Devi (1999)

devi-DVD-cover

Devi offers a giddy blend of religious and folkloric elements in a story that is ultimately all about faith and honour. Directed by Kodi Ramakrishna, the special effects look a treat and the heroine Prema is wonderfully entertaining.

Some technical notes. The Telugu film was released in 1999 and is available without subtitles on DVD and on Youtube. There is a 2001 Hindi dub released as Goddess that is available with subtitles. I’ve taken my screencaps from Youtube as my DVD is out on loan so the picture quality is not as good as it should be. If you can’t locate a subtitled copy, Liz’s excellent review is very helpful to cover off the relationships and plot points.

Devi-Spaceship

Did I mention space ships?

Devi-snakes 1Devi-snake maidens

Devi and her snake handmaidens arrive on earth to look at some wildlife. Unfortunately they neglected to consult the appropriate almanac and so their trip coincided with an eclipse, an event that rendered Devi back into her comparatively helpless cobra form for the duration.

Devi-Devi and fire demon

A very nasty demon (Abu Salim) took the chance to adopt a fiery form and attack her, but she was saved by a kindly human who lost his life in the encounter. Being an honourable girl, Devi stayed on earth to help his daughter who is left at the mercy of not very nice relatives. The story then turns to Devi’s attempts to get Suseela’s life settled and then protect the world from said demon, while also taking some time for herself to fall in love. Devi is a practical woman and her defences are usually effective, causing great vexation to the demon. She draws on her own power as well as negotiating with her father, an array of goddesses and finally makes a drastic sacrifice to save her adopted family.

Prema is lovely as Devi. She is quite statuesque and effortlessly draws attention in even the most chaotic ensemble scenes. Devi is a resourceful and playful young lady but never crosses into hyperactive nutter heroine territory. Prema’s expressions are spot on and she is very funny without being too broad or too silly. I really liked Devi’s relationship with Vijay as once she tricked her way into his home, they genuinely seemed to like each other and would joke around or gang up on Vijay’s brother. Sadly, Devi does no snake dancing but she does frolic a lot; in meadows, in the snow, even in water. Lots of frolicking. But she also takes decisive action when needed, including dragging Vijay to the temple and marrying him on the spot before she went off to sort out the demon. The wardrobe department suffered from the lack of good snake costume reference material and would that they had read Jenni’s Filmi Snake Spotter’s Field Guide.

Devi-Naag PanchamiDevi-The Look

Devi is quite demurely clad, if occasionally retina searing in her colour choices. She does have a simple everyday snake headdress and can muster up a passable Look, but there was room for more and better accessorising.

Devi-Suseela and Devi as a snake

Vanitha is Suseela, and she is the other focus of the story. Devi’s efforts to protect her range from intervening when her guardians abuse her to setting up a romance with Vijay’s bossy older brother Ranjit (Bhanuchander). Suseela is not as active in the drama as Devi but her faith and resilience are tested so many times, and she honours her promises. Her romance with Ranjit is quite sweet despite his tendency to grumpiness. Suseela proves the power of her faith, abetted by Devi, and saves him from Devi-in-disguise-as-a-common-cobra so he is wildly impressed by this shy yet fearless woman.

Devi-Showkar Janaki

Showkar Janaki is Vijay and Ranjit’s grandmother (I think). She is loved and respected and is the glue that holds her household together. She is funny and a bit sarcastic but treats her daughter-in-law and the mysterious Devi with kindness and respect. It is nice to see a blended family that gets along and where people are generally nice unless they are demonically possessed.

Devi-Vijay lycraDevi-Bhanuchander

Shiju and Bhanuchander are good in their roles but despite having seen the film a couple of times I don’t ever recall them in much detail. I do always remember the black and silvery lycra bike shorts Vijay wears in one early scene. What were they thinking? Ranjit is an unlikeable character at first but he does seem to lighten up once he goes sweet on Suseela. Both actors have some nice scenes and are involved in pivotal moments but they are either pawns or observers most of the time as Devi and the demon battle secretly around them.

Devi-Bad familyDevi-babu Mohan and squirrel headdress

The rest of the support cast are in more comedic and less interesting roles. Suseela’s horrible relatives get their comeuppance thanks to Devi who literally shows them in their true colours. Comedy uncle regular Babu Mohan is a hapless fool who is transformed into a monkey for most of the story and if anything, that improves his performance. I’m still not sure why he appeared wearing a stuffed squirrel on his head. The demon also takes on the appearance of a creepy homicidal child (the rather too convincing Master Mahendran) as well as the more traditional multi-limbed monstrous avatar.

