Golconda High School

golconda high school poster

Golconda High School is a family friendly youth and sport oriented film that borrows heavily from others in the genre like The Mighty Ducks and Chak de India. A ragtag team is brought together by their misfit coach to win back an inter-school trophy and protect their school sports oval. It doesn’t sound like much, and it is quite a slight story, but I quite enjoy the way the characters develop and the good lead performances.

A quick aside – My DVD subtitles refused to cooperate so I downloaded some subs. Whoever did them was undaunted by their caps lock being stuck on some letters and a mysterious appearance of the number 3 whenever apostrophes were required. But thank you, whoever you are.

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Sampath (Sumanth) is called back to his old school by headmaster Viswanath (Tanikella Bharani) to coach the cricket team. He had been cricket captain back in the day, but left the game under a cloud. Initially reluctant to commit, he is irritated into accepting the job by Kireet (Subbaraju), a board member with a keen interest in real estate, especially that large patch of land occupied by the sports ground. Kireet has an ally in Madhu (Shafi), the maths teacher and deputy principal. The boys are demotivated and unused to being pushed to excel so they provide a challenge and a reward for Sampath. Romance is supplied by English teacher Anjali played by Swathi. The story is predictable but the characters were not always exactly what I expected.

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Sumanth is likeable and blokey as Sampath. Sampath has Telugu Hero Syndrome and is never wrong about anything and is therefore not required to change his opinions or adapt in any way. But that characteristic is common to many successful sportspeople so it didn’t seem out of place. Sampath has a troubled history and he is a stickler for principles so he has a little bit of internal conflict but really, he is there to inspire the boys and to see them achieve his/their dream. Sumanth has an easy quality to his dialogue delivery, seeming conversational most of the time. He does amp up the jaw clenching and drama when it is needed, but he is not a superhero – just a focussed and determined man (once he has to be). He and teacher Anjali (Swathi) have an understated flirtation. They’re both single and attractive and they don’t play too many games, admitting they like each other quite easily.

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Swathi’s role is small but has a bit of substance. Anjali is a modern young woman with a natural and outgoing personality. Anjali is popular with the staff and students and she sometimes cajoles people into patching up their differences or cheers them on. She befriends Sampath and commends his efforts to support and develop the team. She calls him over for dinner and they share a romantic ‘what if?’ duet. Their relationship a little awkward as they both feel uncertain at times, and they seem to genuinely like each other. Again, nothing fake or flashy about it, just nice and relatable.

I like the way they phase in and out of reality, and the internal conversations they are practicing. No dancing and a bit cheesy, but you can’t have everything and this does suit their characters very well.

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The staff take on the boys in a friendly match and they all looked like they were having lots of fun. The interactions between the supporting teachers were funny in an everyday way, nothing overtly comedic but the humour of people who regularly wind each other up. There are lots of small interactions and dialogue exchanges that flesh out this school environment. When the final match is on, the parents and teachers have some good lines and little cutaway shots for reactions.

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The boys are a mixed bag, some more competent actors than others, but they make up a realistically varied team. I liked their intro sketches. But despite introducing them as simply the good kid, the fat kid, the scared kid, the angry one, the film does allow them to be a little more than just a stock type. Most of the boys face pressure from their family to excel in studies, and some are not supposed to waste valuable study time on anything else. With the exception of Siddhanth (Srinivas Sai) who is a hero-in-waiting, the boys grow up a little and assert their identities a bit more as they develop confidence. Initially resentful of their hard headed coach, they come to understand he is a decent bloke. Goutham (Santosh Sobhan) is the natural leader, the guy who gets in there and motivates his team mates when things get tough, a boy who will stand up for a friend and take responsibility for himself. Siddhanth gets all the glory for playing with an injury, but he only put himself out when it suited him. I was a little disappointed to see him given so much credit but not surprised. He and Sampath were very similar.

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Ramesh’s (Vasudev Sastry) attempt at making a film was just one of the glimpses of the boys home lives.

 

 

Varun (Sangeet Sobhan) is the fat kid but he also has a supportive family who are proud of him eventually for doing well in the game and getting a bit fitter. Ashish (Sai Kiran) has a demanding mother but she sees that the discipline of the game is good for her son and helps him focus so she drops her objections. It’s simplistic yet realistic as the parents start to see differences when their kids are happy and productive if not all budding rocket scientists. I’m pretty sure I’ve seen Santosh Sobhan and Farookh (who plays Mikey) as younger versions of heroes in other films.

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I like Subbaraju in character roles and he is well suited to playing the slightly intimidating Kireet. Well, except in a few scenes with Sumanth where he looks like he is about to crack up laughing.

