Senna Hegde’s Katheyondu Shuruvagagide is a leisurely stroll through three different love stories that run alongside the tale of one man’s struggle to keep his hotel business going. It’s ‘slice-of-life’ storytelling that works thanks to the rich dialogue, detailed characterisations and excellent performances from the entire cast. However, it’s also reminiscent of European movies that take a slow approach to story development, so this is one more for those who prefer emotions and character-driven drama over fast action.
Tarun (Diganth Manchale) runs a small hotel somewhere on the coast of Karnataka near an absolutely stunning beach. Despite the gorgeous setting and well-appointed rooms, the hotel is struggling and at the beginning of the film Tarun is seen heading to the airport to pick up his only guests for the week – a married couple from the north of India. The opening scenes also establish Tarun’s bachelor status in his ultra-cool pad with a totally awesome wall light, and introduce his relationship with his Uncle Shankar (Babu Hirannaiah) and Aunt Radha (Aruna Balaraj). The other characters in the hotel make a brief appearance here too – chef Kutty (Prakash K. Thuminadu), driver and general dogsbody Pedro (Ashwin Rao Pallakki) and hotel receptionist Swarna (Shreya Anchan).
When Tarun arrives at the airport he finds only Tanya (Pooja Devariya) who explains that she has been recently widowed but asks Tarun to keep her status secret from the other hotel staff. This is in an attempt to prevent sympathy which she feels unable to handle. And indeed she is visibly upset and struggling to cope. At various times Tanya breaks down in tears and on the first occasion Tarun responds by chivalrously handing her a box of tissues from the car. However, as the week goes on he becomes more and more intrigued by Tanya and eventually offers her a shoulder to cry on.
While Tarun takes Tanya out sight-seeing and provides her with a ready ear for her problems, Pedro is desperate to let Swarna know that he is in love with her. Swarna on the other hand is getting ready to go to Dubai where her NRI fiancé is located. The two spend time chatting online while Pedro plots how to best persuade Swarna to stay in India with him instead. He’s aided by Kutty who bases his suggestions on talk-back radio, ensuring plenty of gentle comedy as the rather naïve Pedro tries to win over the much more sophisticated Swarna.
The third romance is the long-standing relationship between Shankar and Radha, and the interactions between the two suggests a love marriage that has only deepened over the years. However, Radha reveals a rather different story when chatting to Tanya, providing good contrast to the other threads and showing a different side to love. Their story is beautifully developed and both Babu Hirannaiah and Aruna Balaraj suit their roles perfectly. Their scenes are the typical day-to-day reality of an older couple and yet still allow their characters plenty of scope to flourish. The only odd note is Shankar’s advice for Tarun to find a partner to help solve his monetary woes, I’m not sure if this was supposed to be a reference to dowry or just to have support through his troubles, but either way this seemed to come out of nowhere.
All the characters are excellent and the slow development suits the realistic nature of the story. Tarun’s back-story of living in the US before returning to Karnataka to realise his dream seems plausible and his attempts to rescue the business rather than sell out to a developer also ring true. Diganth does a good job in the role and has good chemistry with his co-star, Pooja. Pooja is fantastic and manages to make Tanya a totally relatable character despite initially declaring that she has decided to come on her honeymoon even after being widowed. It’s that ‘already booked and I needed to get away’ rationale that has worked for movies like Queen but it’s Pooja’s attitude that really makes this so believable. She varies between genuine grief and attempts to be distracted by the scenery which comes across as totally understandable given her circumstances. Even the final scenes which reveal all is not quite as it seems are entirely plausible while writer Abhijit Mahesh’s dialogues are the icing on the cake that makes Tanya’s character really come alive. Although Pedro and Swarna’s story is mainly lighter and used as comedy, the dialogue here too is excellent and hits plenty of truths along the way.
The events of the film take place over a week, but rather than focusing on the romance between Tarun and Tanya the story follows the characters through their normal day-to-day lives – for example, conversations between Pedro and Radha as she readies the hotel room for Tanya, or between Pedro and Kutty as they prepare breakfast. Nothing happens quickly and the focus on the minutiae of each day adds authenticity to the story. Added reality comes with discussions about reviews on traveller websites and the problems Tarun has had as a result of posted complaints about the food.
The scenery is well shot to showcase just how beautiful the Indian coastline can be. The waters look pristine and the beaches sparsely populated, which made me wonder if this is the reality, and if so why I wasn’t already booking a trip! There are a few odd shots taken at approximately knee level which didn’t quite work as they pushed me out of the fly on the wall approach and made me lose contact with the characters. However there aren’t very many of these and the rest of Sreeraj Raveendran’s cinematography is stunning.
Sachin Warrier’s songs are good and well pictured with an appropriate mix of sad and happy tunes and a great party song too. Thankfully these were all subtitled which is always a plus, and the rest of the film had great subtitles too. Unfortunately though I missed the name of the subtitler.
Katheyondu Shuruvagide is a sweet film that doesn’t try to be anything other than a snapshot of life for a group of people in a small seaside resort. Senna Hegde has the mix of characters exactly right and the few others who appear briefly, such as Raghu Ramanakoppa as a coconut seller are smoothly integrated into the routine established by the main leads. It’s good to see such a character driven film with great attention to detail and well written dialogue. Slow-paced, yes, but definitely one to savour.