Devi-Giant space snakes

The special effects are pretty good and help blend the fantasy and religious themes. Plus it’s very entertaining what with the demonic bats, divine medical intervention, giant fire breathing snakes, you know … the usual. The real snakes are excellent and once again I paused to wonder at the art of filmi snake wrangling and hope that all the scaly stars were in good health after the filming.  But fundamentally the story is not about CGI or being immortal or who has the biggest weapon (although giant snake fangs are hard to beat), it is about doing right and demonstrating faith, no matter how overwhelmed and outgunned you feel.

I liked the opening song which had Shiju and Babu Mohan dancing what was more like a romantic duet than an heroic introduction. I mentioned the missed opportunity for a snake dance. The songs serve little purpose, and neither are they very memorable. Devi Sri Prasad’s soundtrack isn’t bad, but would work just as well as a background score without the very basic picturisations.

Devi is enjoyable if you like the fantasy genre and appreciate the religious underpinning of the story. Prema delivers a strong performance and it was good to see a film with several prominent and likeable female characters. Plus it seems I’m a sucker for a cobra space ship and a bit of divine justice. 3 ½ stars!

Singham II (2013)

Singham IIDespite the promise of subtitles, Singham II turned out to be another ‘adventure without subtitles’ in Melbourne.  Possibly not such a bad thing as there was so much happening on-screen, I’m not sure that I would have had time to read them anyway.  However, director Hari keeps the basic plot the same with a dedicated cop determined to clean up Tamil Nadu and a number of characters from the original Singham reprise their roles.  The addition of Santhanam, Hansika and Mukesh Rishi among many others to the cast mainly adds more mayhem into an already packed storyline but although there is an apparently limitless cast of characters, it’s still Suriya’s movie all the way.  Singham II is relentless, overlong and frequently over dramatic but there are some excellent fight scenes and Durai Singham’s determination and energy help keep the film from dragging.

Singham IISingham II

There is a quick run through the significant moments of the first film, reminding us that Durai Singham (Suriya) had resigned his position and under the aegis of the Home Minister (Vijayakumar) was heading off undercover to Tutricorn charged with investigating arms smugglers in the area.  So after a run-of-the-mill item song with Anjali, the film starts with Durai Singham working as some sort of an instructor in a local school.  I’m not exactly sure what his role was but it seemed to involve students and a lot of marching but not much else, which at least gives Singham time to pursue his undercover mission.  He also indulges in a little investigation when one of the students breaks in to look at exam papers early.  It’s the first time I’ve ever seen a contact lens used as forensic evidence in a film and I really hope I see it again as I never realised you could learn so much from a discarded lens!

Meanwhile at night, Singham is scouring the shore looking for smugglers.  But since the local police seem to be in cahoots with the gangs he doesn’t have much success.  I was happy to see one of my favourite bad guys Rajendran pop up, especially since he spends most of his time manically unloading illegal goods from a ship and then hurriedly reloading it all again when he’s tipped off about the possible police presence.  He’s funny and yet still menacing, and employs a fighting style which seems to be all elbows and knees but is still surprisingly effective.

Singham IISingham IISingham II

 

 

 

 

 

 

 

 

 

 

Kavya (Anushka) is still chasing after Singham and trying to organise their wedding which seems to have stalled since he gave up his role as a police officer.  However apart from appearing in the songs she doesn’t have much to do and trying to fit her into the storyline makes the film even longer.  Another unnecessary addition is Hansika as Sathya, a school student who is in love with Duria Singham.  Sathya stalks Singham, which could have been an interesting role reversal, but there never seems to be any point to her unrequited love.  Even her connection with one of the villains of the story isn’t played on to any great extent until near the end, although that could just be because I didn’t understand the dialogue.  Although Hansika looks much too old to be a school student, she is much better than usual and plays her role with restraint, but her character just doesn’t add anything to the story.

As if two romances and all the action wasn’t enough, Hari also adds in a number of comedy tracks featuring Santhanam and Vivek.  I found Vivek annoying in the first Singham, but he is more restrained here and doesn’t have as much screen time which makes him slightly more bearable. He’s also more of a genuine character with most of the one-liners seemingly given over to Santhanam who at least is very funny (even without understanding the dialogue) as the school caretaker Sussa.

