debt. Raju (Chiru) sees this go down and rescues her from the sleazy baddies.  But Raju can’t save Janaki from all harm. People are calling her second hand and men see her as an easy mark. Raju realises he can’t bash everyone up – especially the really old ladies – so he marries Janaki. They do have a conversation about something before he ties the knot but I am not sure what it was about and whether she was actually consulted. However, neither of them looks unhappy, and when they go to his house to pay respects Raju reassures her while his dad goes nuts. At least his mum welcomes her daughter in law and there is time for a group hug. Radhika is a versatile actress and she manages to build a sense of Janaki and her feelings for Raju in small unspoken ways. Despite seeming to start purely through obligation, their relationship has many moments of warmth and sweetness.

 

In a room with another photo mural, the brains trust of the gang meets before adjourning to the tastefully appointed lair; skeletons, eclectic art collection, taxidermy, comfortable chairs… bedazzled gloves. The flamboyant Boss (Kannada Prabhakar) has a son who has been in the US so you know he is bound to be a creep. The Son begs to be allowed to run smuggling as he thinks it will be a thrill. There is so little common sense in this family it truly is a miracle they have managed to be so successful. The Son clashes with SP Chakravarthi on the beach when smuggled goods land. It’s too dark to see what’s going on but he is killed in a gunfight and now there is Revenge to be had.

The fight choreographer seems to be obsessed with Chiru’s thighs. The action requires he crush many an evildoer betwixt them as he hangs from a beam or does an impressive handstand to snare his opponent. Van Damme’s got NOTHING on Chiru! And all that rowdy lifting kept him in good form for duets.

My copy had this ad just after one of the fight scenes. Annoying, but appropriate product placement.

Raju is framed for murder and sentenced to jail. I don’t know what happened with the film but this section is mostly shown in stills. The Boss calls Chakravarthi and tells him why he has targeted his son. This causes 1) a tearful reconciliation and b) death.

Raju breaks out of jail. Yuvaraj flies home for the funeral and is met at the airport with news his big brother is now an escaped felon. While Yuvaraj rues that the rites won’t be completed by the eldest son, Raju turns up to light the pyre. After a justice versus vengeance bro-ment, the only thing that can happen next is an abrupt jump to the gang’s tastefully appointed courtyard for an item, complete with Silk Smitha humping all the props.

Jwala-that outfit

Yuvaraj wants Raju to turn himself in but Raju is on a mission, with firm views on appropriate forms of execution. Proving that apart from the shirt button thing, the brothers also share excellent groove genes, he undertakes a gladiator mini-skirt clad dance of death.

I almost said no one saw the flaming spear coming, but…

Yuvaraj tries to arrest Allu Ramalingaiah but protection from on high thwarts his plan. Raju seems to know his brother is only going to get into trouble trying to do things legally so he stays on task. He even impersonates Yuvaraj to get close to his next victim.

Jwala-surprise

The uniform was a good disguise, but once the hat comes off and the up-do is unleashed all is clear. I think the unbuttoned shirt was also a good indicator.

While Janaki sings to her fugitive Raju over the phone (oh, sorry I must have some dust in my eye), The Boss attacks her. She puts up a hell of a resistance until finally she runs out of room to fight. Raju finds her in a pool of blood. She asks him to kiss her, either for the first or last time, and she dies in his embrace. Raju is a killer and not to be lauded, but his life seems to be tidied away so neatly and with so little left that it’s a bit sad. He loses his parents, his wife, and his kid brother is on a different path.

The final showdown is brutal and silly and epic and even a little bit moving. I wasn’t really expecting one Chiru to take on the other Chiru, but then who else could stand up to a Megastar?

This is probably one for the Chiranjeevi  completists, but it’s not completely without merit for the non-fan. Bhanupriya is wasted in her small role, but Radhika stands her ground and carves out space for Janaki in a man’s story. The plot gallops along, the action is energetic, and there is just enough light relief through the songs. Bonus points for no extra comedy track. 3 stars!