Given Subbaraju’s track record of being able to go from zero to full blown fury in a nanosecond, I kept wondering if Sumanth was pulling faces out of shot. Kireet represents the short term hunger for profit over long term society gains. He and Madhu dismiss anything other than getting students to rank as a waste of time and potential earnings.

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Watching them as they watched the pivotal match was highly entertaining. You could see Kireet’s motivation for Golconda high school to lose warring with his appreciation of the game.

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He and Madhu seem to be caught  in the filmi bad guy equivalent of an unhappy marriage, stuck with each other until the bitter end.

Mohan Krishna Indraganti’s films have been a bit hit and miss for me. I found Grahanam interesting if depressing, Ashta Chamma was successful in parts but I found a couple of the performances weak and annoying. I haven’t seen Mayabazar as I am allergic to Bhumika Chawla. Golconda High School is a film I didn’t expect to like anywhere near as much as I did. Nobody dances, nobody dies. But the characters are relatable, the performances are pretty well balanced and the messages strewn throughout are mostly ones I agree with. I also liked the photo montages over the opening and end credits that stayed true to the ideals of sportsmanship, team work and friendship. 3 stars!

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Godavari

Sekhar Kammula has become one of my favourite directors, always entertaining me with interesting observations and a satisfying story. In Godavari he deposits his characters and their relationship issues on a boat, adding a philosophical dog, a sideplot or two and some beautiful scenery to leaven the mix. I’m not totally convinced by all of the elements but I do really like this film.

This song sets up the main characters, and acts as the now familiar promotion clip for Andhra Pradesh.

Kamalinee Mukherjee is Seetha, a would-be fashion designer. She has nightmares about losing her independence and her close relationship with her parents after she marries. I liked Seetha’s spirit, and I really felt for her coming off a rejection from a groom her parents pressured her into accepting. That had to sting. Seetha is vain and bratty at times but she is funny, insecure and compassionate as well, and admits fault when she is wrong.

Sumanth is Sriram, an unassuming guy who wants to get into politics and make the world better. He reveals a manipulative side as he cons his way into appointments with party officials. Perhaps he is a precursor to Arjun Prasad from Leader? He isn’t as effective in his personal life however. Ram is inarticulate when he should speak up, and doesn’t really see things for how they are – he is lost in a vision of how it should be.

Raji (Neetu Chandra) is spoilt, silly, self centred and yet not totally unlikeable. Raji judges a relationship by the trappings of Valentines’ cards, fancy coffee shops and all the showy things, things that just never occur to Ram, and she uses this as an excuse to push him away. Her parents know Ram wants to marry her but refuse as his simply isn’t the best offer and they are quite honest with him about this. Perhaps they know their daughter better.

Ravi (Kamal Kamaraju) is a cashed up bully, making the most of his status in the IPS. He seems to have some notions of manners and decency underneath all the arrogance, but has done a marvellous job of burying his better side. I can’t say I liked him at all, but I did end up thinking he could be a good match for Raji if he got over himself a little.

All the characters are flawed, but not in a dramatically damaged way. They’re just a bunch of people who have good and bad points, and for the most part are quite unremarkable. I found them easy to relate to, even the unpleasant ones, as they were well rounded and I could imagine them having lives outside of the film setting.

The boat setting appealed to me for a number of reasons. Not only did it provide a great device for containing the characters and their interactions, it looked great. It had all sorts of strange little additions,extensions and even a tower of sorts. I thought it looked delightfully like something out of a Miyazaki film. Whoever did the set dressing did a fantastic job too. All the powers were invoked to keep the boat safe and sound.

The boat trip also allowed the supporting characters to have things to do other than hang around Ram and Seetha.There was a nice sense of energy as the ever reliable Tanikella Bharani (the captain) and others bustled around. I enjoyed their presence all the more as they contributed to the background life and colour of the film. Seetha’s parents and sister had their own stuff going on at home, and there was a real lived-in feel to their domestic scenes as well. The nominal villains Raji and Ravi had their own issues to deal with, and even in their smaller roles showed some growth.

It wouldn’t be a boat story without stowaways. Chinna is a poor kid who pursues a mystery man (OK, it was Ravi) who does him out of the balloons he sells.  Koti, a dog, decides for his own reasons to get out of town. When Koti sees Chinna pay his bribe, he has a flashback to Daana Veera Suura Karna and swears fealty to his new master. They team up and give us their points of view but also provide the catalyst for people to reveal their own character – are they charitable, curious, mean or oblivious to the boy and dog?

While I liked the idea of Koti and the voiceover (by Sekhar Kammula, and what a world weary creature with a 3am whiskey voice he sounded), I did not like the CGI dog. The real dog had ample charm and verve and I don’t see the animation was necessary. I kept hoping it wasn’t because the real dog became, er, unavailable after a boating mishap. For those of you who demand pirates, there was a fairly silly episode involving a fugitive and a night ambush but it only served to show that Ram is reliable and Ravi isn’t so I will move on.