Singham II

One of the main problems with Singham II is the sheer number of villains that Hari throws at his hero.  Bhai (Mukesh Rishi) is a smuggler and drug dealer who has a gang of accomplices that Singham has to wade his way through before he can get to the top man.  Similarly Thangaraj (Rahman) is a more sophisticated smuggler who uses his shipping company as a front but also has his own gang of thugs who need to be dealt with.   And finally there is their supplier Danny (Danny Sapani), an international drug dealer who spends most of his time sailing around the Indian Ocean indulging in various forms of vice.  This included killing a police man who was supposedly Australian but the dubbed accent was so bad that I didn’t even realise the actor was supposed to be speaking English!

Singham IISingham II

The inclusion of so many antagonists means that there are seemingly endless fights against different groups of thugs and never-ending schemes and counter schemes to deal with the gang leaders.  While Bhia, Thangaraj or Danny by themselves would have been effective enough, with all three the threads become entangled and the plot starts to get both confusing and repetitive. The comedy and romance even comes as a bit of relief from all the action!  The fight scenes though are well choreographed by Anal Arasu, with the best being also the most nonsensical when Singham throws away his gun in order to fight unarmed in the rain outside his parents’ house. It’s pretty stupid, but great fun!

Singham II

There isn’t too much ‘angry Singham’ in the first half, but after he puts his uniform back on, Singham gets progressively more and more enraged as he systematically sets up and destroys each of the gang leaders and their various minions.  It’s not as effective as in the first film because there isn’t the mutually antagonistic relationship between Singham and Prakash Raj’s Mayil Vaaganam which made their vitriolic exchanges so fiery.  However Suriya is still convincing and carries the film despite the long and overburdened storyline.  He does have good chemistry with Anushka and both look great together in the songs.  Although the music (Devi Sri Prasad) isn’t memorable, the choreography seems better than in the last few Suriya films and his dancing is excellent.

'Angry Singham'

There is just so much of everything in this movie and it does get rather wearing   Fewer villains and a harsher hand with the editing would make it much better but it’s still worth watching for Suriya, better than usual choreography and plenty of excellent fight scenes.

Iddarammayilatho

Iddarammayilatho

I haven’t been too impressed with the last few Puri Jagannadh films I’ve seen, but I was hopeful that this latest offering starring my favourite hero might offer something a little different.  But although the film is visually very pretty and both Bunny and Amala Paul do their best with their respective characters, the story has far too many plot holes and is frequently too unbelievable to make Iddarammayilathi anything other than disappointing.  While there is the expected excellent dancing from the stylish star, some good fight scenes and Bunny and Amala make a sweet couple, it’s just not enough to make up for the screechy, irritating Catherine Tresa and a dire comedy track which almost completely derails the film in the second half.

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The film follows Akanksha (Catherine Tresa), the daughter of a prominent politician in  India (Rao Ramesh) who moves to Barcelona to study psychology.  She has a fantastic room which just happens to contain a box belonging to the last tenant.  Inside is a diary which tells the story of a romance between Sanju (Bunny) and the room’s previous occupant, Komali (Amala Paul).  The romance is played out in flash-back as Akanksha talks endlessly to herself about the diary’s revelations and frankly seems far too interested in the details of a stranger’s love life.

Iddarammayilatho

Bunny looks great as Sanju Reddy, a singer/dancer who performs with his band in the streets of Barcelona and is surprisingly successful considering that the band seems to perform exclusively in Telugu in a Spanish/Catalan speaking city.  He’s also pretty nifty when it comes to the obligatory biffo although his prowess in this area is never really explained – but then neither is anything else so at least there is consistency in the lack of elucidation.  Sanju falls in love with Komali who is in Barcelona to learn classical music from Brahmi – again, completely nonsensical but there is even more absurdity to follow.  Amala does a good job as a demure and rather shy violinist apart from being completely unable to fake playing a violin.  She does look stunning though in some beautiful costumes and has good chemistry with Bunny so at least the romance part of the story is believable.

IddarammayilathoIddarammayilatho

For a change I really liked Bunny’s various outfits too, which aren’t as over the top as his last few films and do appear fashionable with a European touch.  Most of the songs by Devi Sri Prasad are fairly average, but the choreography is good if not exceptional and Bunny as always proves he really can dance. However a dance off between the classically influenced Brahmi and the more rock and roll Sanju would have been much better if the backing dancers had been able to keep up with the choreography.  There is a short tribute to Chiru’s Gangleader which got the biggest cheers from the Melbourne crowd, but this was my favourite:

The love story ends abruptly in the diary so Akanksha tracks down Sanju to find out what happened and learns of a tragedy that occurred when Sanju and Komali crossed paths with a gangster (Shawar Ali). Shawar Ali has to be the dullest and most incompetent villain ever and it’s surely only by chance that Komali is the only person who sees him execute one of his gang on an incredibly public beach in broad daylight.  Unbelievably, it takes all the might of his gang of assorted thugs, sword-wielding ninjas and Subbaraju in a rather dapper beanie to deal with one petite classical violinist and her guitar playing boyfriend!

IddarammayilathoIddarammayilathoIddarammayilatho

While Akanksha shrilly indulges in flagrant scenery chewing and desperately tries to persuade Sanju to fall in love with her, Sanju has his own agenda for revenge which ends up with a surprisingly good and effective plot twist with a flashback to some of those awesome sword fighting techniques from Badrinath.  Overall, apart from the woeful comedy scenes with Brahmi and Ali, the second half moves faster and is a little better than the first, although that may just be that I stopped worrying about the lack of logic and settled back to enjoy Bunny’s dancing and the fact that he does look as if he can actually play a guitar.  The fight scenes by Kecha are also beautifully choreographed and appear more like dancing than fighting, an effect which is heightened by Sanju’s total lack of emotion as he calmly and efficiently despatches everything and everyone that is thrown at him.

Iddarammayilatho

Iddarammayilatho looks beautiful and cinematographer Amol Rathod makes the most of the location in Barcelona, showcasing some of the beautiful buildings in the city, but the film is let down by a complete lack of logic in the story and very little in the way of character development .  Although the cast in general put in good performances, most of the supporting mothers, fathers etc have very little to do and both Subbaraju and Srinivas Reddy are chronically underused.  Brahmi is fine in the first half but the comedy with Ali is totally pointless and almost as irritating as Catherine Tresa.  Perhaps understanding the dialogue might have made Akanksha a more appealing character, but somehow I doubt it.  I still enjoyed the film, but more for the location, action scenes and dance numbers which were all good.  Overall, Iddarammayilatho is worth a look for Allu Arjun fans and anyone who likes movies with pretty scenery and great architecture.

Iddarammayilatho

Mirchi

Mirchi-Movie-PosterMirchi is a mass action romance revenge saga, offering few surprises in the story but with great casting and some solid performances. Writer/director Koratala Siva gets bogged down in a long flashback and loses the momentum a bit towards the second half, but generally moves along at a reasonable clip from fight to song to romance to fight and back again. Like many mass films, it starts light and fluffy but then the body count starts to rise so you do need to be a bit gore tolerant to fully enjoy Mirchi.

Jai (Prabhas) is an architect in Milan. He meets Manasa (Richa Gangopadhyay) and saves her from some thugs. They become friendly and he learns of her family – dominated by a violent assortment of men living in a big old house – and Jai decides to fix her life. Of course, Jai has an ulterior motive for wanting to reform her family, and that is revealed through a very long and detailed flashback. Jai is the son of Manasa’s family’s enemy, Deva (Sathyaraj). How can Jai reform her family, reclaim his place with his own estranged family, eliminate any enemies who refuse to comply and oh yes – what will happen to Manasa when he is reunited with his first love, Vennela (Anushka Shetty)?

mirchi_movie_prabhas dancersprabhas-mirchi

Prabhas is made for this kind of role. Jai is a nice guy, although of course he can kill evil doers with a single blow. Prabhas has such a likeable screen persona and the action scenes are well within his capability. He has nice chemistry with both leading ladies although as the story unfurls there is little ambiguity about who he would choose.  There is not a lot of complexity or nuance, but the role contains enough variety to give Prabhas a bit to work with. Jai does have to find a way that doesn’t totally rely on revenge and violence so there is a clear before and after in his character. One of the highlights is the slightly more prominent roles given to some supporting actors, and those scenes give Prabhas more scope for lighter moments. Jai’s relationship with his father is played out nicely too, showing the slightly more sympathetic side of the feud.