There is no surprise in the romantic pairing of our waterborne humans as their journey to Bhadrachalam follows that of Ram and Sita. Our Ram and Seetha are attracted to each other but there are obstacles, both real and imagined. I really enjoyed their conversations and the way both Sumanth and Kamalini showed the growing intimacy and comfort they felt in each other’s company as well as the pressure of the potential relationship.

They did daft things, sure, but there was no sense of them being stupid or unpleasant people. Kammula uses a lot of voiceover monologues, and both actors did a good job of mirroring the inner voice with their expressions, ranging from funny to heartfelt. Sometimes I find a voiceover can leave me at a distance, but in this case it worked well enough and suited the introspective nature of the characters.

I don’t like the background score at all. It is too cheesy, and seemed to try too hard to be whimsical. But the actual songs are more attuned to the mood of the scenes, and subtitled, so I could at least appreciate a fraction of Veturi’s lyrics as well as K.M Radha Krishnan’s melodies and the beautiful scenery. There is little dancing in the film, and it wouldn’t have been appropriate to much of the story; but if I have a criticism of Sekhar Kammula it is his over use of the montage. Then I saw Sumanth dance and I thought well, yeah, montages have their place— but there has to be a limit.

The lyrics draw attention to the beauty of the river and the power of unseen forces in our lives. The river is a metaphor for the forces in life that nudge us hither and thither, and the power of chance meeting and parting. But this Ram and Seetha also show that you can fight the current when you want to and make your own way.

Finally, I give Godavari 3 and ½ stars. For those who think 3 and ½ is just plucked from the air , it goes like this – Points on for the convincing performances, points off for the animated animals, points back on for the real dog, more points on for a parrot asserting her independence, some points off for too many montages, and finally points on for the film being so pretty. Watch it for the beautiful balance of observational style with a fresh twist on the filmi clichés.

Heather says: I really like the way that instead of road movies, the Telugu film industry has river films which surely do a great job for the tourist industry. The river looks beautiful here and the Godavari boat is fantastic. I love the way it’s at least 3 boats joined together, one of which has fantastic wooden panels and just to add a little more space it’s also towing a raft behind. It looks like a great way to travel from Rajamunday to Bhadrachalam, although I suspect in reality it would be rather wet and cold. I do appreciate the way that in time-honoured fashion everyone jumped underneath big blue plastic tarpaulins when the rain started. I remember those well from travelling on the top of buses in India and Nepal!

The story of the romance between Ram and Seetha, both rejected by their prospective partners, is different enough from the usual to be interesting and I like the way that Ram had to deal with being in such close proximity to Raji and her fiancé Ravi for the duration of the boat trip. Kamalinee Mukherjee’s Seetha is beautiful and chirpy and I really liked her character from the beginning. Even her obsession with her beauty is funny rather than irritating and I feel that she stayed true to her independent nature throughout the story. Although Ram is initially a very pedestrian character with his idealistic ways and mooning over Raji, he becomes more likeable in his interactions with Seetha and the young balloon seller Chinna. Ram and Seetha’s gradual attraction as they argue is realistically handled and I think both Sumanth and Kamalinee Mukherjee are well cast in their roles here. The cook Pullamma is a great character and her indignation when she thinks Ram has given her brother money because he feels sorry for him is one of my favourite scenes. I like the way Sekhar Kammula’s points out that poor people have pride and dignity very well, particularly since there is so much emphasis in the story about altruistic behaviour being the ideal to aim for.

As well as another reason to dislike Ravi (and I’m not sure we needed quite so many), Chinna’s character adds some funny comedy. The CGI talking dog is strange and I agree with Temple that it wasn’t necessary. The talking dog idea was fine and the voice-overs were quite funny and used well but I think this could all have been done with the real dog,  rather than introducing the CGI. But it wasn’t too much of a distraction and the story of Chinna and Koti is well written into the main story.  The characters of Raji and Ravi are also more than just part of the backstory and I appreciate the way that all of the supporting cast are used to further develop the romance between Seetha and Ram, either by helping them or by adding more obstacles to their path.

There are a few things that confuse me. I’m not sure why the fortune-teller decides to jump into the river. I can’t work out if he’s just chasing his parrot or if his declaration to Rama is more significant. The fight scene also seems totally unnecessary and the whole storyline of Veeraiah didn’t add anything other than a chance for Ram to be a hero.

There is so much to enjoy in this film. the boat setting, the lead actors, the story and the support characters are all excellent. I love the songs as well, especially Tippalu Tappalu in the rain, and the shots of the river are beautiful. Godavari is a really entertaining film and I give it 4 stars.