Favourite That Guy Subbaraju is Manasa’s brother. He is first seen pursuing some unfortunate bloke through college and delivering a serious beating. But Jai can see that apparently all he needed to give up his bullying ways was … discovering girls. Yes, Subbaraju got in touch with his sensitive side after dancing to Moves Like Jagger with the girl who fancied him. Who knew Maroon 5 was good for anything? But if that’s what it takes to get a good looking bloke to eschew dismemberment and take up flirting, well then I suppose that is not a bad thing. This dance outbreak also had the effect of making him dress better, pay his rent on time and generally improve his manners.  From then on he spends the rest of the film on the phone to the girl, very coy and giggly as he mouths what I can only assume are dialogues along the line of ‘no you hang up…no you…no you hang up first’ and the like. Silly but amusing, and nice to see him in a slightly different role.

Mirchi-Jai and Manasa

Richa has a one note character so there isn’t much she can do with Manasa, although she and Prabhas have nice rapport and that helps make the growing friendship between the characters more credible. Once the terribly long flashback starts, she is sidelined and pretty much disappears until the last couple of minutes. Anushka gets more investment from the screenplay as the feisty village belle Vennela. She sets her cap at Jai and he happily succumbs, colourful dance numbers and all. Until disaster strikes on their wedding day.

Sampath Raj has a prominent role as Manasa’s uncle, a nasty piece of work who bullies the entire household and believes he can heal his paralysed father by despatching selected enemies in front of him. Another That Guy, Adithya, plays Jai’s uncle, an old school type who believes in sorting out issues with a machete. Adithya doesn’t get the same opportunity to show off his acting range but he does get ample chance to flash a bit of leg. Supreet and Ajay make an appearance in the second half as muscle for Manasa’s family and the violence escalates towards a fairly brutal ending.

Sathyaraj and Nadhiya are good as Jai’s estranged parents and there are lots of other familiar faces. Brahmanandam does his usual thing and luckily has minimal screen time in the latter section of the film where comedy would have been misplaced. His scenes had the audience howling with laughter, but as this was another Adventure Without Subtitles that all went over my head. Satyam Rajesh, Raghu Babu and others do what they do in a film that relies on ‘types’ more than on characters.

The soundtrack is fun and the picturisations are sometimes spectacular (Darlingey and Mirchi in particular). Devi Sri Prasad seems to know his audience, and the crowd response to the songs was great. The choreographers generally concentrate on the possibilities afforded by Prabhas’ lanky frame and enormous wingspan.

Despite what you may think based on that selection of images, Prabhas largely escaped the worst efforts of the blind costume designer, apart from one inexplicable t-shirt with braces attached. And there is an unwavering commitment to ugly acid wash denim throughout. But I do have to ask – the Keytar? Really design team? What were you thinking.

Mirchi is a good formulaic timepass. It has a good cast delivering the minimal requirements of the script, along with well structured action and song sequences. If you’re a fan of Prabhas or the mass action genre, it’s well worth a watch.  Plus  if you like medical moments only possible in Indian films, then this is for you.

Julayi

Trivikram films tend to focus as much on the dialogue as on the action, so it was inevitable that I missed the comedy that had the rest of the audience laughing and cheering through most of Julayi. Not that it really mattered. There was still plenty of great dancing, excellent action scenes, ample screen time for my favourite actor Allu Arjun, and a relatively easy to follow (if somewhat unbelievable) plot giving another enjoyable ‘adventure without subtitles’.

Ravi (Allu Arjun) starts as many a Telugu hero seems to do, by having an argument with his father (Tanikella Bharani in his customary role). Taking a cue from Chiru’s ‘money is easy to make’ speech from Challenge on a TV in the background, the argument seems to be based around Ravi’s lack of commitment to the conventional way to earn a living and ends with Ravi heading out to a gambling club. Since it’s raining heavily he cadges a lift, which just happens to be with a gang on their way to rob a bank. Because stopping to give someone a lift on the way to commit a major crime doesn’t seem like a risky thing to do at all – right?

Luckily for Ravi they seem happy to drop him off on a corner but that is their first big mistake. Ravi has awesome intuition, amazing powers of observation and a seemingly photographic memory and is able to lead the police to the site of the bank theft in time to partially foil the robbers’ escape. Head gangster Bittu (Sonu Sood) has already decimated his own gang, presumably to ensure a larger slice of the money, and Ravi helps lower the number still further by taking out one of Bittu’s trusted gang members (Shafi in a very brief appearance). This seems to spell war between the two, although the apparent destruction of the money and ensuring that Bittu is arrested and his plan foiled are also key contenders for the ensuing rivalry between Bittu and Ravi.

The bank heist is an odd mixture of some excellent ideas, such as the smooth way the robbers disable the cameras as they move through the building, and some gaping plot holes which just don’t make sense. This lack of logic reoccurs throughout the film where there is never any explanation for Ravi’s astounding ability to apparently read Bittu’s mind and predict how, where and when he will strike next. The police are also very ready to fall in with Ravi’s plans and have no objections any time he kills one of the gang. I was almost expecting that Ravi would be revealed as some sort of super-agent which might have explained the nonchalance towards his ever increasing body count and the willingness of everyone to follow his lead. But no, nothing quite so logical is allowed to intrude into the plot, or at least not that I could understand.

Sonu Sood is his usual impressive self as the villain Bittu, although he has a tendency to start cold and menacing but then over-do it just a tad and become almost comic. He too has amazing powers since he is able to interpret the sign language of his deaf henchwoman without even looking at what she is signing. It’s a talent she seems to share since she rarely looks at his replies either but at least she has better survival skills than the rest of the gang. To add some further complications, Bittu is collaborating with local MLA Kota Srinivasa Rao, who’s done some dodgy deal to cheat his investors and seems to be in it for the money. It’s the same crooked statesman role that Kota plays so well that now I don’t ever expect to see him without there being some dodgy deal involved.

The action moves to Hyderabad when Ravi is sent to ACP Sitaram (Rajendra Prasad) as part of a witness protection scheme. Ravi falls in love with a girl he sees at the bus-stop which results in a succession of songs, in fact almost the entire soundtrack one after the other, as Ravi attempts to win Madhu’s heart. Ileana started off well as Madhu and I liked her glasses and general look, but after Ravi takes her shopping and persuades her into contact lenses and Western clothes she just looks too thin and out of proportion. Although none of her outfits are terrible, the majority aren’t very flattering either and the curse of the Telugu film shoe designer strikes once again with a terrible pair of black boots.

Bunny and Ileana have very little chemistry together and although there are some better moments in the songs, the romance never really takes off. The songs by Devi Sri Prasad are mainly pictured on Bunny who is energetic and wonderful to watch in better than usual choreography. For a change there are no special ‘feature moves’ – no sign of ‘the worm’ – and Bunny is given free rein to do what he does so well and just dance.  He also shows commitment to shiny multicoloured shirts which I did appreciate.

Every single possible comedy uncle turns up but thankfully their comedy is well integrated into the main plot and kept to a minimum. Trivikram seems to use most of the humour in snappy dialogues between  Bunny and Rajendra Prasad which were well appreciated by the audience. There is plenty of ‘action’ Bunny but a lot more ‘funny’ Bunny and both Allu Arjun and Rajendra Prasad work well together in these scenes. In fact the only major fail is Bunny’s hair which varies from OK in the frequent rain scenes (because it is flat and plastered to his head!) to really quite terrible with spikes at the back and flattened matting at the front. There is no hair continuity either and it becomes quite a distraction in a number of scenes as the number and position of the spikes varies – or perhaps I’m just becoming a little too obsessed. There is also the matter of his coloured contact lenses, but I’ll leave that rant for another time!

The film does look great, with some good use of locations in Dubai and reasonable special effects. The sets are also well dressed although Temple and I did have a discussion about the large assortment of really ugly ornaments that appeared on every desk. But there was commitment to family photographs and I did like the large picture of Michael Jackson in Ravi’s room. I liked the soundtrack before I saw the film and although it doesn’t sound too different from previous DSP soundtracks the music fits in with the general feel of the film. The songs could have been better paced though as there did seem to be a lot in the first half – not that I’m really complaining as watching Bunny dance is always worthwhile.

Julayi has plenty of action and strong performances from most of the cast which helps keep attention away from all the plot holes. Its slick and well filmed to make the most of Peter Hein’s excellently choreographed fight scenes. Definitely worth catching on the big screen if you can although I think this is a film that I will appreciate more with subtitles. Hopefully this doesn’t disappear into the same DVD black hole as Khaaleja and we do see a DVD release soon.